Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
23
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
24
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
25
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
26
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
27
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
28
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
29
Print made by William Blake, 1757–1827
Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
30
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
31
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
34
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
35
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
36
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
37
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
38
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
39
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
40
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
41
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
43
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
44
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
45
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
46
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
48
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
49
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
50
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
51
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
52
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
53
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
54
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
55
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
56
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
57
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
58
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
59
James Ward, 1769–1859
A Human Skeleton
undated
60
James Ward, 1769–1859
A Human Skeleton
undated
61
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
62
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
63
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
64
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
65
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
66
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
67
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
68
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
69
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
70
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
71
Thomas Girtin, 1775–1802
Jedburgh Abbey from the South East
1800
72
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
73
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
74
Thomas Daniell, 1749–1840
Two Studies of an Indian Elephant's Head
ca. 1840
75
James Ward, 1769–1859
Study of a Plunging Eagle
undated
76
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
77
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
78
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
79
John Sell Cotman, 1782–1842
Castle Acre Priory, Norfolk
ca. 1804
80
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc