etching begun before 1861; impression printed in 1926
5
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
6
Print made by Samuel Palmer, 1805–1881
Christmas
1850
7
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
8
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
9
Print made by Samuel Palmer, 1805–1881
Christmas
1850
10
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
11
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
12
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
13
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
14
Print made by Samuel Palmer, 1805–1881
The Willow
1850
15
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
16
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
17
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
18
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
19
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
20
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
21
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
22
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
23
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
24
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
25
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
26
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
27
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
28
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
29
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
30
Print made by William Hogarth, 1697–1764
Decimation
1725
31
Print made by William Hogarth, 1697–1764
Fustigatio
1725
32
Print made by William Hogarth, 1697–1764
After
1736
33
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
34
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
35
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
36
Print made by William Hogarth, 1697–1764
Before
1736
37
Print made by William Hogarth, 1697–1764
Beheading
1725
38
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
39
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
40
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
41
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
42
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
43
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
44
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
45
Print made by William Hogarth, 1697–1764
Banishment
1725
46
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
47
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
48
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
49
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
50
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
51
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
52
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
53
Print made by William Blake, 1757–1827
Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]
1826
54
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
55
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
56
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
57
Print made by William Blake, 1757–1827
William Cowper, Author of "The Task"
1802
58
Print made by William Blake, 1757–1827
William Cowper
1803-1804
59
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
60
Print made by William Blake, 1757–1827
The Peasants' Nest: Cowper's tame Hares
1802
61
Print made by William Blake, 1757–1827
The Dog, Frontispiece
1805
62
Print made by William Strang, 1859–1921
Macbeth's Witches
1882
63
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
64
Print made by John Robert Cozens, 1752–1797
Aspin
1789
65
Print made by John Robert Cozens, 1752–1797
Cedar
1789
66
Print made by John Robert Cozens, 1752–1797
Birch
1789
67
Print made by John Robert Cozens, 1752–1797
Horse Chestnut
1789
68
Print made by John Robert Cozens, 1752–1797
Poplar
1789
69
Print made by John Robert Cozens, 1752–1797
Hawthorn
1789
70
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
71
Robert Dighton, 1752–1814
Mr. Deputy Dumpling and Family Enjoying a Summer Afternoon
1781
72
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
73
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
74
James Gillray, 1756–1815
The high-Flying Candidate (i.e. Little Paul-Goose) Mounting from a Blanket
1806
75
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
76
James Gillray, 1756–1815
The Bear and His Leader. --"What tho' I am Obliged to Dance A Bear, A Man may be a Gentleman for That, --My Bear Ever Dances to the Genteelest of Tunes"
1806
77
James Gillray, 1756–1815
Comfort's of a Bed of Roses; Vide Charley's Elucidation of Lord C(a)stl(e) R(ea)gh's Speech! --A Nightly Scene near Cleveland Row
1806
78
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
79
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
80
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
81
James Gillray, 1756–1815
Hope
1802
82
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
83
James Gillray, 1756–1815
Despair
1802
84
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
85
James Gillray, 1756–1815
Forming a Line on the Parade
1801
86
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
87
James Gillray, 1756–1815
King Henry The Fourth's Last Scene
1788
88
James Gillray, 1756–1815
Prince Pitt
1788
89
James Gillray, 1756–1815
Overthrow of the Republican-Babel
1809
90
James Gillray, 1756–1815
True Reform of Parliament, i.e. - Patriots Lighting a Revolutionary Bonfire in New Palace Yard
1809
91
James Gillray, 1756–1815
The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom
1809
92
James Gillray, 1756–1815
An Old English-Gentleman pester'd by Servants wanting Places
1809
93
James Gillray, 1756–1815
Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!
1808
94
James Gillray, 1756–1815
Delicious Dreams! Castles in the Air! Glorious Prospects!
1808
95
James Gillray, 1756–1815
Delicious Weather
1808
96
James Gillray, 1756–1815
British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition
1807
97
James Gillray, 1756–1815
Pillars of the Constitution - Three O'Clock and A Cloudy Morning
1809
98
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney