David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
2
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
3
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
4
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
5
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
6
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
7
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
8
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
9
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
10
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
11
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
12
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
13
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
14
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
15
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
16
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
17
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
18
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
19
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
20
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
21
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
1844-1867
22
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
23
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
24
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
25
Print made by Edward Francis Finden, 1791–1857
Malta
1832
26
Print made by Edward Francis Finden, 1791–1857
Rhodes
1833
27
Print made by William Forrest, 1802–1889
Smailholm Tower
1836
28
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
29
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
30
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
31
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
32
J. R. Harris, active 1876
Sketches for Panels Executed at Crowe Hall
1876
33
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
34
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
35
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
36
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
37
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
38
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
39
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
40
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
41
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
42
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets