Materials & Techniques: etching (printing process) / Collection: Prints and Drawings / Image Available: Unavailable

101. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

105. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink (trial proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 3/8 inches (25.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

106. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 5/8 inches (29.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

107. Pan and Syrinx, No. 1

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching with mezzotint (trial proof of abandoned plate) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 12 1/4 inches (24.4 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

108. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/2 inches (28.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

109. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching printed in brown ink, with brown wash and scratching out (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

110. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. The Temple of Jupiter in the Island of Aegina

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching with mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 3/8 inches (31.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

113. Deer in the Forest

Creator:: Joseph Hecht, 1891–1951
Date:: ca. 1926
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, blue laid paper
Dimensions:: Sheet: 14 1/4 x 9 3/8 inches (36.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

114. R. 47 Ayr. No. 18 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 14 inches (22.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

115. The Paris Set: R. 366 Rue Saint Julien le Pauvre

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

116. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 9 1/2 × 7 1/4 inches (24.1 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

117. Boys Playing at Marbles

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1786
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 1/2 inches (47.9 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

118. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

119. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

120. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

121. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

122. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

123. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

Creator:: unknown artist
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/8 x 12 3/16in. (46.7 x 31cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

124. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Day of Judgment

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/2 × 20 1/4 inches (34.3 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 20 inches (34.6 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Reunion of the Soul & the Body

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Horatius Gentilescius

Creator:: Print made by Lucas Vorsterman I, 1595–1675
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 × 11 3/16 inches (38.1 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Dunstaffnage

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1915
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper with chine-collé
Dimensions:: Sheet: 4 15/16 x 7 7/8in. (12.5 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

145. Royal Scottish Academy

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1916
Materials & Techniques:: Etching and drypoint on then, slightly textured, cream wove paper with chine-collé
Dimensions:: Sheet: 6 7/8 x 13 7/8in. (17.5 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

146. Ponte della Trinita, Florence

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: between 1902 and 1907
Materials & Techniques:: Etching and drypoint on thin, smooth, cream laid paper
Dimensions:: Sheet: 7 7/8 × 9 7/8 inches (20 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

147. Old St. Etienne

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/8 × 10 1/8 inches (46 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

148. A Dutch Farm

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1892
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 8 13/16in. (42.4 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

149. Stonehenge

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1928
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

150. Ralia

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 7 3/4 inches (15.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

151. A Venetian Convent

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 8 1/2 inches (17.5 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

152. Killundine

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 15 inches (22.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

153. Kincardine

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 5 5/8in. (11.3 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

154. The Tower

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 × 10 1/4 inches (20.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

155. [One of] 25 drawings and prints for ceilings

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 12 3/8 inches (25.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. R. 43. Arran. No. 14 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

157. R. 42. Greenock, No. 1. No. 13 in the Clyde Set

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 8 1/2 inches (34 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

158. R. 361 Pont Neuf

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 13 1/4 inches (17.8 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

159. The Paris Set: R. 362 Saint Germain l'Auxerrois

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, smooth, cream laid paper
Dimensions:: Sheet: 13 7/8 × 7 1/8 inches (35.2 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

160. The Paris Set: R. 364 Saint Gervais, Rue des Barres

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

161. The Paris Set: R. 365 Restaurant Cavalier

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching (touched with drypoint) on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 9 3/4 inches (21.6 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

162. Rainy Night, Charing Cross Station

Creator:: Print made by Joseph Pennell, 1860–1926
Date:: 1886
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

163. The Paris Set: Hôtel de Sens

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1904
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 8 5/8 inches (34.9 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

164. Mary Robinson

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

165. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. The Death of the Good Old Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. James Macpherson

Creator:: John Keyse Sherwin, c.1751–1790
Date:: 1775
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 15/16 × 10 1/2 inches (35.4 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Pietro Martyr Vermigli

Creator:: after Adriaan van der Werff, 1659–1722
Date:: 1697
Materials & Techniques:: Etching and line engraving on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 1/16 × 7 5/16 inches (30.6 × 18.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Ilfracombe

Creator:: Print made by William Chapman, 1817–1879
Date:: between 1853 and 1874
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 22 × 29 7/8 inches (55.9 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. St. Michael's Mount, Cornwall

Creator:: Print made by William Miller, 1796–1882
Date:: 1866
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. The Straits of Dover

Creator:: Print made by William Chapman, 1817–1879
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. The Bay of Baiae, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink, with graphite and pen and black ink (touched proof) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.8 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

181. The "Victory" Coming Up Channel

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink; trial proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 15 7/8 inches (31.1 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

182. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

183. Pan and Syrinx, No.2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

184. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink, with gouache; touched proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

185. Pan and Syrinx, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink; working proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

186. Ehrenbreitstein to Coblentz

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

188. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching; blind proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 15 5/8 inches (33 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

189. Little Devil's Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

190. Solway Moss

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Plate:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

191. Bonneville, Savoy

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1887
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 17 3/8 inches (32.1 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

192. View of a River from a Terrace

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

193. Ponte della Trinita, Florence

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: between 1902 and 1907
Materials & Techniques:: Etching and drypoint on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

194. The Frews

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: between 1915 and 1917
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

195. Sound of Kerrera

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1925
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/16 x 6 15/16in. (8.7 x 17.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Daniel Bell

196. Adam de Coster

Creator:: Print made by Pieter de Jode II, ca. 1606–1674
Date:: ca. 1635
Materials & Techniques:: Line engraving, stipple engraving and etching (1st state) on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 7/8 × 7 1/8 inches (27.6 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Lake of Menteith

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1925
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

198. The Falcon

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: 1904
Materials & Techniques:: Etching on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 5/16 x 13 1/16 inches (38.9 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Isabelle Hollister Tuttle for the Emerson Tuttle Memorial Collection

199. Evening Quiet

Creator:: Print made by Edward Julius Detmold, 1883–1957
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Japanese paper
Dimensions:: Sheet: 12 1/4 x 16 15/16 inches (31.1 x 43.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

200. The Summer Moon

Creator:: William Lee Hankey, 1869–1952
Date:: 1905
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 5/16 x 12 13/16 inches (38.9 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

YCBA Collections Search

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101. The Descent of Man into the Vale of Death

102. Death's Door

103. Death of the Strong Wicked Man

104. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

105. Pan and Syrinx, No. 2

106. Pan and Syrinx, No. 2

107. Pan and Syrinx, No. 1

108. The Temple of Jupiter in the Island of Aegina

109. The Temple of Jupiter in the Island of Aegina

110. St. Mary Redcliffe, Bristol

111. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

112. The Temple of Jupiter in the Island of Aegina

113. Deer in the Forest

114. R. 47 Ayr. No. 18 in the Clyde Set

115. The Paris Set: R. 366 Rue Saint Julien le Pauvre

116. The Paris Set: R. 366 Rue Saint-Julien le Pauvre (1904)

117. Boys Playing at Marbles

118. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

119. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

120. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

121. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

122. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

123. Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds

124. The Reunion of the Soul & the Body

125. The Day of Judgment

126. William Blake, Frontispiece

127. The Counsellor, King, Warrior, Mother & Child, in the Tomb

128. Robert Blair, The Grave, Title Page

129. The Meeting of a Family in Heaven

130. The Day of Judgment

131. Robert Blair, The Grave, Title Page

132. The Soul Hovering over the Body reluctantly Parting with Life

133. The Meeting of a Family in Heaven

134. The Meeting of a Family in Heaven

135. Death of the Strong Wicked Man

136. The Soul Hovering over the Body reluctantly Parting with Life

137. The Descent of Man into the Vale of Death

138. The Reunion of the Soul & the Body

139. William Blake, Frontispiece

140. The Death of the Good Old Man

141. The Soul Exploring the Recesses of the Grave

142. The Reunion of the Soul & the Body

143. Horatius Gentilescius

144. Dunstaffnage

145. Royal Scottish Academy

146. Ponte della Trinita, Florence

147. Old St. Etienne

148. A Dutch Farm

149. Stonehenge

150. Ralia

151. A Venetian Convent

152. Killundine

153. Kincardine

154. The Tower

155. [One of] 25 drawings and prints for ceilings

156. R. 43. Arran. No. 14 in the Clyde Set

157. R. 42. Greenock, No. 1. No. 13 in the Clyde Set

158. R. 361 Pont Neuf

159. The Paris Set: R. 362 Saint Germain l'Auxerrois

160. The Paris Set: R. 364 Saint Gervais, Rue des Barres

161. The Paris Set: R. 365 Restaurant Cavalier

162. Rainy Night, Charing Cross Station

163. The Paris Set: Hôtel de Sens

164. Mary Robinson

165. Robert Blair, The Grave, Title Page

166. Christ Descending into the Grave

167. The Descent of Man into the Vale of Death

168. Death's Door

169. The Soul Exploring the Recesses of the Grave

170. Death of the Strong Wicked Man

171. The Death of the Good Old Man

172. The Soul Hovering over the Body reluctantly Parting with Life

173. James Macpherson