etching begun ca. 1880; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
9
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
10
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
11
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
12
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
13
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
14
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
15
Print made by Samuel Palmer, 1805–1881
The Vine
1852
16
George Stubbs, 1724–1806
The Farmer's Wife and the Raven
1788
17
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
18
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
19
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
20
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
21
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
22
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
23
Print made by Sir Frank Short, 1857–1945
Aesacus and Hesperie
1896
24
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
25
Print made by Henry Thomas Alken, 1785–1851
The School-Boy
1824
26
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
27
Print made by Sir Frank Short, 1857–1945
Pan and Syrinx
1896
28
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
29
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
30
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
31
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
32
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
33
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
34
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
35
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
36
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower