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Materials & Techniques brown wash
Remove constraint Materials & Techniques: brown washMaterials & Techniques pen
Remove constraint Materials & Techniques: penCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsPeriod 19th century
Remove constraint Period: 19th centurySearch Results
1
- Landscape Sketch
- undated
2
- An Ancient Barn at Shoreham
- undated
3
- Dawn
- between 1831 and 1832
4
- Trees and Deer
- 1825
5
- Manor (Knowsley Lane?)
- undated
6
- S. Pietro Degli Agostiniani. Leonessa
- 1844
7
- Reggio, 26 July 1847
- 1847
8
- Turin, Italy
- after 1872
9
- The Pontine Marshes above Terracina
- ca. 1880
10
- Bavella, Corsica
- ca. 1868
11
- Memphis
- 1867
12
- Albania
- between 1848 and 1849
13
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
14
- Cheyne Walk, Old Chelsea
- 1861
15
- Mount Soratte from Civita Castellana
- 1816
16
- Designs for Gothic Ornamentation
- undated
17
- Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
- undated
18
- Government House from St. Andrew's Library - Calcutta
- undated
19
- Dunloh Castle, Killarney, Ireland
- ca. 1807
20
- Castello Malespina Appennines
- 1819
21
- Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
- ca. 1831
22
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
23
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
24
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
25
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
26
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
27
- Hogarth Sitting to Roubiliac for His Bust
- 1817
28
- Thatched Roof and Tree
- undated
29
- The Building of Waterloo Bridge
- ca. 1816
30
- Well at Bolonchen, Yucatan
- 1843
31
- Margate Harbor
- ca. 1806
32
- Landscape with Trees and Church Spire
- undated
33
- Standing Woman
- undated
34
- Landscape with Bridge
- undated
35
- Harbor
- undated
36
- Nocturnal View of Mountainous Landscape with River
- undated
37
- Ram and Two Sheep
- undated
38
- Hinton St. George, Somerset: Plan of the Dressing Room
- 1801
39
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
40
- John Gilpin in the Uxbridge Passage Boat
- 1820s
41
- Prospero and Ariel
- 1821
42
- Anne Page and Slender
- 1821
43
- Falstaff Instructing Bardolph
- 1825
44
- On the Cimaronero River
- 1857
45
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
46
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
47
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
48
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
49
- Hogarth Drawing Sarah Malcolm
- 1817
50
- The Reconcilation
- 1817
51
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
52
- The Smock Exposed
- 1817
53
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
54
- Margate Hoy
- 1807
55
- Sorrento Gate
- 1818
56
- Caernarvon (Castle) Eagle Tower
- ca. 1809
57
- Caernarvon Castle
- 1809
58
- Harlech Castle
- 1810
59
- Harlech Castle
- 1810
60
- Ruins (Roman?)
- 1818
61
- Classical Landscape with Temple
- ca. 1818
62
- After Pinnelli - Group of Peasants Outside a Church
- 1817
63
- "After Pinnelli" (Group of Peasants Outside a House)
- 1817
64
- An Execution, Rome
- 1819
65
- Running Woman
- ca. 1818
66
- Katherina and Grumio
- 1821
67
- Ford in a Rage After Seeing Falstaff
- 1821
68
- Fulham Palace, Porter's Lodge
- undated
69
- The Villa Adrianna, Rome
- 1824
70
- Totnes from the Seymour Hotel
- 1838
71
- Shakespeare House, Aldersgate Street
- undated
72
- Workmen at Refreshment (Banditti?)
- 1819
73
- The Fitting Up of the Medal Room in the Arsenal, Venice
- 1802-1804
74
- Arch of Hadrian
- ca. 1804
75
- Architectural Drawing of a Temple
- 1802-1804
76
- Ruins at Capua
- 1802-1804
77
- Cathedral at Arezzo, Tuscany
- 1804
78
- Arch of Trajan, Ancona, Italy
- 1804
79
- Study of a Prison in Venice
- 1802-1804
80
- Study of an Older Palace in Venice
- 1802-1804
81
- Palazzo di Vicenza
- 1802-1804
82
- Palazzo Thiene Bonin Longare
- 1802-1804
83
- A Villa Near Potsdam
- 1802-1804
84
- Jungfern Bridge
- 1802-1804
85
- One of the Entrances to Potsdam
- 1804
86
- Sketch of an Ornate Doorway, With Columns, and Sculpture
- 1802-1804
87
- Study of a Stone Mausoleum
- 1802-1804
88
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
89
- Maya Stela at Copan, Honduras
- 1843
90
- Falstaff Dragging the Body of Hotspur
- 1825
91
- Lysander Awakening to See Helena
- 1825
92
- Hogarth Declaring His Love to Miss Thornhill
- 1817
93
- Preparatory drawing for The Waltz
- 1820s
94
- Falls of Tivoli, From the Lowest Cavern
- 1802-1804
95
- The Murazzi at Venice
- 1804
96
- Staircase Railing, Palace of Doge, Venice
- 1802-1804
97
- Palace in Padua
- 1802-1804
98
- Sketch of the Plan of the Church of Saint Wenceslas in Prague
- 1802-1804
99
- Portrait Studies
- undated
100
- Study of Christ Raising Lazarus
- undated