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Materials & Techniques pen

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William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Pity
Print made by William Blake, 1757–1827
Pity
ca. 1795
George Romney Prospero and Miranda
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
George Romney John Henderson as Falstaff
George Romney, 1734–1802
John Henderson as Falstaff
1780
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (three of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (one of four)
ca. 1710
unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)
unknown artist
Illustration to Tonson's Ovid Metamorphosis (two of four)
ca. 1710
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845
Anne Page and Slender
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845
Prospero and Ariel
1821
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
Robert Smirke Claudio and Isabella
Robert Smirke, 1752–1845
Claudio and Isabella
1823
Robert Smirke Prospero Conjuring a Masque for Ferdinand and Miranda
Robert Smirke, 1752–1845
Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
Robert Smirke Malvolio abusing Maria, Fabian and Sir Toby
Robert Smirke, 1752–1845
Malvolio abusing Maria, Fabian and Sir Toby
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845
Viola and Olivia
1822
Robert Smirke Katherina and Grumio
Robert Smirke, 1752–1845
Katherina and Grumio
1821
Robert Smirke Capulet Railing at his Daughter, Juliet
Robert Smirke, 1752–1845
Capulet Railing at his Daughter, Juliet
1825
Robert Smirke Isabella and Mariana Kneeling Before the Duke
Robert Smirke, 1752–1845
Isabella and Mariana Kneeling Before the Duke
1822
Robert Smirke Ford in a Rage After Seeing Falstaff
Robert Smirke, 1752–1845
Ford in a Rage After Seeing Falstaff
1821
Robert Smirke Falstaff with Mistress Quickly and Bardolph
Robert Smirke, 1752–1845
Falstaff with Mistress Quickly and Bardolph
1825
Robert Smirke Oberon and Puck
Robert Smirke, 1752–1845
Oberon and Puck
1825
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1821
Robert Smirke Launce with his Dog Crab
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
Robert Smirke Ferdinand Reunited with his Father
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
Robert Smirke Christopher Sly and the Page, as His Wife
Robert Smirke, 1752–1845
Christopher Sly and the Page, as His Wife
1821
Robert Smirke Lady Mortimer's Welsh Song
Robert Smirke, 1752–1845
Lady Mortimer's Welsh Song
1825
Robert Smirke Master William Page and Sir Hugh Evans
Robert Smirke, 1752–1845
Master William Page and Sir Hugh Evans
1821
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845
Hotspur and the Plotters at Bangor
1825
Robert Smirke The Death of Ophelia
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845
Juliet About to Take her Sleeping Draught
1825
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Benjamin Robert Haydon The Murder of Duncan - Macbeth Stabbing Duncan
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
Edward Burne-Jones The Land of Beulah
Edward Burne-Jones, 1833–1898
The Land of Beulah
1881
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
Samuel Howitt The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
Samuel Howitt Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
unknown artist Mrs. Yates in the Character of Medea
unknown artist
Mrs. Yates in the Character of Medea
after 1771
Thomas Rowlandson Henderson in the Character of Falstaff
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
Joseph Michael Gandy A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
Mary Hoare The Apparition of the Armed Head: Macbeth
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
unknown artist A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
unknown artist Malvoleo
unknown artist
Malvoleo
undated