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Materials & Techniques wove paper

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1. Study for the Proclamation of Don Carlos

Study for the Proclamation of Don Carlos
Creator:
John Frederick Lewis, 1804–1876
Date:
between 1834 and 1838
Materials & Techniques:
Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Scarborough: Shipwreck at the Foot of the Castle Cliff

Scarborough: Shipwreck at the Foot of the Castle Cliff
Creator:
Francis Nicholson, 1753–1844
Date:
ca. 1808
Materials & Techniques:
Watercolor and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 x 16 1/2in. (30 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855

Sebastopol, Sketched From The Deck of H. M. S. Sidon, Feb. 1855
Creator:
William Simpson, 1823–1899
Date:
1855
Materials & Techniques:
Watercolor and gouache over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 x 20 5/8 inches (33 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving, Engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Pendennis Castle and Entrance of Falmouth Harbour

Pendennis Castle and Entrance of Falmouth Harbour
Creator:
Print made by George Cooke, 1781–1834
Date:
1814-1826
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. A Scene in the New Farce - as Performed at the Royalty Theatre!

A Scene in the New Farce - as Performed at the Royalty Theatre!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1821
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

7. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

8. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Monument to Jennett Hamilton, Chelsea Church

Monument to Jennett Hamilton, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, white gouache, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 1/2 inches (37.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church

Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. William Tell's Chapel (vignette)

William Tell's Chapel (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Sketch of a Horseman, From the Parthenon Frieze

Sketch of a Horseman, From the Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash, and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 x 10 1/8 inches (19.1 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Figures with a Bull From Parthenon Frieze

Figures with a Bull From Parthenon Frieze
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Graphite and pen and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 10 1/16 inches (19.4 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church

Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Tomb of Gregory Lovell and his Wife Anne, Harlington Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
George Henry Harlow, 1787–1819
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church

Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Flight from Belgium

The Flight from Belgium
Creator:
William Lee Hankey, 1869–1952
Date:
1914
Materials & Techniques:
Etching, aquatint, soft-ground etching, drypoint, and roulette on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 20 1/16 x 23 1/16 inches (51 x 58.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Garrick Reading the Ode at the Shakespeare Jubilee

Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander

27. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Creator:
Charles Claude Pyne, 1802–1878
Date:
1872
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Monument of King Henry III, in Westminster Abbey

The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

29. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:
undated
Materials & Techniques:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

31. Spanish Inquisition

Spanish Inquisition
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. A Gathering at Fulham Palace

A Gathering at Fulham Palace
Creator:
George Richmond, 1809–1896
Date:
between 1843 and 1845
Materials & Techniques:
Iron gall ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

34. The Launching of H.M.S. 'Hibernia' 1804

The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection