Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
7
George Stubbs, 1724–1806
Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
between 1795 and 1806
8
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
9
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
10
Joseph Mallord William Turner, 1775–1851
Mer de Glace, in the Valley of Chamonix
1803
11
Joseph Mallord William Turner, 1775–1851
Upper Fall of the Reichenbach: Rainbow
1810
12
Joseph Mallord William Turner, 1775–1851
Fluelen: Morning (looking towards the lake)
1845
13
Joseph Mallord William Turner, 1775–1851
The Channel Sketchbook
ca. 1845
14
Joseph Mallord William Turner, 1775–1851
Saint Augustine's Gate, Canterbury
ca. 1793
15
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
16
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
17
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
18
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
19
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
20
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
21
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]