Height [cm]: 30 - YCBA Collections Search Search Results

1. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Fen Lane, East Bergholt

Creator:: John Constable, 1776–1837
Date:: ca. 1811
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 8 11/16 x 7 11/16 inches (22.1 x 19.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Calais Jetty, France

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 13 7/8 inches (29.8 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

4. Racing Group

Creator:: John R. Skeaping, 1901–1980
Date:: 1977
Materials & Techniques:: Bronze
Dimensions:: Overall: 11 7/8 x 33 1/2 x 14 1/2 inches (30.2 x 85.1 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Burial Ground in the South Seas

Creator:: John Webber, 1752–1793
Date:: ca. 1777
Materials & Techniques:: Oil on paper on panel
Dimensions:: 9 1/4 x 11 3/4 inches (23.5 x 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Tantallon Castle (?), a study

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Upright Landscape

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Rue Terre Neuve, Meudon

Creator:: Gwen John, 1876–1939
Date:: between 1915 and 1925
Materials & Techniques:: Oil on canvas
Dimensions:: 8 7/8 × 10 3/4 inches (22.5 × 27.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

Creator:: George Morland, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Oil on canvas
Dimensions:: 11 11/16 x 9 11/16 inches (29.7 x 24.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Man Carrying Faggots

Creator:: George Chinnery, 1774–1852
Date:: ca. 1799
Materials & Techniques:: Oil on paper on board
Dimensions:: 11 3/4 x 9 1/2 inches (29.8 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. A Winter Landscape

Creator:: George Smith, 1714–1776
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 11 7/8 x 16 3/4 inches (30.2 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Pheasant Shooting

Creator:: Samuel John Egbert Jones, active 1820–1845
Date:: mid-19th century
Materials & Techniques:: Oil on canvas
Dimensions:: 10 x 12 1/8 inches (25.4 x 30.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

Creator:: George Jones, 1786–1869
Date:: 1815
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 x 15 1/4 inches (29.8 x 38.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Opposite my House at Barnes

Creator:: Edward William Cooke, 1811–1880
Date:: 1862
Materials & Techniques:: Oil on panel
Dimensions:: 11 15/16 x 18 15/16 inches (30.3 x 48.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Low Tide, Honfleur

Creator:: Edward Brian Seago, 1910–1974
Date:: undated
Materials & Techniques:: Oil on board
Dimensions:: 11 13/16 x 15 5/16 inches (30 x 38.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Gloucestershire Old Spot

Creator:: James Ward, 1769–1859
Date:: between 1800 and 1805
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 15 inches (29.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Northumberland House, London

Creator:: Attributed to William James, active 1754–1771
Date:: ca. 1759
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/4 x 16 inches (29.8 x 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Turk, a greyhound, the property of George Lane Fox

Creator:: George Garrard, 1760–1826
Date:: 1822
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 14 inches (29.8 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth

Creator:: George Garrard, 1760–1826
Date:: 1822
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 14 inches (29.8 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Men Round the Food Vendor’s Stall

Creator:: George Chinnery, 1774–1852
Date:: after 1825
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 × 8 1/8 inches (24.1 × 20.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Man attacking a monster

Creator:: Attributed to John Hamilton Mortimer, 1740–1779
Date:: between 1770 and 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/4 x 14 inches (29.8 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Cottages by a River

Creator:: William Linton, 1791–1876
Date:: ca. 1845
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Beads (study)

Creator:: Albert Joseph Moore, 1841–1893
Date:: ca. 1875
Materials & Techniques:: Oil on canvas
Dimensions:: 11 3/4 x 19 1/4 inches (29.8 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

24. Old horses with a dog in a stable

Creator:: George Morland, 1763–1804
Date:: ca. 1791
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 15 inches (29.8 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Black Gesso Study, Space IV

Creator:: Susan Gunn, born 1965
Date:: 2008
Materials & Techniques:: Gesso on canvas
Dimensions:: Overall: 11 13/16 × 11 13/16 × 1 3/8 inches (30 × 30 × 3.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of the Priseman Seabrook Collection
On View:: Not on view

26. The Thoroughbred Horse: Composite Type

Creator:: Herbert Haseltine, 1877–1962
Date:: cast 1963 (original model 1925)
Materials & Techniques:: Bronze
Dimensions:: Overall: 11 3/4 x 14 1/2 x 4 1/4 inches (29.8 x 36.8 x 10.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

Creator:: Vanessa Bell, 1879–1961
Date:: ca. 1941
Materials & Techniques:: Pen and black ink and graphite
Dimensions:: Sheet: 11 7/8 × 8 7/8 inches (30.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Lucia Woods Lindley

28. A London Church

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1924
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

29. Trees in a Meadow

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Graphite, watercolor, black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 9 7/8 inches (29.5 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Fulham Church from across the River

Creator:: John Constable, 1776–1837
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Salisbury Cathedral From the Meadows

Creator:: John Constable, 1776–1837
Date:: 1829
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:: Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Mountains by the Traveller's Rest near Dolgelly

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Watercolor and gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 13/16 x 9 1/4 inches (32.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

34. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: begun before 1861
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 14 3/4 inches (30.2 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

35. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Herdsman's Cottage

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1850
Materials & Techniques:: Etching and drypoint retouched with graphite on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Weary Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1858
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Five Orders of Periwigs

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1761
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 7/8 × 8 3/4 inches (30.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

40. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

Creator:: William Hogarth, 1697–1764
Date:: undated
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Barnard Castle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, gouache and scratching out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fluelen: Morning (looking towards the lake)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1845
Materials & Techniques:: Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Windmill and Lock

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint
Dimensions:: Plate: 8 1/4 x 11 1/2in. (21 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund

44. River Wye

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Entrance of Calais Harbour

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ville de Thun, Switzerland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Source of the Arveron in the Valley of Chamouni, Savoy

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Norham Castle on the Tweed

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; Engraver's proof (g) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 1/2 inches (29.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Solitude

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1814
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (f) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sheep-Washing, Windsor

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/8 inches (29.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Flint Castle, Vessels Unloading

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Mt. St. Gothard

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hind Head Hill

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Calm

Creator:: Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink Engraver's proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Young Anglers

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 5/8 inches (29.8 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Winchelsea, Sussex

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 3/4 inches (29.5 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Procris and Cephalus

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Picture in the Possession of Sir John Mildmay, Bart.

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Bridge and Goats

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/2 inches (29.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Dunstanborough Castle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1808
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 16 3/4 inches (29.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Drawing of the Clyde

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching printed in brown ink; Engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 1/4 inches (29.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. London from Greenwich

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1811
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/2 inches (30.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Saint Catherine's Hill, Guildford, Surrey

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1830
Materials & Techniques:: Watercolor, graphite, scraping out and scratching out on medium, slightly textured, cream wove paper mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/8 x 17 1/2in. (29.5 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Seated Woman Feeding an Animal

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 8 1/2 inches (30.2 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Standing Figure and Seated Figure

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite with pen and brown ink on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 8 3/4 inches (29.5 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

70. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 19 5/8 inches (30.2 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

71. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The First Book of Urizen, Plate 16 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The First Book of Urizen, Plate 21 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The First Book of Urizen, Plate 22 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The First Book of Urizen, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The First Book of Urizen, Plate 12 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The First Book of Urizen, Plate 14 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Book of Thel

Creator:: William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etchings printed in brown ink, with watercolor and pen and ink; 8 leaves
Dimensions:: Plate: 6 x 4 1/4in. (15.2 x 10.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The First Book of Urizen, Plate 24 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Studies of Academics

Creator:: John Hamilton Mortimer, 1740–1779
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 7 5/8 inches (29.5 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Title page from She Stoops to Conquer

Creator:: Alfred Parsons, 1847–1920
Date:: 1884
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 8 3/4in. (30.2 x 22.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection (The Edwin Abbey Memorial Collection)

100. Seashore with Sand Dunes

Creator:: Dr. Thomas Monro, 1759–1833
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white chalk, and black chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 11 11/16 x 17 3/4in. (29.7 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Height [cm] 30

Search Results

1. Hampstead Heath looking towards Harrow

2. Fen Lane, East Bergholt

3. Calais Jetty, France

4. Racing Group

5. Burial Ground in the South Seas

6. Tantallon Castle (?), a study

7. Upright Landscape

8. Rue Terre Neuve, Meudon

9. A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

10. A Man Carrying Faggots

11. A Winter Landscape

12. Pheasant Shooting

13. Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'

14. Opposite my House at Barnes

15. Low Tide, Honfleur

16. Gloucestershire Old Spot

17. Northumberland House, London

18. Turk, a greyhound, the property of George Lane Fox

19. One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound Bitch, Juno, also called Elizabeth

20. Men Round the Food Vendor’s Stall

21. Man attacking a monster

22. Cottages by a River

23. Beads (study)

24. Old horses with a dog in a stable

25. Black Gesso Study, Space IV

26. The Thoroughbred Horse: Composite Type

27. Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf

28. A London Church

29. Trees in a Meadow

30. Fulham Church from across the River

31. Salisbury Cathedral From the Meadows

32. Mountains by the Traveller's Rest near Dolgelly

33. The Vine

34. The Early Ploughman

35. The Sleeping Shepherd

36. The Herdsman's Cottage

37. The Weary Ploughman

38. The Vine

39. The Five Orders of Periwigs

40. Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right

41. Barnard Castle

42. Fluelen: Morning (looking towards the lake)

43. Windmill and Lock

44. River Wye

45. Entrance of Calais Harbour

46. Ville de Thun, Switzerland

47. The Source of the Arveron in the Valley of Chamouni, Savoy

48. Chain of Alps from Grenoble to Chamberi

49. Norham Castle on the Tweed

50. Solitude

51. Tenth Plague of Egypt

52. Apuleia in Search of Apuleius

53. Sheep-Washing, Windsor

54. Dunstanborough Castle

55. Flint Castle, Vessels Unloading

56. Mt. St. Gothard

57. Hind Head Hill

58. Calm

59. Young Anglers

60. Winchelsea, Sussex

61. Procris and Cephalus

62. Picture in the Possession of Sir John Mildmay, Bart.

63. The Bridge and Goats

64. Dunstanborough Castle

65. The Drawing of the Clyde

66. London from Greenwich

67. Saint Catherine's Hill, Guildford, Surrey

68. Seated Woman Feeding an Animal

69. Standing Figure and Seated Figure

70. Howard Visiting a Prison

71. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

72. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

73. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

74. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

75. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)