Materials & Techniques: hand coloring / On-site Access: Accessible by appointment in the Study Room / Period: 18th century

1. The Complaint and The Consolation: or Night Thoughts

Creator:: William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Hand-colored line engraving
Dimensions:: Spine: 16 3/4in. (42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Peterborough

Creator:: Print made by James Walker, 1748–1808
Date:: 1796
Materials & Techniques:: Etching and line engraving, with hand coloring in watercolor; 2nd. published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 5/8 × 11 3/4 inches (49.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Celebrated Victory ... on the Glorious First of June 1794

Creator:: Print made by Daniel Orme, 1766–1837
Date:: 1795
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 × 23 1/4 inches (50.5 × 59.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. The Mask

Creator:: Luigi Schiavonetti, 1765–1810
Date:: 1790
Materials & Techniques:: Color printed etching and stipple engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 12 9/16 inches (25.9 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. William Dodd, L. L. D.

Creator:: John Goldar, 1729–1795
Date:: between 1775 and 1795
Materials & Techniques:: Line engraving with hand coloring on moderately thick, slightly textured, cream laid paper, laid in mount
Dimensions:: Sheet: 6 3/4 × 3 15/16 inches (17.1 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

8. Lleweney Bleach Works

Creator:: Thomas Malton, 1726–1801
Date:: 1798
Materials & Techniques:: Hand-colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 5/8 × 25 7/8 inches (52.4 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Accurate Perspective View of the Outside of the Royal Exchange in London

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Line engraving, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 × 22 1/4 inches (39.5 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. A Young Lady Encouraging the Low Comedian

Creator:: Print made by William Ward, 1766–1826
Date:: 1787
Materials & Techniques:: Mezzotint with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 11/16 × 18 1/8 inches (60.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The South Entrance of Duke's Place

Creator:: John Thomas Smith, 1766–1833
Date:: 1814
Materials & Techniques:: Hand colored etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Bank

Creator:: Print made by Thomas Malton the Younger, 1748–1804
Date:: 1781
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 17 7/16 × 22 15/16 inches (44.3 × 58.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. North Front of the Bank

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Hand colored aquatint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 16 1/16 × 12 1/16 inches (40.8 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Bank of England in ye Poultry

Creator:: unknown artist
Date:: 1724
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Principal Front of the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored etching on slightly textured, medium, gray wove paper
Dimensions:: Sheet: 15 1/4 × 20 9/16 inches (38.7 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Bank

Creator:: unknown artist
Date:: 1792
Materials & Techniques:: Hand colored engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. South Front of the Bank

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Hand colored aquatint on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/16 inches (30.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Battersea, Chelsea and London from Mr. Rucker's Villa

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1795
Materials & Techniques:: Hand colored aquatint on smooth, medium, cream wove paper
Dimensions:: Sheet: 13 9/16 × 20 1/8 inches (34.4 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The North View of Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white laid paper
Dimensions:: Sheet: 8 1/4 × 12 5/8 inches (21 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Queen Katherine's Dream

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and hand-coloring
Dimensions:: Sheet: 17 7/8 x 20in. (45.4 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Fort St. George

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 × 23 3/4 inches (46 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Tellicherry

Creator:: Print made by Gerard van der Gucht, 1696–1776
Date:: 1736
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 x 23 1/2in. (45.7 x 59.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Reapers

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1790
Materials & Techniques:: Line engraving and stipple engraving with hand coloring
Dimensions:: Sheet: 22 x 26 1/2in. (55.9 x 67.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. French Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 5/16 inches (41.9 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. English Barracks

Creator:: Etched by Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

Creator:: Print made by William O'Keefe, active 1794–1807
Date:: 1796
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Fall of the Wolsey of the Woolsack

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Ships in Distress

Creator:: Richard Bernard Godfrey, 1728–op.1794
Date:: 1796
Materials & Techniques:: Line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 16 11/16 inches (30.8 x 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Encampment at Farnham near St. Edmund's Bury

Creator:: Charles Tomkins, 1757–1823
Date:: 1782
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/4 inches (40.6 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

35. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

36. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

37. Serena

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 3/16 × 15 3/16 inches (53.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

Creator:: Print made by John Harris the elder, 1767–1832
Date:: 1797
Materials & Techniques:: Engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 x 12 1/8 inches (40.6 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

39. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1800
Materials & Techniques:: Aquatint, stipple and line engraving with hand coloring on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/2 x 18 7/8 inches (59.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

40. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

Creator:: Print made by Adam Ludwig Wirsing, 1733–1797
Date:: 1768
Materials & Techniques:: Engraving with original hand coloring on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 x 14 inches (50.8 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

41. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

Creator:: Print made by Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Aquatint etching and engraving with original hand coloring on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

42. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

Creator:: Print made by workshop of Mark Catesby, 1682–1749
Date:: 1754
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

43. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: 1800
Materials & Techniques:: Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

44. The View from One Tree Hill in Greenwich Park

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 3/16 × 26 inches (41.1 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Stone Buildings, Lincoln's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 inches (12.1 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Inner Temple

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Guildhall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 5/8 inches (12.4 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Southwest View of Middle Temple

