Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
14
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
15
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
16
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
17
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
18
unknown artist
Design for a Wine Cooler
undated
19
unknown artist
Design for an Altar
undated
20
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
21
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
22
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
23
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
24
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
25
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
26
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
27
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
28
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
29
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
30
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
31
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
32
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
33
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
34
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
35
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
36
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
37
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
38
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
39
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
40
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
41
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
42
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
43
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
44
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
45
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
46
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
47
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
48
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
49
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
50
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
51
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
52
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
53
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
54
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
55
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
56
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
57
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
58
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
59
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling
undated
60
unknown artist
Hinton St. George, Somerset: Plan of Staircase
undated
61
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
62
unknown artist
Hinton St. George, Somerset: Plan of Stables
1777
63
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
64
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
65
unknown artist
One of Six Designs for a Wall Decoration
undated
66
unknown artist
One of Six Designs for a Wall Decoration
undated
67
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall