Materials & Techniques: etching (printing process) / On-site Access: Accessible by appointment in the Study Room / Period: 19th century

2301. The Quorn Hunt: The Pace Begins to Tell

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2302. The Quorn Hunt: The Whissendine Appears in View

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 20 1/16 inches (30.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2303. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

Creator:: James Gillray, 1756–1815
Date:: 1806
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2304. Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

Creator:: James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching with hand-coloring in watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/4 × 11 3/4 inches (37.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2305. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

Creator:: James Gillray, 1756–1815
Date:: ca. 1811
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 20 inches (36.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2306. Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 7/8 inches (26.4 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2307. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

Creator:: James Gillray, 1756–1815
Date:: ca. 1808
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 14 3/8 inches (52.1 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2308. The Nursery, with, Britannia Reposing in Peace

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand-coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 inches (25.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2309. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2310. Introduction of Citizen Volpone - and His Suite, at Paris

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2311. Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes.

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 1/4 × 14 1/4 inches (46.4 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2312. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2313. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 13 1/4 inches (48.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2314. An Old English-Gentleman pester'd by Servants wanting Places

Creator:: James Gillray, 1756–1815
Date:: 1809
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2315. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 16 1/8 inches (29.2 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2316. Delicious Dreams! Castles in the Air! Glorious Prospects!

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2317. Delicious Weather

Creator:: James Gillray, 1756–1815
Date:: 1808
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2318. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

Creator:: James Gillray, 1756–1815
Date:: 1807
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2319. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 10 inches (35.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2320. Sketch of the Interior of St. Stephen's, as It Now Stands. -

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 10 1/4 inches (35.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2321. Forming a Line on the Parade

Creator:: James Gillray, 1756–1815
Date:: 1801
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, white wove paper
Dimensions:: Sheet: 8 1/4 × 10 1/4 inches (21 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2322. The Back of the Mills

Creator:: Print made by John Crome, 1768–1821
Date:: ca. 1812
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 7 9/16 inches (24.8 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2323. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Plate: 6 7/8 × 9 1/2 inches (17.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2324. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2325. Greek set

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
Dimensions:: Image: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2326. [A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817

Creator:: William Alfred Delamotte, 1775–1863
Date:: 1816 to 1817
Materials & Techniques:: 30 India proof etchings
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2327. Etchings by R. C. Lucas

Creator:: Print made by Richard Cockle Lucas, 1800–1883
Date:: between 1837 and 1874
Materials & Techniques:: Bound album of 108 etchings and 3 photographs on thin, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2328. Composition: Sandy Road through Woodland

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 15/16 × 11 11/16 inches (38 × 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2329. The Victory Coming up the Channel with the Body of Nelson

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 15 1/2 inches (30.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2330. The Victory coming up Channel with the body of Nelson on Board

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2331. View of a River from a Terrace

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

2332. Heidelberg from the Opposite bank of the Neckar

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1846
Materials & Techniques:: Etching and line engraving with graphite; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 7/8 × 27 1/8 inches (55.6 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2333. Dover

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 3/4 × 26 1/2 inches (52.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2334. Zurich

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1854
Materials & Techniques:: Etching and line engraving, India proof before letters on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 7/8 inches (59.7 × 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2335. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/8 × 24 7/8 inches (51.1 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2336. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2337. Battle of Trafalgar, Nelson's Ship

Creator:: Print made by John Burnet, 1784–1868
Date:: 1858
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2338. Italy - Childe Harold's Pilgrimage

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1861
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 × 30 1/4 inches (52.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2339. The Bell Rock Lighthouse

Creator:: Print made by William Miller, 1796–1882
Date:: 1862
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2340. Dido Building Carthage

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1863
Materials & Techniques:: Etching and line engraving; first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 24 3/8 × 31 5/8 inches (61.9 × 80.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2341. The Bay of Baiae, Apollo and the Sibyl

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: 1873
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 1/4 × 39 7/8 inches (69.2 × 101.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2342. Kilchurn Castle, Loch Awe

Creator:: Print made by William Miller, 1796–1882
Date:: 1847
Materials & Techniques:: Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 25 3/8 × 37 1/2 inches (64.5 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2343. Hastings

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1851
Materials & Techniques:: Etching and line engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2344. Lake of Lucerne

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching and line engraving; India proof, second state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 23 1/2 × 34 3/4 inches (59.7 × 88.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2345. Sea Battle

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 14 1/4 inches (27.3 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

2346. Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Plate: 7 15/16 × 3 5/16 inches (20.2 × 8.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

2347. Kingston Bank, No. 2

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

2348. Falls of the Rhine, Shaffhausen

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 17 1/4 inches (30.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

2349. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and colored woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2350. Constantinopole

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into six scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 2 1/8 x 1 1/16 inches (5.4 x 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2351. Constantinople

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching, aquatint and color woodcut on moderately thick, smooth, cream wove paper mounted on moderately thick, smooth, beige laid paper
Dimensions:: Image: 2 1/8 x 1 inches (5.4 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2352. Ben Nevis

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper cut into five scenes and mounted on medium, smooth, beige wove paper
Dimensions:: Image: 1 7/8 x 1 inches (4.8 x 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2353. St. Mary Redcliffe, Bristol

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1888
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2354. Ehrenbreitstein to Coblentz

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2355. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1889
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 13 3/4 inches (23.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2356. Little Devil's Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1885
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

2357. Dedham Vale

Creator:: Print made by David Lucas, 1802–1881
Date:: 1838
Materials & Techniques:: Mezzotint and etching on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 27 × 21 3/4 inches (68.6 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2358. The Wreck of the Minotaur

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1856
Materials & Techniques:: Mezzotint with etching; published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 27 × 38 5/8 inches (68.6 × 98.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2359. The Mausoleum at Brocklesby

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1804
Materials & Techniques:: Etching and aquatint; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 23 × 28 3/4 inches (58.4 × 73 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2360. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2361. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2362. Robert Blair, The Grave, Title Page

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2363. Christ Descending into the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2364. Death of the Strong Wicked Man

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Binding: 16 inches (40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2365. The Meeting of a Family in Heaven

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2366. The Counsellor, King, Warrior, Mother & Child, in the Tomb

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2367. The Soul Hovering over the Body reluctantly Parting with Life

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Binding: 14 1/2 inches (36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2368. William Blake, Frontispiece

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2369. The Descent of Man into the Vale of Death

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 14 inches (50.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2370. Death's Door

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2371. The Soul Exploring the Recesses of the Grave

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1808
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 13 1/2 inches (51.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2372. The Penitent

Creator:: Print made by Frederick Bacon, 1803–1887
Date:: between 1842 and 1887
Materials & Techniques:: Stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 19 15/16 x 13 1/2 inches (50.6 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2373. The Arrival at Waterford, Commin's Hotel

Creator:: Print made by John Harris, 1811–1865
Date:: 1856
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

2374. The Ruins of Carthage

Creator:: Print made by unknown artist
Date:: ca. 1846
Materials & Techniques:: Etching with line engraving on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 inches (21 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2375. Tintern Abbey, Moonlight on the Wye

Creator:: Print made by Charles Cousen, ca. 1819–1889
Date:: undated
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (21 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2376. Kynance Rocks, Cornwall

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: undated
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 13/16 inches (22.5 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2377. The Church at Bettws-Y-Coed

Creator:: Print made by Arthur Willmore, 1814–1888
Date:: 1870
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 10 7/8 inches (22.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2378. Melrose Abbey

Creator:: Print made by Arthur Willmore, 1814–1888
Date:: ca. 1850
Materials & Techniques:: Etching with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 10 inches (33 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2379. Ventimiglia on the Cornice Road

Creator:: Print made by A. Krausse
Date:: ca. 1875
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 15/16 inches (24.8 × 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2380. Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

Creator:: Print made by unknown artist
Date:: 1814
Materials & Techniques:: Folio of etchings on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 1/2 × 20 1/4 inches (41.9 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2381. Magic – The Green Bag Metamorphosed, or the Mountain in Labour

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1820
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen H. Borkowski in honor of Dr. Colin Andrew Lee

2382. The Shrubbery

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2383. The Temple in the Wilderness

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2384. The Alcove from the Avenue

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2385. Weston House

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2386. The Father's Leave-Taking

Creator:: Print made by William Holman Hunt, 1827–1910
Date:: 1879
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 5/8 inches (33 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

2387. The Rustic Bridge.

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2388. Weston Lodge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2389. Views from the Alcove

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2390. Olney Bridge

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2391. West Front View of Eaton Hall

Creator:: Print made by J. Rogers, active ca.1825–ca.1842
Date:: 1840
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/4 inches (26.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

2392. Cowper's Summer House

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2393. The Elms

Creator:: Print made by John Greig, active 1803–1853
Date:: 1803-1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2394. Carreg-Cennen Castle, Llandilo

Creator:: Print made by William Chapman, 1817–1879
Date:: ca. 1850
Materials & Techniques:: Etching with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 9/16 × 10 7/8 inches (21.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2395. St. Michael's Mount, Cornwall

Creator:: Print made by John Saddler, 1813–1892
Date:: ca. 1876
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 inches (25.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2396. Kilchurn Castle

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1854
Materials & Techniques:: Etching with line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 11/16 × 11 3/8 inches (19.5 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2397. Lake of Como

Creator:: Print made by John Cousen, 1804–1880
Date:: ca. 1900
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 8 3/4 inches (29.4 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2398. Bamorough Castle

Creator:: Print made by Samuel Bradshaw, 1830–1869
Date:: undated
Materials & Techniques:: Etching with line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 12 15/16 inches (25.3 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James Wilson, YCBA Docent

2399. Luminous Don Key

Creator:: Charles Jameson Grant, active 1830–1852
Date:: ca. 1830
Materials & Techniques:: Line engraving with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 16 1/4 inches (28.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Brian and Linda Gracie

2400. Dr. Syntax Returned from His Tour

Creator:: Print made by Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 8 7/8 × 12 inches (22.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lisa Thornell-Gargiulo

YCBA Collections Search

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Materials & Techniques etching (printing process)

On-site Access Accessible by appointment in the Study Room

Period 19th century

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2301. The Quorn Hunt: The Pace Begins to Tell

2302. The Quorn Hunt: The Whissendine Appears in View

2303. Tiddy-Doll the Great French-Ginger-Bread-Baker, Drawing Out a Batch of Kings-His Man, Hopping Talley, Mixing the Dough

2304. Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico

2305. Political Mathematician's Shaking the Broad Bottom'd Hemispheres

2306. Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose

2307. The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats

2308. The Nursery, with, Britannia Reposing in Peace

2309. The New Dynasty; or the Little Corsican Gardener Planting a Royal Pippin-Tree. -All the Talents (Busy in) are Clearing the Ground of the Old Timber.

2310. Introduction of Citizen Volpone - and His Suite, at Paris

2311. Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes.

2312. The Introduction of the Pope to the Convocation at Oxford, By the Cardinal Broad Bottom.

2313. Pillars of the Constitution - Three O'Clock and A Cloudy Morning

2314. An Old English-Gentleman pester'd by Servants wanting Places

2315. Spanish Patriots Attacking the French Banditti - Loyal Britons Lending a Lift!

2316. Delicious Dreams! Castles in the Air! Glorious Prospects!

2317. Delicious Weather

2318. British Tars Towing the Danish Fleet into Harbour; The Broad Bottom Leviathan Trying to Swamp Billy's Old Boat; and the Little Corsican Tottering on the Clouds of Ambition

2319. Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle

2320. Sketch of the Interior of St. Stephen's, as It Now Stands. -

2321. Forming a Line on the Parade

2322. The Back of the Mills

2323. St. Mary Redcliffe, Bristol

2324. Christ Descending into the Grave

2325. Greek set

2326. [A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817

2327. Etchings by R. C. Lucas

2328. Composition: Sandy Road through Woodland

2329. The Victory Coming up the Channel with the Body of Nelson

2330. The Victory coming up Channel with the body of Nelson on Board

2331. View of a River from a Terrace

2332. Heidelberg from the Opposite bank of the Neckar

2333. Dover

2334. Zurich

2335. Lake of Lucerne

2336. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

2337. Battle of Trafalgar, Nelson's Ship

2338. Italy - Childe Harold's Pilgrimage

2339. The Bell Rock Lighthouse

2340. Dido Building Carthage

2341. The Bay of Baiae, Apollo and the Sibyl

2342. Kilchurn Castle, Loch Awe

2343. Hastings

2344. Lake of Lucerne

2345. Sea Battle

2346. Stirling Castle

2347. Kingston Bank, No. 2

2348. Falls of the Rhine, Shaffhausen

2349. Highland Dancers

2350. Constantinopole

2351. Constantinople

2352. Ben Nevis

2353. St. Mary Redcliffe, Bristol

2354. Ehrenbreitstein to Coblentz

2355. Entrance to the Meuse: Orange Merchant on the Bar Going to Pieces

2356. Little Devil's Bridge

2357. Dedham Vale

2358. The Wreck of the Minotaur

2359. The Mausoleum at Brocklesby

2360. A Shipwreck

2361. A Shipwreck

2362. Robert Blair, The Grave, Title Page

2363. Christ Descending into the Grave

2364. Death of the Strong Wicked Man

2365. The Meeting of a Family in Heaven

2366. The Counsellor, King, Warrior, Mother & Child, in the Tomb

2367. The Soul Hovering over the Body reluctantly Parting with Life

2368. William Blake, Frontispiece

2369. The Descent of Man into the Vale of Death

2370. Death's Door

2371. The Soul Exploring the Recesses of the Grave

2372. The Penitent

2373. The Arrival at Waterford, Commin's Hotel