There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
129
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
130
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
131
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
132
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
133
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
134
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
135
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
136
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
137
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
138
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
139
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
140
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
141
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
142
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
143
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
144
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
145
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
146
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
147
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
148
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
149
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
150
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
151
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
152
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
153
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
154
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
155
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
156
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
157
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
158
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
159
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
160
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
161
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
162
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
163
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
164
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
165
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
166
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
167
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
168
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
169
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
170
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
171
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
172
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
173
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
174
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
175
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
176
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
177
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
178
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
179
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
180
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
181
Print made by William Blake, 1757–1827
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
182
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
183
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
184
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks