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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomDate 1783
Remove constraint Date: 1783Image Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
1
- "There is No Natural Religion", London, by William Blake
- ca. 1788
2
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
3
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
4
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
5
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
6
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
7
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
8
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
9
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
10
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
11
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
12
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
13
- Sailing Ships and Small Boats in Rough Sea off the Coast
- undated
14
- Shipping on a Stormy Day
- undated
15
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
16
- A River by a Rocky Bank with Figures, Possibly in India
- between 1783 and 1789
17
- Tarbert Castle
- undated
18
- The Former Winter Capital of Bhutan at Punakha Dzong
- 1783
19
- North East View of Mr. Hare's New House
- 1783
20
- Lismore Castle, Ireland
- 1783
21
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
22
- Lucan-House
- 1783
23
- Design for an Unidentifued House in the Palladian Style
- undated
24
- Landing a Catch of Mackerel, Hastings
- undated
25
- A Peasant of Mount Erix
- between 1783 and 1789
26
- The Three Marys
- 1783
27
- Mount Palatine
- 1783
28
- Author Reading from a Manuscript to Four Ladies
- undated
29
- A Fashionable Audience
- undated
30
- Ground Plan of part of Sir Paul Pindar's Mansion, Bishopsgate
- after work dated 1783
31
- Vatican from the road to Ponte Mola
- 1783
32
- Tassisudon
- 1783
33
- Portrait of a Lady
- 1783
34
- George Wolrige of Garlinneck
- undated
35
- Girl in a Brown Dress
- undated
36
- East Side of Mr. Hare's New House
- 1783
37
- Dunkerswell Abbey, August 20, 1783
- 1783
38
- John, Lord Cardiff
- 1783
39
- Lady Amelia Hume
- 1783
40
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
41
- A New Administration, or the State Quacks Administering
- 1783
42
- Bonus / Mellior / Optimus
- 1783
43
- Junction of Parties
- 1783
44
- The West India Flower Girl
- undated
45
- A pair: 1. Symptoms of Rearing, 2. Moses
- 1783
46
- Open Landscape with Cathedral in Distance
- undated
47
- A Boatload
- undated
48
- The Nabob Rumbled or A Lord Advocates Amusement
- 1783
49
- City Malitia (sic) Marching
- ca. 1788
50
- A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)
- 1783
51
- A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)
- 1783
52
- Jack Bannister in his Dressing Room
- 1783
53
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
54
- Angelica Kauffman
- undated
55
- Mrs. Abington as Thalia
- 1783
56
- The Nabob Rumbled or a Lord Advocates Amusement
- 1783
57
- Sir Barnard Turner
- 1783
58
- Nymphs Bathing
- 1783
59
- Cephalus and Procris
- 1783
60
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
61
- The Encampment in St. James's Park MDCCLXXX
- 1783
62
- St. James's Park
- 1783
63
- Honorable Mrs. Stanhope
- 1783
64
- Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)
- After 1783
65
- The Fall of Agandecca
- 1783
66
- His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
67
- Mademoiselle Baccelli
- 1783
68
- Louisa Finch (née Thynne), Countess of Aylesford
- 1783
69
- The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
70
- Fainasollis, Borbar and Fingal
- 1783
71
- A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)
- after 1783
72
- The Death of Captain Cook
- 1783
73
- Cherub Whispering To Woman Holding Letter
- 1783
74
- Carlo Khan's Triumphal entry into Leadenhall Street
- 1783
75
- G. B. Cipriani, RA
- 1783
76
- George, 4th Duke Of Marlborough, Caroline HIs Duchess And Child
- 1783
77
- A Transfer of East India Stock
- 1783
78
- Diana, The Huntress
- 1783
79
- Cleopatra And Meleagar
- 1783
80
- Prosperity
- 1783
81
- Cecilia
- 1783
82
- A Sacrifice To Cupid
- 1783
83
- The Triumph of Beauty and Love
- 1783
84
- Beauty
- 1783
85
- Meekness
- 1783
86
- Prudence, Holding A Land Mirror, And An Arrow With A Serpant
- 1783
87
- King Street, Guildhall
- 1783
88
- Lady Elizabeth Harriet Bulkeley (née Warren)
- 1783
89
- View of Mr. Hatchett's Capital House in Long Acre
- 1783
90
- Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
- 1783
91
- Sion House in Middlesex
- 1783
92
- Georgiana, Countess Spencer
- 1783
93
- Cornelia, Mother of the Gracchi
- 1783
94
- Love Caressed
- 1783
95
- The Power of Love
- 1783
96
- Diego Ignacio de Pina Manique
- undated
97
- Prudence
- 1783
98
- The Power of Beauty
- 1783
99
- The Patriot Exalted
- ca. 1788
100
- Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
- 1783