Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
7
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
8
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
9
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
10
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
11
John Thomas Smith, 1766–1833
The Smock Exposed
1817
12
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
13
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
14
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
15
John Thomas Smith, 1766–1833
The Reconcilation
1817
16
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
17
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
18
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
19
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
20
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
21
William Pars, 1742–1782
A View at Lucerne
1775
22
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
23
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
24
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
25
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
26
Paul Sandby, 1731–1809
Election Scene
undated
27
Isaac Weld, 1774–1856
An Execution, Rome
1819
28
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
29
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
30
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
31
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
32
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
33
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
34
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
35
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
36
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
37
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
38
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
39
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
40
Thomas Rowlandson, 1756–1827
The London Citizen
undated
41
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
42
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
43
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
44
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
45
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
46
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
47
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
48
Thomas Rowlandson, 1756–1827
Going to Market
undated
49
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
50
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
51
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
52
Thomas Rowlandson, 1756–1827
New Shoes
undated
53
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
54
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
55
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
56
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
57
Sawrey Gilpin, 1733–1807
Horseman fleeing storm
undated
58
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
59
George Dance, 1741–1825
The Collector
undated
60
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)