The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
2
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
3
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
4
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
1794
5
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
6
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
7
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
8
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
9
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
10
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 16 (Bentley 17)
1794
11
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
12
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 27)
1794
13
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 22 (Bentley 24)
1794
14
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
15
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
16
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
17
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
18
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8 (Bentley 9)
1794
19
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
20
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
21
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
22
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 14 (Bentley 14)
1794
23
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
1794
24
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
25
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
26
Print made by William Blake, 1757–1827
Jerusalem, Plate 1, Frontispiece
1804 to 1820
27
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
28
Print made by William Blake, 1757–1827
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
29
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
30
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
31
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
32
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
33
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
34
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11 (Bentley 17)
1794
35
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
36
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
37
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
38
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
39
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
40
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
41
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
42
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
43
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
44
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
45
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
46
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
47
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
48
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
49
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
1794
50
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 24 (Bentley 26)
1794
51
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
52
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
53
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
54
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
55
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
56
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
57
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
58
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
59
Print made by William Blake, 1757–1827
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
61
Print made by William Blake, 1757–1827
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
62
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
63
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
64
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
65
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
66
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
67
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."