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Middle Temple Gate

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Staple Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Barnard's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Leather Fullers Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lincoln's Inn Hall and Chapel

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Furnival's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. New Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 5/8 × 13 3/4 inches (44.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Newgate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Obelisk in the Garden at Versailles

Creator:: Print made by unknown artist
Materials & Techniques:: Etching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream antique laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

62. Turnips & Carrots ho

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1797
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

63. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Creator:: Richard Livesay, 1753–1826
Date:: 1799
Materials & Techniques:: Aquatint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

Creator:: Thomas Malton, 1726–1801
Date:: 1790
Materials & Techniques:: Hand colored aquatint on slightly textured, moderately thick, gray wove paper
Dimensions:: Sheet: 15 × 19 13/16 inches (38.1 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Hand colored engraving on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/16 inches (24.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Lodge and Garden from the Great Lake

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Moat Island

Creator:: Francois Vivares, 1709–1780
Date:: 1772
Materials & Techniques:: Hand colored engraving on thick, rough, cream laid paper
Dimensions:: Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

Creator:: Print made by J. Carwitham, active 1720–1740
Date:: 1778
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 inches (31.1 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Lion's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Rolls Chapel

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 1/4 inches (12.7 × 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Temple Church

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 6 5/8 inches (13.3 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sergeant's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Gray's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Clement's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Clifford's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 1/2 inches (12.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Garden Front of Furnival's Inn

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 5/8 inches (12.7 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Lincoln's Inn Gate

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Westminster Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 3/8 inches (12.1 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. North Front of Temple Hall

Creator:: Samuel Ireland, active 1760–died 1800
Date:: 1800
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 6 3/4 inches (12.7 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Kettle Hooting the Porridge-Pot

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Apothecaries, Taylors & c. Conquering France and Spain

Creator:: James Gillray, 1756–1815
Date:: 1779
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The Nabob Rumbled or A Lord Advocates Amusement

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. National Discourse

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 7/8 inches (40.6 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

Creator:: James Gillray, 1756–1815
Date:: 1783
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Britania's Assassination..or - The Republican Amuseument

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Evidence to Character; - being a Portrait of a Traitor, by his Friends & by Himself

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Scene le Vrog House

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Etching with hand coloring in watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Two Bunches a Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 1/8 inches (40.6 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Round & Sound, Five Pence a Pound, Duke Cherries

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:: Sheet: 16 × 11 7/8 inches (40.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textures, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Knives, Scissors, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques hand coloring

On-site Access Accessible by appointment in the Study Room

Period 18th century

Search Results

1. The Complaint and The Consolation: or Night Thoughts

2. Peterborough

3. Miss Farren

4. Colonel Mordaunt's Cock Match at Lucknow

5. The Celebrated Victory ... on the Glorious First of June 1794

6. The Mask

7. William Dodd, L. L. D.

8. Lleweney Bleach Works

9. Accurate Perspective View of the Outside of the Royal Exchange in London

10. The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge

11. A Young Lady Encouraging the Low Comedian

12. The South Entrance of Duke's Place

13. The Bank

14. North Front of the Bank

15. The Bank of England in ye Poultry

16. Principal Front of the Bank of England

17. The Bank

18. South Front of the Bank

19. Battersea, Chelsea and London from Mr. Rucker's Villa

20. The North View of Battersea

21. Southampton or Bloomsbury Square

22. Queen Katherine's Dream

23. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

24. Fort St. George

25. Tellicherry

26. Reapers

27. French Barracks

28. English Barracks

29. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

30. A View of the New Bridge Over the Thames at Walton in Surrey

31. The Fall of the Wolsey of the Woolsack

32. Ships in Distress

33. Encampment at Farnham near St. Edmund's Bury

34. Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

35. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

36. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

37. Serena

38. Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797

39. The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

40. Caryophyllus X. Mercurius. Plate 67 from 'Hortus Nitidissimis Omnem per Annum Superbiens Floribus', Nuremberg, 1768

41. An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754

42. An Reinoides &c., Anguis &c. (The Copper-Belly Snake), Plate 46 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London, 1754

43. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

44. The View from One Tree Hill in Greenwich Park

45. Stone Buildings, Lincoln's Inn

46. Inner Temple

47. Guildhall

48. Southwest View of Middle Temple

49. Middle Temple Gate

50. Staple Inn

51. Barnard's Inn

52. Leather Fullers Hall

53. Lincoln's Inn Hall and Chapel

54. Furnival's Inn

55. New Inn

56. A New Love Song, Only ha'Penny a Piece

57. Turnips & Carrots ho

58. Newgate

59. The Obelisk in the Garden at Versailles

60. A View of Paris

61. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

62. Turnips & Carrots ho

63. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

64. A View of the Bridge at Walton-on-Thames in Surrey

65. A View from Richmond Hill Up the River

66. Internal View of the Four per cent Reduced Annuity Office, at the Bank of England

67. The South View of Barnes

68. Dover Castle

69. The Lodge and Garden from the Great Lake

70. The Moat Island

71. An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore...

72. Lion's Inn

73. Rolls Chapel