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Remove constraint Collection: Prints and DrawingsExhibition History The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)
Remove constraint Exhibition History: The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)Search Results
1
- A Frank Encampment in the Desert of Mount Sinai. 1842 - The Convent of St. Catherine in the Distance
- 1856
2
- A Human Skeleton
- undated
3
- A Human Skeleton
- undated
4
- A Moonlit Scene with a Winding River
- ca. 1827
5
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
6
- A View of Snowdon from the Sands of Traeth Mawr, taken at the Ford Between Pont Aberglaslyn and Tremadoc
- 1834
7
- America. A Prophecy, Plate 1, Frontispiece
- 1793
8
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
9
- America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
- 1793
10
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
11
- America. A Prophecy, Plate 14, "So Cried He...."
- 1793
12
- America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
- 1793
13
- America. A Prophecy, Plate 16, "In the Flames Stood...."
- 1793
14
- America. A Prophecy, Plate 18, "Over the Hills...."
- 1793
15
- America. A Prophecy, Plate 2, Title Page
- 1793
16
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
17
- America. A Prophecy, Plate 4, "Silent as despairing love...."
- 1793
18
- America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
- 1793
19
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
20
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
21
- America. A Prophecy, Plate 8, "The Morning Comes...."
- 1793
22
- America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
- 1793
23
- Ancient Trees, Lullingstone Park
- 1828
24
- Brambles
- undated
25
- Caliban, from The Tempest
- 1775
26
- Castle Acre Priory, Norfolk
- ca. 1804
27
- Cavalry Charging
- 1801
28
- Crater of Vesuvius
- 1816
29
- Fluelen: Morning (looking towards the lake)
- 1845
30
- Fowl Body, Lateral View (Highly Finished Study for an Unpublished Table; Shows the Last Stage in Dissection)
- between 1795 and 1806
31
- Foxgloves
- undated
32
- Get Thee Behind Me, Satan
- between 1783 and 1787
33
- Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
- 1795 to 1806
34
- Illustrations to Dante's Divine Comedy
- 1827
35
- Jedburgh Abbey from the South East
- 1800
36
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
37
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
38
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
39
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
40
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
41
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
42
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
43
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
44
- Jerusalem, Plate 57, "And the voices of Bath...."
- 1804 to 1820
45
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
46
- Jerusalem, Plate 62, "Repose on me...."
- 1804 to 1820
47
- Jerusalem, Plate 76
- 1804 to 1820
48
- Jerusalem, Plate 81, "I have mockd those...."
- 1804 to 1820
49
- Jerusalem, Plate 92, "What do I see!...."
- 1804 to 1820
50
- Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
- 1804 to 1820
51
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
52
- King Lear and Cordelia, Act V, Scene 10
- 1776
53
- Lear, from King Lear, Act III, Scene ii
- 1776
54
- Mary Magdalen at the Sepulchre
- ca. 1805
55
- Mer de Glace, in the Valley of Chamonix
- 1803
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
56
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
57
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
58
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
59
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
60
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
61
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
62
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
63
- Portia and Bassanio
- ca. 1826
64
- Saint Augustine's Gate, Canterbury
- ca. 1793
65
- Saint Cuthbert's Holy Island
- 1797
66
- Seated Turk
- between 1840 and 1841
67
- Self-Portrait
- between 1771 and 1775
68
- Sheik Hussein of Gebel Tor and His Son
- between 1842 and 1843
69
- Study of a Lion and Study of a Lioness' Head
- ca. 1820
70
- Study of a Lioness
- ca. 1824
71
- Study of a Plunging Eagle
- undated
72
- The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
- 1800
73
- The Channel Sketchbook
- ca. 1845
74
- The Creation of the Heavens
- ca. 1790
75
- The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812
- December 1, 1801
76
- The Great Temple of Amon Karnak, The Hypostyle Hall
- 1838
77
- The Lake of Albano and Castel Gandolfo
- between 1783 and 1785
78
- The Parable of the Wise and Foolish Virgins
- ca. 1825
79
- The Phoenix or the Resurrection of Freedom
- 1776
80
- Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
- between 1795 and 1806
81
- Tree Study
- between 1800 and 1805
82
- Tryfan, Carnarvonshire
- 1826
83
- Two Studies of an Indian Elephant's Head
- ca. 1840
84
- Upper Fall of the Reichenbach: Rainbow
- 1810
85
- Vesuvius in Eruption
- between 1817 and 1820