Materials & Techniques: brown wash / On-site Access: Accessible by appointment in the Study Room / Period: 19th century / Subject Terms: genre subject

1. Study of a Pilgrim

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:: Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Pastoral Scene

Creator:: Samuel Palmer, 1805–1881
Date:: 1835
Materials & Techniques:: Brown wash on wove paper
Dimensions:: Sheet: 3 3/4 x 4 1/2 inches (9.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Railway Office, Liverpool

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 8 5/8 inches (15.4 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Moonlit Lake

Creator:: attributed to Samuel Jackson, 1794–1869
Date:: undated
Materials & Techniques:: Brown wash and graphite, with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Opening of the Liverpool and Manchester Railway

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

Creator:: Isaac Shaw, active 1830
Date:: ca. 1830
Materials & Techniques:: Brown wash, brown ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 × 8 11/16 inches (15.6 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Interior of a Coppersmith's, Shoe Lane

Creator:: Henry William Burgess, active 1809–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Thatched Roof and Tree

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 10 15/16 inches (38.3 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Fish Ponds

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/16 × 7 1/16 inches (12.9 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Fish Market, Hastings

Creator:: William Henry Harriott, active 1811, died 1839
Date:: 1824
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Shopping in the Rows, Chester

Creator:: Sir David Wilkie, 1785–1841
Date:: 1837
Materials & Techniques:: Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card
Dimensions:: Mount: 7 1/2 x 9 3/8 inches (19.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Illustration for The New Doll: Sewing Clothes for the Doll

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

27. Ilustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink, gray wash and red chalk on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 3 7/8 x 4 1/2in. (9.8 x 11.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

28. Illustration for The New Doll: The Doll brought Home

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 3 3/4 inches (11.4 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

29. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Pen and brown ink and brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 7/8 inches (11.4 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

30. Illustration for The New Doll: Untitled

Creator:: Edward Francis Burney, 1760–1848
Date:: 1825
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 1/2 × 4 inches (11.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

31. An Execution, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Life of a Nobleman: Scene the Third - The Night House

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, morderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 6 1/8 inches (18.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Life of a Nobleman: Scene the Fifth - The Gambling House

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 1/2 inches (20 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Life of a Nobleman: Scene the Fourth - The Betting Booth

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Life of a Nobleman: Scene the Sixth - The Usurer

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Life of a Nobleman: Scene the Eighth - The Duel

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 5/8 inches (19.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Life of a Nobleman: Scene the Ninth - The Sick Room

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Life of a Nobleman: Scene the Seventh - The Mess Room

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 1/2 inches (19.1 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Wayfarers

Creator:: Sir John Gilbert, 1817–1897
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Life of a Nobleman: Scene the First - The Inheritance

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 3/8 inches (19.1 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Life of a Nobleman: Scene the Second - The First Party

Creator:: Henry Dawe, 1790–1848
Date:: undated
Materials & Techniques:: Brown wash and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 1/8 inches (19.1 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Fight Interrupted

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Travelers on a Road above a River

Creator:: John Martin, 1789–1854
Date:: 1821
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 10 5/8 inches (19.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Dying Man

Creator:: Sir John Everett Millais, 1829–1896
Date:: ca. 1853
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 5/8 inches (20 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Art Critics

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 7/8 × 5 inches (14.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Classical City in Landscape

Creator:: John Martin, 1789–1854
Date:: 1816
Materials & Techniques:: Brown wash with pen and black ink on moderately thick, smooth, beige wove paper mounted on board
Dimensions:: Mount: 8 1/4 x 11 1/16 inches (21 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

47. Road Workers, near Lillebonne

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Brown wash over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 3/8 inches (10.5 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Johnny and His Pony

Creator:: Sir David Wilkie, 1785–1841
Date:: 1836
Materials & Techniques:: Brown wash and gray wash, with black chalk, and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/2 x 6 5/8 inches (11.4 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Two Riders Seen from Behind, Oct. 10, 1822

Creator:: Sir David Wilkie, 1785–1841
Date:: 1822
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 11/16 × 7 7/8 inches (24.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Figures in a Doorway

Creator:: William Mulready, 1786–1863
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on thick, moderately textured, beige wove paper
Dimensions:: Mount: 3 1/8 × 2 3/4 inches (7.9 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Fisherman by a Boat with a Dog

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Pen and ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 8 3/4 inches (15.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

52. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink over graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Lady Macartney's Villa at Chiswick

Creator:: William Alexander, 1767–1816
Date:: after 1808
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Dinner Party at a Mandarin's House

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Terrace of a Mandarin's House in Peking

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Famine in India

Creator:: William Simpson, 1823–1899
Date:: 1866
Materials & Techniques:: Brown wash and pen and brown ink on very thin, smooth cream wove paper
Dimensions:: Sheet: 9 9/16 × 13 7/16 inches (24.3 × 34.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

YCBA Collections Search

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Search Constraints

Materials & Techniques brown wash

On-site Access Accessible by appointment in the Study Room

Period 19th century

Subject Terms genre subject

Search Results

1. Study of a Pilgrim

2. A Pastoral Scene

3. Railway Office, Liverpool

4. The Moonlit Lake

5. Opening of the Liverpool and Manchester Railway

6. View on the Liverpool and Manchester Railway with the Locomotive "Twin Sisters" in a Siding

7. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

8. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

9. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

10. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

11. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

12. Hogarth Sitting to Roubiliac for His Bust

13. Interior of a Coppersmith's, Shoe Lane

14. Thatched Roof and Tree

15. The Fish Ponds

16. Fish Market, Hastings

17. Shopping in the Rows, Chester

18. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

19. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

20. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

21. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

22. Hogarth Drawing Sarah Malcolm

23. The Reconcilation

24. The Smock Exposed

25. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

26. Illustration for The New Doll: Sewing Clothes for the Doll

27. Ilustration for The New Doll: Untitled

28. Illustration for The New Doll: The Doll brought Home

29. Illustration for The New Doll: Untitled

30. Illustration for The New Doll: Untitled

31. An Execution, Rome

32. The Life of a Nobleman: Scene the Third - The Night House

33. The Life of a Nobleman: Scene the Fifth - The Gambling House

34. The Life of a Nobleman: Scene the Fourth - The Betting Booth

35. The Life of a Nobleman: Scene the Sixth - The Usurer

36. The Life of a Nobleman: Scene the Eighth - The Duel

37. The Life of a Nobleman: Scene the Ninth - The Sick Room

38. The Life of a Nobleman: Scene the Seventh - The Mess Room

39. Wayfarers

40. The Life of a Nobleman: Scene the First - The Inheritance

41. The Life of a Nobleman: Scene the Second - The First Party

42. The Fight Interrupted

43. Travelers on a Road above a River

44. The Dying Man

45. Art Critics

46. Classical City in Landscape

47. Road Workers, near Lillebonne

48. Johnny and His Pony

49. Two Riders Seen from Behind, Oct. 10, 1822

50. Figures in a Doorway

51. Fisherman by a Boat with a Dog

52. The House of a Chinese Merchant near Canton

53. Lady Macartney's Villa at Chiswick

54. Dinner Party at a Mandarin's House

55. The Terrace of a Mandarin's House in Peking

56. Famine in India