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Materials & Techniques watercolor
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1
- Under the Hammer
- between 1912 and 1913
2
- Over the Bank, Exmoor
- ca. 1895
3
- The Bayhorse, Tattersall’s
- 1921
4
- Figures at Mass, Poland
- ca. 1904
5
- Rome from Monte Mario
- ca. 1818
6
- Teignmouth, Devonshire
- ca. 1813
7
- Folkestone Harbour and Coast to Dover
- ca. 1829
8
- Howatke
- 1867
9
- Seated Men
- 1867
10
- Studies of Camels and Egyptian Men
- 1867
11
- Silsilis
- 1854
12
- Near Suez, evening, 15 January 1849 (43)
- 1849
13
- Opposite Beni Hassan
- 1867
14
- Prison Scene
- undated
15
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
16
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
17
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
18
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
19
- Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
- ca. 1797
20
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
21
- Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
- ca. 1797
22
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
23
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
24
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
25
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
26
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
27
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
28
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
29
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
30
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
31
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
32
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
33
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
34
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
35
- Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
- ca. 1797
36
- Young's Night Thoughts, Page 13, "The present moment terminates our sight"
- ca. 1797
37
- Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
- ca. 1797
38
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
39
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
40
- Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
- ca. 1797
41
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
42
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
43
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
44
- Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
- ca. 1797
45
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
46
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
47
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
48
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
49
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
50
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
51
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
52
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
53
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
54
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
55
- Jerusalem, Plate 100
- 1804 to 1820
56
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
57
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
58
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
59
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
60
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
61
- Jerusalem, Plate 36, "Reuben returnd to his place...."
- 1804 to 1820
62
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
63
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
64
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
65
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
66
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
67
- The Shepherd, from Songs of Innocence
- ca. 1795
68
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
69
- Jerusalem, Plate 7, "Was living: panting...."
- 1804 to 1820
70
- Jerusalem, Plate 76
- 1804 to 1820
71
- Jerusalem, Plate 85, "Became a Space & an Allegory...."
- 1804 to 1820
72
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
73
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
74
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
75
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
76
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
77
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
78
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
79
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
80
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
93
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
94
- Jerusalem, Plate 18, "From every-one of the Four Regions...."
- 1804 to 1820
95
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
96
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
97
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
98
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
99
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
100
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820