Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Genre: figure study and portrait - YCBA Collections Search Search Results

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre figure study

Genre portrait

John Constable Mary Constable Reading

John Constable, 1776–1837

Mary Constable Reading

1812

William Blake Thomas Hayley (1780-1800)

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Gangaram Chintaman Tambat Self-portrait of Gangaram as a Devotee

Attributed to Gangaram Chintaman Tambat, active 1790s

Self-portrait of Gangaram as a Devotee

ca. 1790

George Richmond Portrait Head of Samuel Palmer

George Richmond, 1809–1896

Portrait Head of Samuel Palmer

1827

unknown artist Seated Female with Arms Raised Turning to Right

unknown artist

Seated Female with Arms Raised Turning to Right

undated

Thomas Worlidge Rembrandt in a fur hat

Thomas Worlidge, 1700–1766

Rembrandt in a fur hat

undated

Allan Ramsay Study for the Portrait of William Guise

Allan Ramsay, 1713–1784

Study for the Portrait of William Guise

ca. 1761

James Bruce Studies of a Woman Wearing Headdress

James Bruce, 1730–1794

Studies of a Woman Wearing Headdress

undated

James Bruce Woodage Asahel and Kefla Yasous with Ceremonial Equipment

James Bruce, 1730–1794

Woodage Asahel and Kefla Yasous with Ceremonial Equipment

undated

Allan Ramsay Head of a Young Woman or Man

Allan Ramsay, 1713–1784

Head of a Young Woman or Man

undated

Allan Ramsay Head of a Young Woman

Allan Ramsay, 1713–1784

Head of a Young Woman

undated

Allan Ramsay Portrait of a Young Girl

Allan Ramsay, 1713–1784

Portrait of a Young Girl

undated

William Ward Portrait Study of Mrs. George Morland

William Ward, 1766–1826

Portrait Study of Mrs. George Morland

undated

James Bruce Studies of Two Male Heads Wearing Turbans

James Bruce, 1730–1794

Studies of Two Male Heads Wearing Turbans

undated

Samuel De Wilde A Lady, full length, Wearing a Blue Sash and Holding a Fan

Samuel De Wilde, 1748–1832

A Lady, full length, Wearing a Blue Sash and Holding a Fan

1795

Samuel De Wilde A Gentleman, full length, Holding a Paper and Pencil

Samuel De Wilde, 1748–1832

A Gentleman, full length, Holding a Paper and Pencil

1795

Samuel De Wilde An Actress

Samuel De Wilde, 1748–1832

An Actress

1806

Queen Victoria Queen Anne

Attributed to Queen Victoria, 1819–1901

Queen Anne

1857

Benjamin West Woman and Child

Benjamin West, 1738–1820

Woman and Child

undated

Benjamin West Mrs. West and Daughter Playing Catch

Benjamin West, 1738–1820

Mrs. West and Daughter Playing Catch

undated

Isaac Weld Two Women in Colorful Costume

Isaac Weld, 1774–1856

Two Women in Colorful Costume

ca. 1816

James Ward Studies after Anthony van Dyck's Portrait of Arthur Goodwin

James Ward, 1769–1859

Studies after Anthony van Dyck's Portrait of Arthur Goodwin

1825

Benjamin West Artist's Son Writing

Benjamin West, 1738–1820

Artist's Son Writing

undated

Thomas Stothard A Study for the Wellington Monument

Thomas Stothard, 1755–1834

A Study for the Wellington Monument

undated

Benjamin Robert Haydon Study for the Head of Christ and an Apostle

Benjamin Robert Haydon, 1786–1846

Study for the Head of Christ and an Apostle

undated

John Frederick Lewis Seated Turk

John Frederick Lewis, 1804–1876

Seated Turk

between 1840 and 1841

John Frederick Lewis Head of a Young Woman

John Frederick Lewis, 1804–1876

Head of a Young Woman

between 1838 and 1840

unknown artist Head of a Young Man

unknown artist

Head of a Young Man

undated

William Lock II Portrait of the Pugilist Johnson

William Lock II, 1767–1847

Portrait of the Pugilist Johnson

1790

David Loggan Portrait of a Gentleman

David Loggan, 1633–1692

Portrait of a Gentleman

1684

Walter Greaves Portrait Study of Whistler

Walter Greaves, 1846–1930

Portrait Study of Whistler

undated

Sir Godfrey Kneller Head of a Man

Attributed to Sir Godfrey Kneller, 1646–1723

Head of a Man

1732

unknown artist Portrait

unknown artist

Portrait

undated

George Jones Study of J.M.W. Turner Sketching

George Jones, 1786–1869

Study of J.M.W. Turner Sketching

undated

William Henry Hunt Portrait of a Gentleman

William Henry Hunt, 1790–1864

Portrait of a Gentleman

undated

Dr. Thomas Monro Portrait of John Laporte

Dr. Thomas Monro, 1759–1833

Portrait of John Laporte

undated

John Nixon Martha Gunn, Bather at Brighton

John Nixon, ca. 1760–1818

Martha Gunn, Bather at Brighton

1791

Thomas Patch Valentino, Servitore de Piazza

Thomas Patch, 1725–1782

Valentino, Servitore de Piazza

1769

William Walker A Literary Party at Sir Joshua Reynolds

William Walker, 1791–1867

A Literary Party at Sir Joshua Reynolds

1848

Francesco Curti Guercino's Design Books

Print made by Francesco Curti, 1610–1690

Guercino's Design Books

between 1633 and 1653

Sir Edwin Henry Landseer Janie Ellice: Full Length Sketch

Sir Edwin Henry Landseer, 1802–1873

Janie Ellice: Full Length Sketch

1835 to 1841

Sir Thomas Lawrence Double Portrait of a Figure in Both Male and Female Attire

Sir Thomas Lawrence, 1769–1830

Double Portrait of a Figure in Both Male and Female Attire

1792

John Raphael Smith The Charmer

John Raphael Smith, 1752–1812

The Charmer

ca. 1780

Fortuny Gentleman of Gouda

Fortuny, 1838–1874

Gentleman of Gouda

1869

Thomas Girtin Figure Costume Study of Henry VIII

Thomas Girtin, 1775–1802

Figure Costume Study of Henry VIII

between 1793 and 1795

John Condé T. Banks, Sculptor, R. A.

Print made by John Condé, 1765–1794

T. Banks, Sculptor, R. A

1791

Augustus Edwin John Dorelia Asleep

Augustus Edwin John, 1878–1961

Dorelia Asleep

1903

Augustus Edwin John Study of Gwen John

Augustus Edwin John, 1878–1961

Study of Gwen John

ca. 1900

Heywood Hardy A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ...

Heywood Hardy, 1843–1933

A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ..

undated

Heywood Hardy A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

Heywood Hardy, 1843–1933

A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat

undated

David Cox Girl in a Pinafore

David Cox, 1783–1859

Girl in a Pinafore

between 1840 and 1849

Francesco Bartolozzi William Beckford, Esquire, Twice Lord Mayor Of London

Francesco Bartolozzi, 1728–1815

William Beckford, Esquire, Twice Lord Mayor Of London

1772

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Benjamin Robert Haydon Study of Facial Expressions

Benjamin Robert Haydon, 1786–1846

Study of Facial Expressions

undated

Robert Mabon Moote Ram

Robert Mabon, died 1798

Moote Ram

undated

John Downman Portrait of a Lady

John Downman, 1750–1824

Portrait of a Lady

undated

John Downman Portrait of a Girl Holding a Garland

attributed to John Downman, 1750–1824

Portrait of a Girl Holding a Garland

undated

Sawrey Gilpin Study for the Figure of Gulliver

Sawrey Gilpin, 1733–1807

Study for the Figure of Gulliver

ca. 1769

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome

ca. 1633

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Oliverio Gatti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Oliverio Gatti, 1568–1651

Studies for the Instruction of Painters, two suites. Rome, c. 1630

undated

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Francesco Curti Studies for the Instruction of Painters, two suites. Rome, c. 1630

Print made by Francesco Curti, 1610–1690

Studies for the Instruction of Painters, two suites. Rome, c. 1630

ca. 1633

Sawrey Gilpin Newmarket, 1760, Studies of Men's Heads

Sawrey Gilpin, 1733–1807

Newmarket, 1760, Studies of Men's Heads

1760

Francis Cotes Study for the Portrait of Princess Louisa and Queen Caroline Matilda of Denmark

Francis Cotes, 1726–1770

Study for the Portrait of Princess Louisa and Queen Caroline Matilda of Denmark

ca. 1767

Robert Dighton Sir Alexander Hood, Bart.

Robert Dighton, 1752–1814

Sir Alexander Hood, Bart

ca. 1810