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1
- The Horse
- ca. 1805
- Not on view
2
- The Shepherd, from Songs of Innocence
- ca. 1795
3
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
4
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
5
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
6
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
7
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
8
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
9
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
10
- Jerusalem, Plate 86, "I see thy Form...."
- 1804 to 1820
11
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
12
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
13
- Jerusalem, Plate 90, "The Feminine separates...."
- 1804 to 1820
14
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
15
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
16
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
17
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
18
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 39, "Ode to Adversity."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
27
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
28
- Jerusalem, Plate 76
- 1804 to 1820
29
- Jerusalem, Plate 79, "My tents are fall'n...."
- 1804 to 1820
30
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
31
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
32
- Jerusalem, Plate 80, "Encompassd by the frozen net...."
- 1804 to 1820
33
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
34
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
35
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
36
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
37
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
38
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
39
- Jerusalem, Plate 82, "I have heard Jerusalems groans...."
- 1804 to 1820
40
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
41
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
42
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
43
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
44
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
45
- Jerusalem, Plate 10, "Into the Furnaces...."
- 1804 to 1820
46
- Jerusalem, Plate 100
- 1804 to 1820
47
- Jerusalem, Plate 13, "And that toward Eden...."
- 1804 to 1820
48
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
49
- Jerusalem, Plate 16, "Hampstead Highgate Finchley...."
- 1804 to 1820
50
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
51
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
52
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
53
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
54
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
55
- Jerusalem, Plate 55, "When those who disregard...."
- 1804 to 1820
56
- Jerusalem, Plate 56, "Then Los heaved...."
- 1804 to 1820
57
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
58
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
59
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
60
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
61
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
62
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
63
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
64
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
65
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
66
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
67
- Jerusalem, Plate 51
- 1804 to 1820
68
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
69
- Jerusalem, Plate 67, "By those who drink their blood...."
- 1804 to 1820
70
- Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
- 1804 to 1820
71
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
72
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
73
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
74
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
75
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
76
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
77
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
78
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
79
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
80
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
81
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
82
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
83
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
84
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
85
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
96
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
97
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
98
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
99
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
100
- Jerusalem, Plate 17, "His Spectre divides...."
- 1804 to 1820