Collection: Prints and Drawings / Associated Places: United Kingdom / Subject Terms: windows

301. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Harewood House, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 7/16 x 14 1/4 inches (18.9 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

304. The Surprise

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Comforts of Bath: The Pump Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Houses at Kingston on the Thames

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 6 3/8 x 7 3/4 inches (16.2 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Houses at Teddington on the Thames

Creator:: attributed to Peter DeWint, 1784–1849
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The South Gate, Exeter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

Creator:: Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 16 1/4 inches (27.6 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Plymouth Dock

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:: Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Norwich Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray-brown ink, and wash over graphite; verso: pen and gray brown ink and wash over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 6 7/8 inches (13.8 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Embarkation at Southampton, June 20th 1794

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1794
Materials & Techniques:: Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Harrow-on-the-Hill, Middlesex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1794
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Eton College from Datchet Road

Creator:: Thomas Girtin, 1775–1802
Date:: 1790
Materials & Techniques:: Watercolor with pen and gray ink over graphite with gray wash border on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/4 x 23 1/16 inches (46.4 x 58.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Lichfield Cathedral, Staffordshire

Creator:: Thomas Girtin, 1775–1802
Date:: 1794
Materials & Techniques:: Watercolor with pen in gray ink over graphite on moderately thick, moderatetly textured, brown wove paper
Dimensions:: Sheet: 15 1/16 x 11 3/8 inches (38.3 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. St. Paul's Cathedral, from St. Martin's-le-Grand, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash and watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 15 5/16 inches (50.2 x 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Saltwood Castle, Kent

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 6 7/8 inches (24.4 x 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Peterborough Cathedral, Cambridgeshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1794
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paperr
Dimensions:: Sheet: 16 1/16 x 11 1/8 inches (40.8 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Christ Church, Blackfriars, London

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1794
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 x 13 3/16 inches (24.4 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Clare Hall

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1814
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 14 1/16 inches (29.2 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Bodmin Cornwall: The Arrival of the Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Bridewell, The Pass Room, House of Correction

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/16 inches (19.4 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. A Devonshire Farm

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper, mounted on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Edinburgh

Creator:: Fred Taylor, 1875–1963
Date:: undated
Materials & Techniques:: Lithograph on medium, slightly textured, beige wove paper mounted on linen
Dimensions:: Sheet: 39 5/8 x 24 3/4 inches (100.6 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

333. The Market Place, Brackley, Northamptonshire

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 13/16 inches (20.6 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Irmingland Hall, Norfolk

Creator:: Miles Edmund Cotman, 1810–1858
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 10 1/4 inches (16.8 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Ladies' Drawing Room, Midland Adelphi Hotel, Liverpool

Creator:: Robert Frank Atkinson, 1869 or 1871–1923
Date:: ca. 1911
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 19 1/4 inches (35.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

337. The Cartoon Gallery, Knole, Kent

Creator:: Joseph Nash, 1808–1878
Date:: 1871
Materials & Techniques:: Watercolor, gouache, black ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 18 1/4 inches (33.3 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

338. The Cartoon Gallery, Knole, Kent

Creator:: Print made by Joseph Nash, 1808–1878
Date:: 1840
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 5/8 × 21 3/8 inches (37.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

339. Barshaw House

Creator:: Peter Nicholson, 1765–1844
Date:: 1802
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream laid paper mounted on marbled endpaper
Dimensions:: Sheet: 4 3/4 × 10 1/2 inches (12.1 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

340. Seer Green Church, Buckinghamshire

Creator:: unknown artist
Date:: 1845
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

341. Northeast View of a Church at Hallaton, Leicestershire

Creator:: John Drayton Wyatt, 1820–1891
Date:: 1847
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 1/2 inches (23.5 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

342. The Street, Church, Parsonage and Grammar School, Bankside, Southampton

Creator:: William Edmunds, 1801–1847
Date:: 1839
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/8 × 7 1/8 inches (11.1 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

343. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

Creator:: Sir William Chambers, 1723–1796
Date:: ca. 1761
Materials & Techniques:: Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:: Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Stainborough Hall, Yorkshire: Front and Back Elevations

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 × 4 5/8 inches (23.8 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Design for Approaches to London Bridge

Creator:: Charles Robert Cockerell, 1788–1863
Date:: ca. 1830
Materials & Techniques:: Graphite and pen with brown wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 17 3/4 inches (24.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

Creator:: unknown artist
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

347. Manor House, Middlewich, Cheshire

Creator:: Design by Charles Fitzroy Doll, 1850–1929
Date:: 1894
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper mounted on board
Dimensions:: Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

348. Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

Creator:: William Henry Ward M.A., A.R.I.B.A., 1865–1924
Date:: ca. 1909
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 24 3/8 inches (27.9 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

349. 1 & 2 Queens Gate, Kensington

Creator:: J. Singleton, active ca. 1920
Date:: ca. 1920
Materials & Techniques:: Watercolor and graphite; verso: watercolor and black ink on medium, slightly textured, cream wove paper mounted to board
Dimensions:: Sheet: 13 × 17 1/2 inches (33 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

350. Courtyard of an Inn on the Thames

Creator:: Thomas Shotter Boys, 1803–1874
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. The Gorbals, Glasgow

Creator:: Lewis Morley, 1925–2013
Date:: 1964
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

352. Trerice Manor, Cornwall: View of the Front

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Cottage at Sutton Coldfield

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/4 inches (21.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. The French Lady in London

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: ca. 1771
Materials & Techniques:: Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Street in Maidstone

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 4 1/2 inches (8.9 × 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Archiepiscopal Palace, Wrotham, Kent

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 7 5/8 x 8 3/4 inches (19.4 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. At Ashford

Creator:: Attributed to Rev. Daniel Finch, 1757–1840
Date:: 1818
Materials & Techniques:: Pen and brown ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 8 inches (21.6 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Banqueting House, Whitehall: Front Elevation

Creator:: Thomas Forster, ca. 1677–after 1712
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Cobham Hall, Kent: Section of a Room

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 20 1/8 inches (35.2 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 13 7/8 inches (50.5 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 1/4 inches (35.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Cobham Hall, Kent: Elevation of the Office

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 20 1/2 inches (27.3 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Cobham Hall, Kent: Section of the Dining Parlor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 20 1/2 inches (36.8 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Cobham Hall, Kent: Section of a Courtyard

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 21 1/8 inches (34.3 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Cobham Hall, Kent: Side Elevation

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Cobham Hall, Kent: Elevation of South Front of South Wing

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Grahpite, pen and black and brown ink and gray wash on moderately thick, moderately textured beige laid paper
Dimensions:: Sheet: 14 1/4 × 20 3/4 inches (36.2 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Founders Tomb, Winchester

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 7/8 x 14 15/16 inches (55.6 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

369. St. Martin's Church

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

370. Old Castle of Gloom (Castle Campbell)

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, smooth, cream laid paper
Dimensions:: Sheet: 13 1/4 x 8 1/2 inches (33.7 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

371. Argyle's Lodgings, Stirling

Creator:: Print made by Susan Fletcher Crawford, active 1892–died 1919
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 7/16 x 8 3/16 inches (26.5 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

372. Perspective View of Ellacombe Vicarage, Torquay

Creator:: Waymouth, Johnson, & Webber, active ca. 1900–1907
Date:: ca. 1900
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 3/8 inches (32.1 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

373. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool

Creator:: Robert Frank Atkinson, 1869 or 1871–1923
Date:: ca. 1911
Materials & Techniques:: Pen and black ink, brown ink, and graphite on thick, moderately textured, cream board
Dimensions:: Sheet: 18 1/4 × 11 1/2 inches (46.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

374. The Boston Stump

Creator:: unknown artist
Date:: 1892
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 7 7/8 inches (35.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

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301. Ruins of Savoy Palace

302. Harewood House, Yorkshire

303. Conversion of Elizabeth Trelawney

304. The Surprise

305. Comforts of Bath: The Pump Room

306. Houses at Kingston on the Thames

307. Houses at Teddington on the Thames

308. The South Gate, Exeter

309. The Elevation of the Design for the Bank of England by Theodore Jacobsen Esqr.

310. Plymouth Dock

311. Norwich Market Place

312. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

313. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

314. Doctor Syntax loses his Money on the Race Ground at York

315. Embarkation at Southampton, June 20th 1794

316. A Review in a Market Place

317. Bodmin Cornwall: French Prisoners on Parole

318. Harrow-on-the-Hill, Middlesex

319. Eton College from Datchet Road

320. Lichfield Cathedral, Staffordshire

321. St. Paul's Cathedral, from St. Martin's-le-Grand, London

322. Saltwood Castle, Kent

323. Peterborough Cathedral, Cambridgeshire

324. Christ Church, Blackfriars, London

325. Bradwell Lodge, Bradwell Quay, Essex

326. Clare Hall

327. Bodmin Cornwall: The Arrival of the Stage-Coach

328. Bridewell, The Pass Room, House of Correction

329. The Abbey Mill, Knaresborough

330. View of Kingswear, from Dartmouth, Devon

331. A Devonshire Farm

332. Edinburgh

333. The Market Place, Brackley, Northamptonshire

334. Newport High Street, Isle of Wight

335. Irmingland Hall, Norfolk

336. Ladies' Drawing Room, Midland Adelphi Hotel, Liverpool

337. The Cartoon Gallery, Knole, Kent

338. The Cartoon Gallery, Knole, Kent

339. Barshaw House

340. Seer Green Church, Buckinghamshire

341. Northeast View of a Church at Hallaton, Leicestershire

342. The Street, Church, Parsonage and Grammar School, Bankside, Southampton

343. Royal Botanic Gardens, Kew: Design for Interior of a Mosque

344. Stainborough Hall, Yorkshire: Front and Back Elevations

345. Design for Approaches to London Bridge

346. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

347. Manor House, Middlewich, Cheshire

348. Square of Twelve Cottages, for the Co-partnership Tenants Ltd, Erskine Hill, Hampstead

349. 1 & 2 Queens Gate, Kensington

350. Courtyard of an Inn on the Thames

351. The Gorbals, Glasgow

352. Trerice Manor, Cornwall: View of the Front

353. Cottage at Sutton Coldfield

354. The French Lady in London

355. Street in Maidstone

356. Archiepiscopal Palace, Wrotham, Kent

357. At Ashford

358. Banqueting House, Whitehall: Front Elevation

359. Cobham Hall, Kent: Section of a Room

360. Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase

361. Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment

362. Cobham Hall, Kent: Elevation of the Office

363. Cobham Hall, Kent: Section of the Dining Parlor

364. Cobham Hall, Kent: Section of a Courtyard

365. Cobham Hall, Kent: Side Elevation

366. Cobham Hall, Kent: Elevation of South Front of South Wing

367. Highland Dancers

368. Founders Tomb, Winchester

369. St. Martin's Church

370. Old Castle of Gloom (Castle Campbell)

371. Argyle's Lodgings, Stirling

372. Perspective View of Ellacombe Vicarage, Torquay

373. Entrance to Hypostyle Hall, Midland Adelphi Hotel, Liverpool