Jerusalem, Plate 14, "One hair nor particle of dust...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
1804 to 1820
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
36
Print made by William Blake, 1757–1827
Jerusalem, Plate 15, "And Hand & Hyle...."
1804 to 1820
37
Print made by William Blake, 1757–1827
Jerusalem, Plate 62, "Repose on me...."
1804 to 1820
38
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
39
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
40
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
41
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
42
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
43
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
44
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
45
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
46
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
47
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
48
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
49
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
50
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
51
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
52
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
53
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
54
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
55
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
56
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
57
James Ward, 1769–1859
A Human Skeleton
undated
58
James Ward, 1769–1859
A Human Skeleton
undated
59
George Fennell Robson, 1788–1833
Tryfan, Carnarvonshire
1826
60
James Jefferys, 1751–1784
Self-Portrait
between 1771 and 1775
61
Richard Parkes Bonington, 1802–1828
Portia and Bassanio
ca. 1826
62
John Frederick Lewis, 1804–1876
Seated Turk
between 1840 and 1841
63
John Frederick Lewis, 1804–1876
Study of a Lion and Study of a Lioness' Head
ca. 1820
64
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
65
John Frederick Lewis, 1804–1876
A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
1856
66
John Frederick Lewis, 1804–1876
Study of a Lioness
ca. 1824
67
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
68
James Barry, 1741–1806
The Phoenix or the Resurrection of Freedom
1776
69
Print made by Conrad Gessner, 1764–1826
Cavalry Charging
1801
70
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
71
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
72
Thomas Girtin, 1775–1802
Saint Cuthbert's Holy Island
1797
73
Print made by William Ward, 1766–1826
The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
December 1, 1801
74
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
75
James Ward, 1769–1859
Study of a Plunging Eagle
undated
76
Thomas Girtin, 1775–1802
Jedburgh Abbey from the South East
1800
77
Thomas Daniell, 1749–1840
Two Studies of an Indian Elephant's Head
ca. 1840
78
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
79
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
80
Robert Hills, 1769–1844
Tree Study
between 1800 and 1805
81
Anthony Vandyke Copley Fielding, 1787–1855
A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc