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Materials & Techniques black ink

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Materials & Techniques laid paper

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Collection Prints and Drawings

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Period 18th century

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Subject Terms river

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1. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Crowcombe Court: a gentleman with his dog walking by the river

Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Lismore Castle, Ireland

Lismore Castle, Ireland
Creator:
Francis Wheatley, 1747–1801
Date:
1783
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Two Men Looking Into Landscape with Castle, River and Mountain Scene

Two Men Looking Into Landscape with Castle, River and Mountain Scene
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 x 10 3/8in. (16.5 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

5. Landscape with Two Men and a Castle Ruin on the Riverbank

Landscape with Two Men and a Castle Ruin on the Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
1783
Materials & Techniques:
Watercolor, graphite, pen and brown ink and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/4 × 8 7/8 inches (14.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

6. Landscape

Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 9 3/8 inches (16.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

7. River Landscape with Castles

River Landscape with Castles
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/8 × 21 inches (32.7 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

8. Landscape with a man playing a pipe under an old tree

Landscape with a man playing a pipe under an old tree
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 3/8 inches (37.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Chamonix, Mer de Glace

Chamonix, Mer de Glace
Creator:
Charles Gore, 1729–1807
Date:
between 1778 and 1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper
Dimensions:
Sheet: 10 1/16 x 16 13/16in. (25.6 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Town Seen From the Banks of a River

A Town Seen From the Banks of a River
Creator:
John Alexander Gresse, 1741–1794
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, graphite on medium, slightly textured, white laid paper on backing sheet
Dimensions:
Sheet: 4 3/8 × 11 1/16 inches (11.1 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750

Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)

Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 1/16 inches (54.1 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The South View of Berwick Upon Tweed

The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Figures and Boats on the Thames

Figures and Boats on the Thames
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

15. The Thames with Montagu House and Westminster Bridge

The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

16. Westminster Bridge under Construction

Westminster Bridge under Construction
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

17. A Thames Wharf with Westminster Bridge in the Distance

A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

18. Mr. Vaughan's, Boys Hill, Dorset

Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

19. Ripon Minster, Yorkshire

Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Netting Partridges

Netting Partridges
Creator:
Thomas Ross, active from 1753
Date:
ca. 1750
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Pianura dell'Hermo in Faccia a Sardes

Pianura dell'Hermo in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. View of the Source of the Lycus River (Nahr el-Kelb)

View of the Source of the Lycus River (Nahr el-Kelb)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1751
Materials & Techniques:
Gray wash black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plan of Jerusalem

Plan of Jerusalem
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. View of the Valley of Hierapolis (now Pamukkale)

View of the Valley of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 3/8 inches (38.2 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. View of Tivoli in the Direction of the North Wind

View of Tivoli in the Direction of the North Wind
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 5/16 inches (38 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Old Somerset House

Old Somerset House
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. London Bridge

London Bridge
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Landscape with House at the Riverbank

Landscape with House at the Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 × 6 1/4 inches (10.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

32. Landscape with River, Castle and Mountains

Landscape with River, Castle and Mountains
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 5/8 x 21in. (32.1 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

33. Landscape with Two Trees and Castle

Landscape with Two Trees and Castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

34. A Wood Yard on the Thames at Nine Elms

A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

35. Thames Side Buildings

Thames Side Buildings
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

36. River and Mountain, with Ruins

River and Mountain, with Ruins
Creator:
Alexander Cozens, 1717–1786
Date:
between 1750 and 1759
Materials & Techniques:
Brushed black ink, gray wash, pen and brown ink, and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 x 6 3/4 inches (8.9 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The River Stour, St. Mildred's Church and the Castle of Canterbury

The River Stour, St. Mildred's Church and the Castle of Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. River and Boat

River and Boat
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. River Scene and Bridge with Artist Sketching in Foreground

River Scene and Bridge with Artist Sketching in Foreground
Creator:
Samuel Davis, 1760–1819
Date:
1777
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 inches (29.8 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. The Banks of the Avon at Hotwells

The Banks of the Avon at Hotwells
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1773
Materials & Techniques:
Pen and black ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:
Sheet: 6 1/4 x 10 1/2 inches (15.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Upon the Aare between Unterseen and the Lake of Brientz

Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Palace on a Cliff Above a River

Palace on a Cliff Above a River
Creator:
Joseph Farington, 1747–1821
Date:
1780-1789 (?)
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 1/2 inches (15.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. View of Ipswich, Suffolk

View of Ipswich, Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1765
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 7 7/8 x 14 1/16in. (20 x 35.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection