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1. David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii

David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
Creator:
Benjamin Wilson, 1721–1788
Date:
1753
Materials & Techniques:
Oil on canvas
Dimensions:
54 5/8 x 72 1/2 inches (138.7 x 184.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view

2. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 14 1/4 inches (26.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Lonely Tower

The Lonely Tower
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1879
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 1/16 inches (26.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Design for Love's Labour's Lost

Design for Love's Labour's Lost
Creator:
Thomas Grieve, 1799–1882
Date:
1839
Materials & Techniques:
Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 5/8 inches (36.2 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Berwick on Tweed

Berwick on Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/16 × 11 11/16 inches (43.3 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
ca. 1844
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Creator:
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:
1745
Materials & Techniques:
Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Associates

19. Bolton Abbey

Bolton Abbey
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Malta

Malta
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832
Materials & Techniques:
Line engraving, 3rd state on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 15/16 × 8 9/16 inches (15.1 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Rhodes

Rhodes
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. London. A Street: 'Henry IV Part II,' Act II, Scene I

London. A Street: 'Henry IV Part II,' Act II, Scene I
Creator:
Print made by George Cruikshank, 1792–1878
Date:
after 1857
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

24. Castle of Udolpho

Castle of Udolpho
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

25. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 1/16 × 6 3/4 inches (30.6 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Smailholm Tower

Smailholm Tower
Creator:
Print made by William Forrest, 1802–1889
Date:
1836
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Venice, The Rialto - Moonlight

Venice, The Rialto - Moonlight
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Agatha's Abbey

St. Agatha's Abbey
Creator:
Print made by John Cousen, 1804–1880
Date:
1844-1867
Materials & Techniques:
Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Unidentified Periodical / Play Illustration

Unidentified Periodical / Play Illustration
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 3 1/16 inches (12.1 × 7.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. The Reconciliation of the Montagues and the Capulets

The Reconciliation of the Montagues and the Capulets
Creator:
Frederic Leighton, 1830–1896
Date:
1854
Materials & Techniques:
Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

33. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

34. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

35. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

36. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on thin wove paper stained for tracing
Dimensions:
Mount: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2

Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary mount paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

38. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 7 15/16 inches (14 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

39. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on wove paper, laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

40. A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii

A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Creator:
Joseph Michael Gandy, 1771–1843
Date:
ca. 1830
Materials & Techniques:
Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

42. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor and graphite on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 9/16 × 8 3/4 inches (16.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

43. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink on slightly textured, medium, gray wove paper laid down on contemporary laid paper mount
Dimensions:
Sheet: 5 5/8 × 8 1/16 inches (14.3 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

44. Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
Creator:
George Cressal Ellis, ca. 1810–1875
Date:
undated
Materials & Techniques:
Graphite, watercolor, heightened with gouache on thin wove paper stained for tracing, laid down on contemporary wove paper mount
Dimensions:
Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Sketches for Panels Executed at Crowe Hall

Sketches for Panels Executed at Crowe Hall
Creator:
J. R. Harris, active 1876
Date:
1876
Materials & Techniques:
Pen and brown ink, blue wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse