Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
2
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
3
Johan Joseph Zoffany, 1733–1810
David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
ca. 1762
Not on view
4
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
5
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
6
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
7
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
8
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
9
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
10
Marcellus Laroon the Younger, 1679–1772
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
11
Print made by Samuel Palmer, 1805–1881
The Vine
1852
12
Print made by Samuel Palmer, 1805–1881
The Vine
1852
13
Print made by Samuel Palmer, 1805–1881
The Vine
1852
14
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
15
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
16
John Phillips, active 1840–1852
One of a Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
17
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
18
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
19
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
20
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
21
Robert Smirke, 1752–1845
Anne Page and Slender
1821
22
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
23
Samuel De Wilde, 1748–1832
Head of a Man with a Beard and Long Hair in the Wind
1786
24
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
25
Richard Parkes Bonington, 1802–1828
Studies for Shylock
1825
26
Henry Fuseli, 1741–1825
Study for 'Finding of the Body of Bassanio'
1804
27
Robert Smirke, 1752–1845
Prospero and Ariel
1821
28
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
29
Robert Smirke, 1752–1845
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
30
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
31
Robert Smirke, 1752–1845
Falstaff in the Boar's Head
1807
32
Hugh William "Grecian" Williams, 1773–1829
Birnam Wood
before 1801
33
Robert Smirke, 1752–1845
Malvolio Dancing
1827
34
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
35
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Sayings
1828
36
John Phillips, active 1840–1852
One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
1828
37
Pieter van Bleeck, 1700–1764
Mrs. Cibber in the Character of Cordelia in Play of King Lear, Act III
38
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
39
unknown artist
Shakespeare's Cliff, Dover
between 1826 and 1866
40
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
41
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
42
John Thomas Serres, 1759–1825
The South Foreland and Shakespeare's Cliff (one of five drawings on one mount)
undated
43
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
44
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
45
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
46
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
47
Print made by John Horsburgh, 1791–1869
Shakespeare's Monument at the Church at Stratford upon Avon
1834
48
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
49
Print made by George Cooke, 1781–1834
Dover from Shakespeare's Cliff
1826
50
Thomas Grieve, 1799–1882
Design for A Winter's Tale
undated
51
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
52
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
53
John Hamilton Mortimer, 1740–1779
Literary Characters Assembled Around the Medallion of Shakespeare
1776
54
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
55
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
56
Daniel Lysons, 1762–1834
Memorial to David Garrick from Hampton Church
between 1796 and 1811
57
James Barry, 1741–1806
King Lear
1776
58
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
59
Print made by George Graham, active 1786–1813
Lady Christiana Collier (née Gwyn)
between 1760 and 1770
60
George Vertue, 1684–1756
Three Children of Henry VII and Elizabeth His Queen, Prince Arthur, Prince Henry and Princess Margaret
1748
61
Robert Thew, 1758–1802
Shakespeare, Macbeth Act IV, Scene I
1802
62
unknown artist
King Henry VI, Second Part, Act 3, Scene 3
1801
63
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Study of Sleeping Grooms
between 1809 and 1811
64
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
65
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
66
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
67
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
68
Robert Smirke, 1752–1845
Claudio and Isabella
1823
69
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
70
Robert Smirke, 1752–1845
Viola and Olivia
1822
71
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
72
Robert Smirke, 1752–1845
Katherina and Grumio
1821
73
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
74
Robert Smirke, 1752–1845
Oberon and Puck
1825
75
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
76
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
77
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
78
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
79
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
80
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
81
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
82
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
83
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
84
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
85
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
86
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
87
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
88
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
89
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
90
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
91
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
92
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
93
Robert Smirke, 1752–1845
[One from] Illustrations to Shakespeare
94
Robert Smirke, 1752–1845
Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus
undated
95
Robert Smirke, 1752–1845
Allegorical Designs for Medals
undated
96
Robert Smirke, 1752–1845
Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus