George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
ca. 1750
2
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
3
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
4
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
5
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
8
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
15
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 97, "Ode for Music."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
20
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
22
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
29
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
30
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
34
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
35
William Blake, 1757–1827
The Poems of Thomas Gray, Design 57, "The Bard."
between 1797 and 1798
36
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 93, "Ode for Music."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
41
William Blake, 1757–1827
Satan Approaching the Court of Chaos
1784 to 1785
42
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
43
George Romney, 1734–1802
The Destruction of Niobe's Children
undated
44
George Romney, 1734–1802
Apollo and Diana for "The Destruction of Niobe's Children"
undated
45
George Romney, 1734–1802
Samson Overpowered
undated
46
George Romney, 1734–1802
Iphigenia Kneeling over an Altar
undated
47
George Romney, 1734–1802
David before Saul
undated
48
George Romney, 1734–1802
The Temptation of Christ
ca. 1796
49
George Romney, 1734–1802
The Bath of Bath-sheba
undated
50
George Romney, 1734–1802
Achilles Wounded
undated
51
George Romney, 1734–1802
Mythological Group of Women and Children
undated
52
George Romney, 1734–1802
Laocoon
undated
53
George Romney, 1734–1802
Seated Nude Woman (Hygeia at Doctor Graham's)
undated
54
George Romney, 1734–1802
Charity
undated
55
George Romney, 1734–1802
Samson Overpowered
undated
56
George Romney, 1734–1802
David Playing the Harp
undated
57
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
58
George Romney, 1734–1802
Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
undated
59
George Romney, 1734–1802
Seated Female Nude, Probably for "Susannah and the Elders"
undated
60
George Romney, 1734–1802
Amon and Iphigenia
undated
61
George Romney, 1734–1802
River God
undated
62
George Romney, 1734–1802
Borghese Gladiator
undated
63
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
64
George Romney, 1734–1802
Two Figures: Probably for the Bath of Diana
undated
65
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
66
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
67
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
68
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
69
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
70
George Romney, 1734–1802
Devils for the Temptation of Christ
1793
71
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
72
George Romney, 1734–1802
Sketches for "The Accusation of Susanna"
undated
73
George Romney, 1734–1802
Viscountess Bulkeley as Hebe
undated
74
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
75
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
76
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
77
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
78
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
79
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
80
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
81
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
82
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
83
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
84
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
85
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
86
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
87
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
88
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
89
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
90
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
91
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
92
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
93
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
94
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
95
unknown artist
Ariadne
undated
96
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
97
Sadanand Vyas, active late 18th century
A Parsi Priest or Adam
undated
98
Sadanand Vyas, active late 18th century
A Lewsa of Jettee - A Kind of Hindu Monk
undated
99
Sadanand Vyas, active late 18th century
A Gosain - A Tribe of Hindu Religious Beggars
undated
100
Attributed to Gangaram Chintaman Tambat, active 1790s