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401. The Death Warrant Read to Mary Queen of Scots

The Death Warrant Read to Mary Queen of Scots
Creator:
Print made by John Corner, 1788–1825
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

402. Canute Reproving the Flattery of his Courtiers

Canute Reproving the Flattery of his Courtiers
Creator:
Print made by Thomas Milton, 1742/1743–1827
Date:
1810
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

403. Traitor's Gate - Tower of London

Traitor's Gate - Tower of London
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched)
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 17 3/8 × 11 7/8 inches (44.1 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. Hougomont

Hougomont
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 7 1/2 inches (27.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; early touched engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. Brienne

Brienne
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving with scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 3/8 inches (21.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. Placenza

Placenza
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 1/4 inches (21.6 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. The Simplon

The Simplon
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 17 × 11 3/8 inches (43.2 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. Fontainebleau

Fontainebleau
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 13 1/4 × 8 1/2 inches (33.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Etching and engraving, touched with graphite (Engraver's Proof b)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Scott's Birthplace, no. 39, Castle Street, Edinburgh
Creator:
Print made by William Miller, 1796–1882
Date:
1839
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. "It's Auld Ailie Hersell"

"It's Auld Ailie Hersell"
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1836
Materials & Techniques:
Etching and line engraving; first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. Lochiel's Warning

Lochiel's Warning
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, Engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. Battle of the Baltic

Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. Battle of the Baltic

Battle of the Baltic
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. Gertrude of Wyoming - the Waterfall

Gertrude of Wyoming - the Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. Gertrude of Wyoming - the Waterfall

Gertrude of Wyoming - the Waterfall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Gertrude of Wyoming - the Valley

Gertrude of Wyoming - the Valley
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Rolandseck (Vignette)

Rolandseck (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. Gertrude of Wyomimg - The Waterfall (Vignette)

Gertrude of Wyomimg - The Waterfall (Vignette)
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Presages of the Millenium

Presages of the Millenium
Creator:
James Gillray, 1756–1815
Date:
1795
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
Creator:
Print made by James Gillray, 1756–1815
Date:
1793
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. HMS Bellerophon, Plymouth Sound

HMS Bellerophon, Plymouth Sound
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1835
Materials & Techniques:
Etching and line engraving with graphite and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 5 3/4 inches (20.3 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Lochiel's Warning

Lochiel's Warning
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. Hohenlinden

Hohenlinden
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1837
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 8 5/16 inches (30.2 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. Ticket: For the Benefit of Mr. Salpietro

Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis

The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

433. George the Third King of Great Britain &c &c &c

George the Third King of Great Britain &c &c &c
Creator:
Print made by William Woollett, 1735–1785
Date:
1763-1764
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

434. Frederick William III King of Prussia

Frederick William III King of Prussia
Creator:
Print made by Charles James Canton, active 19th century
Date:
1815
Materials & Techniques:
Etching hand-colored with watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

435. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

436. To the British Nation

To the British Nation
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1836
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 26 1/16 x 39 1/4 inches (66.2 x 99.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

437. George Fox Talks to the People About Dreams

George Fox Talks to the People About Dreams
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 x 14 3/8 inches (28.1 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

438. George Fox Talks to the Ranter Named T. Bushel

George Fox Talks to the Ranter Named T. Bushel
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 13 7/16 inches (24.7 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

439. George Fox at Launceston Gaol

George Fox at Launceston Gaol
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 11 5/8 inches (23.3 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

440. George Fox Shows His Leather Breeches at Hellett

George Fox Shows His Leather Breeches at Hellett
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 9 15/16 inches (20.1 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

441. The Next Day Wee Passed on...

The Next Day Wee Passed on...
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 11 9/16 inches (23.4 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

442. George Fox Is Stoned by the Crowd at Walney Island

George Fox Is Stoned by the Crowd at Walney Island
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

443. George Fox Is Beaten in the Steeple-House at Ulverston

George Fox Is Beaten in the Steeple-House at Ulverston
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:
Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

444. George Fox Walks Through Whitehall

George Fox Walks Through Whitehall
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 9 3/16 inches (29.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

445. George Fox and Captain Keat

George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

446. George Fox and Captain Keat

George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

447. We Went Back to Our Inn...

We Went Back to Our Inn...
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 6 3/4 inches (22.2 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

448. George Fox at Launceston Gaol

George Fox at Launceston Gaol
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

449. George Fox in Carlisle Dungeon

George Fox in Carlisle Dungeon
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

450. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

451. James Boswell in the Dress of a Corsican Chief

James Boswell in the Dress of a Corsican Chief
Creator:
Print made by J. Miller, active 1769–1825
Date:
1769
Materials & Techniques:
Line engraving and stipple on medium, slighly textured, cream aid paper
Dimensions:
Sheet: 7 1/4 x 4 1/4 inches (18.4 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Ryskamp

452. George Fox and Captain Keat

George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 13/16 x 10 1/4 inches (22.4 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

453. George Fox in the Garden of Dr. Craddock at Coventry

George Fox in the Garden of Dr. Craddock at Coventry
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

454. George Fox Is Challenged to Fight at Scarborough Castle

George Fox Is Challenged to Fight at Scarborough Castle
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

455. George Fox and the Old Priest

George Fox and the Old Priest
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 12 inches (24 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

456. George Fox and the Dead Cromwell

George Fox and the Dead Cromwell
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1897 and 1898
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

457. George Fox Preaching at Carlisle

George Fox Preaching at Carlisle
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1897 and 1912
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

