Design for Table - Elevation, View of Top, View of base
ca. 1835
204
unknown artist
Sketch for Ceiling or Bed Canopy
undated
205
unknown artist
Design for Table Top or Ceiling, with fringed flap on corner suggesting alterntive border pattern
undated
206
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
undated
207
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
undated
208
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
undated
209
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
210
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
211
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
212
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
213
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
214
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
215
Myles Birket Foster, 1825–1899
Illustration to 'The Traveller'
1859
216
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
217
Henry Phillip Hope, active 1799–1818
Cariatides d'Athenes
undated
218
unknown artist
View of the North West Front of the Deepdene
undated
219
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene - Elevation
undated
220
unknown artist
South Wing, Deepdene
undated
221
unknown artist
Conservatory, Deepdene
undated
222
unknown artist
Platform, Deepdene
undated
223
unknown artist
Conservatory, Deepdene
undated
224
unknown artist
At the Deepdene
undated
225
unknown artist
Stables, Deepdene
undated
226
unknown artist
Gateway at the Deepdene - West Side
undated
227
unknown artist
Kitchen and Dairy, Deepdene
undated
228
unknown artist
Gateway at the Deepdene - East Side
undated
229
unknown artist
View from the Hill at Deepdene
undated
230
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
undated
231
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
232
Attributed to Gideon Yates, active 1825–1837
Fishmonger's Hall and London Bridge
1832
233
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
234
Nicholas Pocock, 1740–1821
Ships and Boats on the River Avon
1786
235
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
236
unknown artist
Distant View of Deepdene
undated
237
unknown artist
At the Deepdene - Tower in the Garden
undated
238
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
undated
239
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of Pipes
undated
240
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
241
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
242
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
243
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
244
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
undated
245
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
246
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
247
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
248
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
249
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
250
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
undated
251
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
252
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
253
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
254
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
255
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
256
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
257
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
258
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
259
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
260
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
261
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
262
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
263
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
264
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
265
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
266
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
267
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
268
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
269
unknown artist
Erlestoke House and Park
ca. 1825
270
unknown artist
Edington Church, Wiltshire, England
ca. 1825
271
unknown artist
Erlestoke, Wiltshire, England
ca. 1825
272
Richard Banks Harraden, 1778–1862
Emanuel College from St. Andrews Street, Cambridge
ca. 1830
273
Richard Banks Harraden, 1778–1862
Chapel Front, Emanuel College, Cambridge
ca. 1833
274
Richard Banks Harraden, 1778–1862
New Building of St. John's from the Gardens, Cambridge
ca. 1830
275
Richard Banks Harraden, 1778–1862
Jesus College, Cambridge
ca. 1830
276
Richard Banks Harraden, 1778–1862
St. Peter's College, Cambridge
ca. 1830
277
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
278
Richard Banks Harraden, 1778–1862
Christ's College, Cambridge
ca. 1836
279
Richard Banks Harraden, 1778–1862
Corpus Christi College, Cambridge
1836
280
Richard Banks Harraden, 1778–1862
Warwick Vase, Public Library, Cambridge
1842
281
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
282
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
283
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
284
Print made by Anthony Cardon, 1772–1813
Round & Sound, Five Pence a Pound, Duke Cherries
1795
285
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
286
unknown artist
Section of the Chimney Side for the Alteration of the Great Hall
undated
287
unknown artist
One of Six Designs for Wall Decoration
undated
288
unknown artist
One of Six Designs for a Wall Decoration
undated
289
unknown artist
One of Six Designs for a Wall Decoration
undated
290
Print made by Anthony Cardon, 1772–1813
A New Love Song, Only ha'Penny a Piece
1796
291
unknown artist
One of Six Designs for a Wall Decoration
undated
292
unknown artist
One of Six Designs for a Wall Decoration
undated
293
Monro School
Rowborough Priory, Suffolk
ca. 1795
294
Monro School
Rowborough Priory
ca. 1795
295
Luigi Balugani, 1737–1770
Crab
undated
296
Monro School
Hedingham Castle Essex
ca. 1795
297
Monro School
Porchester Castle Hampshire
ca. 1795
298
Monro School
Holy Ghost Chapel, Basingstoke
ca. 1795
299
Monro School
Margam Abbey, Glamorgan
ca. 1795
300
James Lawson Stewart, active 1883–died 1929
Farthing Alley, looking across the Folly Ditch towards London Street, Rotherhithe