Materials & Techniques: gray wash / Image Use: Free to Use - YCBA Collections Search Search Results

201. A Human Skeleton

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite and brown ink and brown and gray wash; verso: watercolor on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 7/8 x 10 7/8 inches (25.1 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A Human Skeleton

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite, brown ink, brown and gray wash on medium, smooth, cream wove paper mounted on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 x 10 1/2 inches (17.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Watley

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink, graphite and gray wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

204. Be it ever so Humble, There's no place like Home

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 × 4 1/4 inches (17.5 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

205. Illustration for The New Doll: Let me Have It in my Own Hands

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and ink and wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 4 × 4 5/8 inches (10.2 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

206. Heavenly Orchestra

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

207. Designs for Illustrations to Mozart's Operas

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, red chalk, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 8 1/8 inches (15.9 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

208. Erlestoke Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Gray wash, blue wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 7 1/4 inches (20.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Carnarvon

Creator:: Cornelius Varley, 1781–1873
Date:: 1802
Materials & Techniques:: Watercolor with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 19 1/4 inches (25.7 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Allegorical female figure: piety holding a nest of pelicans

Creator:: John Bacon, 1740–1799
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 4 inches (18.1 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Allegorical Female Figure: holding a flaming torch

Creator:: John Bacon, 1740–1799
Date:: undated
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 3 inches (17.8 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Old Walton Bridge seen from the Middlesex Shore

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. View of the Falls of Niagara

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Landscape with Ruins

Creator:: Joseph Wright of Derby, 1734–1797
Date:: undated
Materials & Techniques:: Gray wash, black wash, brown wash, black chalk, graphite and white chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 x 18 1/8 inches (40.6 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

215. Capri

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Graphite, pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 × 29 3/4 inches (25.4 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Naples, Chiaia

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 29 3/4 inches (25.1 × 75.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Rome From the Baths of Caracalla

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/16 × 19 1/8 inches (16 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Campagna/ Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 5/16 × 16 9/16 inches (26.2 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Gray wash, black wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 15/16 × 16 3/4 inches (40.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Einsiedein, Switzerland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and gray ink, black ink, graphite, gray wash, black wash, and sponging on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18in. (30.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Mountainous Landscape with a Bridge and House

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Black chalk, white gouache, graphite and gray wash on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 7/16 × 13 inches (24 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Man with Raised Hand

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Graphite, brown wash, and gray wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 3/4 × 11 5/8 inches (52.7 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

223. Pont Newydd near Dolgelly

Creator:: Amos Green, 1735–1807
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 15 3/8in. (24.8 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Bishop's Palace, Bromley (A Country House)

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, gray wash, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 13 inches (20 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Canadian Calash or Marche-Donc

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen and black ink, gray wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9in. (16.5 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, white gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 inches (33.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. The City of London from Somerset House

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Graphite, gray wash, pen, ink, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 14 5/8 inches (22.9 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Sion (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and gray ink, gray wash and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 13 inches (21.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Simplon (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Grisons/ Looking to Glarnisch (Switzerland) Mountains

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 16 3/8 inches (52.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Bridge, Walton on Thames

Creator:: Augustin Heckel, 1690–1770
Date:: ca. 1750
Materials & Techniques:: Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Caernarvon (Castle)

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: gray wash, black wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 9/16 × 18 15/16 inches (31.9 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Conway (Castle, North Wales), Nov. 1809

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 19in. (34 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Dolbadarn Castle (North Wales)

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: Graphite, gray wash, and blue wash on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 15/16 × 19 9/16 inches (27.8 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Village on a Lake

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and gray ink, gray wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 15 3/4 inches (19.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. St. Martyns Bruche

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1826
Materials & Techniques:: Gray wash, black wash, pen and black ink, graphite, white gouache, and sponging on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 11 1/2 inches (37 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Yarmouth Bridge, Aug. 1829

Creator:: E. M. Henderson, active 1815–1830
Date:: 1829
Materials & Techniques:: Pen and brown ink, gray wash, gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Shipping in an Estuary

Creator:: Bernard Lens III, 1682–1740
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/16 x 12 1/4in. (21.4 x 31.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. London: a View toward the City and St. Paul's from the North West

Creator:: Bernard Lens III, 1682–1740
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 8 3/8 x 12 3/4in. (21.3 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. St. Stephen's Hall

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Watercolor, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 8 1/4 inches (22.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. On the River Wye with Wilton Castle Ruins on a Bend in the River

Creator:: John Glover, 1767–1849
Date:: after 1794
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 x 11 5/8 inches (20.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Creator:: Thomas Hearne, 1744–1817
Date:: 1778
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Windsor Castle from the North

Creator:: Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 13 5/8in. (24 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Design for an Unidentified Town House: Elevation and Plan

Creator:: James Gibbs, 1682–1754
Date:: ca. 1720
Materials & Techniques:: Pen and black ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 x 14 9/16 inches (47.6 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Leasehold Farm Boxted

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Mount Palatine

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1783
Materials & Techniques:: Graphite and gray wash on moderately thick, slightly textured cream laid paper mounted on card
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Wayfarers

Creator:: Sir John Gilbert, 1817–1897
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Greenwich

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 inches (10.5 × 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Windsor Castle

Creator:: John Glover, 1767–1849
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/2 x 4 1/2 inches (6.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Andromache Mourning the Death of Hector

Creator:: Gavin Hamilton, 1723–1798
Date:: between 1760 and 1763
Materials & Techniques:: Pen and brown ink with gray wash and brown wash on medium, slightly textured, cream wove paper mounted to medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 9 inches (17.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Ruins in Rome

Creator:: William Hamilton, 1751–1801
Date:: between 1768 and 1775
Materials & Techniques:: Gray wash, pen and black and brown ink, white gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 3/8 x 18 3/16in. (34 x 46.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray wash

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Search Results

201. A Human Skeleton

202. A Human Skeleton

203. Watley

204. Be it ever so Humble, There's no place like Home

205. Illustration for The New Doll: Let me Have It in my Own Hands

206. Heavenly Orchestra

207. Designs for Illustrations to Mozart's Operas

208. Erlestoke Park

209. Carnarvon

210. Allegorical female figure: piety holding a nest of pelicans

211. Allegorical Female Figure: holding a flaming torch

212. Old Walton Bridge seen from the Middlesex Shore

213. View of the Falls of Niagara

214. Landscape with Ruins

215. Capri

216. Naples, Chiaia

217. Rome From the Baths of Caracalla

218. Campagna/ Rome

219. Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side

220. Einsiedein, Switzerland

221. Mountainous Landscape with a Bridge and House

222. Man with Raised Hand

223. Pont Newydd near Dolgelly

224. The Bishop's Palace, Bromley (A Country House)

225. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

226. Canadian Calash or Marche-Donc

227. View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground

228. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

229. Pass of the Gemmi/ Descending to Leukas Bad (Switzerland)

230. The City of London from Somerset House

231. Sion (Switzerland)

232. Simplon (Switzerland)

233. 1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen

234. Grisons/ Looking to Glarnisch (Switzerland) Mountains

235. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

236. The Bridge, Walton on Thames

237. Cinquieme Position du Salut

238. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

239. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

240. De la Risposte de Quarte apres la Parade de Quarte

241. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

242. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

243. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

244. Du Desarmement sur le Coup de Tierce

245. Position Aprés Avoir Désarmé sur le Coup de Tierce

246. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

247. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

248. Du Desarmement Aprés la Parade au Dehors des Armes

249. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

250. Position de la Garde Italienne de L'Epée & Poignard

251. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

252. L'Epée & Lanterne Combattüe par L'Epée et Manteau

253. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

254. Caernarvon (Castle)

255. Conway (Castle, North Wales), Nov. 1809

256. Dolbadarn Castle (North Wales)

257. Village on a Lake

258. St. Martyns Bruche

259. Yarmouth Bridge, Aug. 1829

260. Premiere Position pour tirer L'Epée

261. Position pour la Garde en Quarte

262. Position pour le Garde en Tierce et le Coup de Tierce

263. Position pour la Garde en Tierce

264. Position pour la Garde en Quarte et le Coup de Quarte

265. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

266. Position de la Garde de Tierce et le Coup de Seconde

267. Position de la Garde en Quarte, et le Coup de Quarte Basse

268. Premiere Position du Salut

269. Position de la Garde en Quarte, et le Coup de Flanconnade

270. Troisieme Position du Salut

271. Seconde Position du Salut

272. Shipping in an Estuary

273. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

274. De la Parade de Tierce, sur le Coup de Tierce