Etched by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
2
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
3
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
4
George Romney, 1734–1802
Titania's Attendants Chasing Bats
undated
5
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
6
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
undated
7
George Romney, 1734–1802
MacBeth at the Witches' Cave: Second Visit
undated
8
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
9
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
10
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
11
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
12
George Romney, 1734–1802
The Banquet Scene
ca. 1792
13
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
14
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
15
George Romney, 1734–1802
MacBeth: Banquet Scene
undated
16
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
17
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
18
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
19
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
20
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
21
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
22
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
23
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
24
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
25
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
26
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
27
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
28
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
29
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
30
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
31
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
32
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
33
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
34
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
35
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
36
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
37
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
38
George Romney, 1734–1802
Three Studies of a Standing Woman, Possibly Lady MacBeth
undated
39
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
40
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
41
George Romney, 1734–1802
Unidentified Subjects
undated
42
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
43
George Romney, 1734–1802
Birth of Man
undated
44
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
45
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
46
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
47
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
48
Robert Smirke, 1752–1845
Anne Page and Slender
1821
49
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
50
Edward Francis Burney, 1760–1848
Study for the Figures of Demitrius and Two Workmen
undated
51
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
52
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
53
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
54
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
55
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
56
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
57
Robert Smirke, 1752–1845
Claudio and Isabella
1823
58
Robert Smirke, 1752–1845
Viola and Olivia
1822
59
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
60
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
61
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
62
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
63
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
64
Robert Smirke, 1752–1845
Katherina and Grumio
1821
65
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
66
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
67
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
68
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
69
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
70
Theodor von Holst, 1810–1844
Faust and Margaret
undated
71
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
72
Print made by Nathaniel Hone, 1718–1784
Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk
1772
73
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
74
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
75
Robert Smirke, 1752–1845
Study of a Woman, Imploring for the Return of Her Captive Child