458. The Battle of Trafalgar

The Battle of Trafalgar
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. The Slave Ship

The Slave Ship
Creator:
Print made by Pellissier & Allen, active late 19th century
Date:
1900
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Funeral of the Late Duke of Wellington

Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. The Arrest of Lord Edward Fitzgerald

The Arrest of Lord Edward Fitzgerald
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

463. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. The Last Effort and Fall of Tippoo Sultaun

The Last Effort and Fall of Tippoo Sultaun
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1802
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

465. The Assault and Taking of Seringapatam

The Assault and Taking of Seringapatam
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1801
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

466. The Death of Chatterton

The Death of Chatterton
Creator:
Print made by Thomas Oldham Barlow, 1824–1889
Date:
1860
Materials & Techniques:
Mezzotint and stipple engraving on thick, moderately textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

467. The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567

The Battle-Array of Carberry-hill Near Edinburgh with the Surrender of Mary Queen of Scots to the Confederate Lords of Scotland, and the Escape of Earl Bothwell, 1567
Creator:
George Vertue, 1684–1756
Date:
1742
Materials & Techniques:
Engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 1/8 × 34 1/16 inches (58.7 × 86.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ann and Kenneth Rapoport

468. Providential Deliverance of John Wesley when a Child from Fire

Providential Deliverance of John Wesley when a Child from Fire
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1840
Materials & Techniques:
Mezzotint, etching, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 25 3/4 × 32 1/8 inches (65.4 × 81.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

469. Death of Bishop Heber

Death of Bishop Heber
Creator:
Print made by James Sands, active 1813–1846
Date:
1844
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 1/2 inches (20.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

470. Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis

Onofrio Panvinio, Amplissimi Ornatissimique Triumphi, and Etienne Du Pérac, Urbis Romae Sciographia ex Antiquis
Creator:
Published by Giovanni Giacomo de Rossi, 1627–1691
Date:
between 1546 and 1590
Materials & Techniques:
Bound volume of intaglio prints on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Zeuxis Composing the Picture of Juno

Zeuxis Composing the Picture of Juno
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1785
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 13 1/8 x 15 7/8in. (33.3 x 40.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. The Surrender of the Sons of Tippoo Sultaun

The Surrender of the Sons of Tippoo Sultaun
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1802
Materials & Techniques:
Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 22 1/8 × 25 5/8 inches (56.2 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

473. Bela Lugosi Journal A

Bela Lugosi Journal A
Creator:
Joe Tilson, 1928–2023
Date:
1969
Materials & Techniques:
Screenprint on medium, slightly textured, white wove paper
Dimensions:
Sheet: 31 7/8 × 23 1/2 inches (81 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

474. First Skydiver

First Skydiver
Creator:
Gerald Laing, 1936–2011
Date:
1968
Materials & Techniques:
Screenprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 35 × 23 inches (88.9 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

475. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1796
Materials & Techniques:
Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

476. The Departure Of The Sons Of Tippoo From The Zenana

The Departure Of The Sons Of Tippoo From The Zenana
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 x 25 1/2 inches (52.1 x 64.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

477. Exhibition Etchings

Exhibition Etchings
Creator:
Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

478. From the Dome

From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

479. The Fall of Tippoo Saib

The Fall of Tippoo Saib
Creator:
Print made by Walker, active 1850s
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 3/4 inches (17.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

480. Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23

Uel Ingenio Alicuius Excogitatam Operae Precium Duxi hic; Nomina Ex Quibus ea Desumpta Est Dionisivs Libro Quinto; and In Triumpho Poplicolae Iosephvs Libro Septimo Cap. 23
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Prisonniers Sovietiques

Prisonniers Sovietiques
Creator:
R. B. Kitaj, 1932–2007
Date:
1964
Materials & Techniques:
Screenprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 23 × 36 inches (58.4 × 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

485. Ireland and Russia

Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

486. The Indian Theatre

The Indian Theatre
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

487. Night from the River

Night from the River
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

488. The Art Gallery

The Art Gallery
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 11/16 x 17 13/16 inches (32.2 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

489. Evening in Little Russia

Evening in Little Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

490. Simon, Lord Lovat

No cover image available
Creator:
after William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 9 1/4 inches (36.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. Crowns, Mitres, Maces, Etc.

No cover image available
Creator:
Print made by William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Etching
Dimensions:
Sheet: 9 × 7 1/2 inches (22.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Suzanne and William H. Speaker

492. Antony in Egypt No.2, Morning of the Festival

No cover image available
Creator:
Print made by William Walcot, 1874–1943
Date:
1916
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 26 inches (66.4 × 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

493. Romanus sum Civis

No cover image available
Creator:
Joseph Goupy, 1689–1769
Date:
1726
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 × 17 1/2 inches (39.7 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Dedication for 'The Rape of Hastings'

No cover image available
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816 to 1820
Materials & Techniques:
Letterpress
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Battle of Trafalgar, Nelson's Ship

No cover image available
Creator:
Print made by John Burnet, 1784–1868
Date:
1858
Materials & Techniques:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 39 inches (67.9 × 99.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. History of England, Subscription Receipt

No cover image available
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1750
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Onvphrii Panvinii Veronensis, Fratris Eremitae Augustiniani. XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

No cover image available
Creator:
Prints made by Philippe Soye, active 1565–1568
Date:
1568
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 8 1/2 inches (29.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. David Garrick with a Bust of Shakespeare

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1769
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Plate: 24 1/2 x 15 1/8in. (62.2 x 38.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

500. Agrippina

No cover image available
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1776
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund