Print made by Joseph Mallord William Turner, 1775–1851
The Evening Gun
ca. 1825
33
Print made by Joseph Mallord William Turner, 1775–1851
The Evening Gun
ca. 1825
34
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
ca. 1825
35
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
1820 to 1826
36
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
37
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
1820 to 1826
38
Print made by Joseph Mallord William Turner, 1775–1851
Catania, Sicily
ca. 1825
39
Print made by Joseph Mallord William Turner, 1775–1851
St. Michael's Mount
1820 to 1826
40
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
41
Print made by Joseph Mallord William Turner, 1775–1851
Study of Sea and Sky
1820 to 1826
42
Print made by Joseph Mallord William Turner, 1775–1851
Ship and Cutter
1820 to 1826
43
Print made by Joseph Mallord William Turner, 1775–1851
Bridge and Monument
1820 to 1825
44
Print made by Joseph Mallord William Turner, 1775–1851
Bridge and Monument
1820 to 1825
45
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
1820 to 1826
46
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
1820 to 1825
47
Joseph Mallord William Turner, 1775–1851
A Sea Piece - A Rough Sea with a Fishing Boat
1820 to 1830
48
Joseph Mallord William Turner, 1775–1851
Luxembourg
ca. 1825 or 1834
49
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
50
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
51
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
52
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
53
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
54
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
55
William Blake, 1757–1827
Study for a Destroying Deity
1820 to 1825
56
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surrey
1820
57
unknown artist
Canonbury Tower, Islington in 1820
1820
58
Robert Havell, 1769–1832
Representation of the Election of Members of Parliament for Westminster 1820
1820
59
Joseph Skelton, active 1820–1850
St. Mary le Strand
undated
60
unknown artist
East View of the Gateway of Bermondsey Abby
1820
61
unknown artist
The Hall, Bermondsey Abby
1820
62
unknown artist
Bermondsey Abby
1820
63
Robert Havell, 1769–1832
View of Waterloo Bridge
1820
64
unknown artist
View of Cato Street
1820
65
unknown artist
Cato Street Conspiracy (no. 2)
1820
66
unknown artist
West View of the Interior of Furnival's Inn
1820
67
unknown artist
North View of the Interior of Furnival's Inn
1820
68
unknown artist
Interior of the Hall of Furnival Inn
1820
69
Capt. Thomas Hastings, 1778–1854
On Hounslow Heath, Outer Suburb, West
1820
70
unknown artist
View of the Building in Cato Street where the Conspirators were Discovered and Plan of the District
1820
71
unknown artist
Cato Street Conspiracy (no. 3)
1820
72
Bartholomew Howlett, 1767–1827
A General View of the Remains of Bermondsey Abbey, Surry
1820
73
unknown artist
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
74
unknown artist
Inside of the Hall, Bermondsey Abbey
1820
75
unknown artist
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
76
unknown artist
Southeast View of the Gateway of Bermondsey Abbey
1820
77
Bartholomew Howlett, 1767–1827
Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel
1820
78
Bartholomew Howlett, 1767–1827
View of the Brewery and Dwelling House belonging to Messrs. Calvert and Company
1820
79
Henry Cave, 1780–1836
York, the Old Bridge and St. William's Chapel
1820
80
Thomas Sutherland, ca. 1785–1838
Morning of the Gale, November 23 1824 in Catwater at Plymouth
ca. 1825
81
Robert Havell, 1769–1832
A View of Southwark Bridge
1820
82
James Stow, ca. 1770–after 1820
The Painted Ceiling over the Picture of the Old Theatre in Aliff Street
1820
83
unknown artist
Plan of the General Cemetary at Kensal Green
1820 to 1850
84
Charles J. Hullmandel, 1789–1850
Notre Dame, Abbeville
1820
85
unknown artist
Interior View of the Library of the London Inst
1820
86
Print made by James Mitan, 1776–1822
Turin from the Portico of the Superga Church
1820
87
Print made by John Wykeham Archer, 1808–1864
Richmond Castle and Town
1820
88
Print made by John Scott, 1774–1828
Aysgarth Force
1820
89
unknown artist
Interior of the Late Theatre Royal, Drury Lane
1820
90
Bartholomew Howlett, 1767–1827
The King's Theatre, Haymarket
1820
91
Sir David Wilkie, 1785–1841
Study for "Reading the Will"
1820
92
Richard Parkes Bonington, 1802–1828
Beach Scene
ca. 1825
93
Samuel Lucas, 1805–1870
Boat Building on the Teign
undated
94
Print made by Charles J. Hullmandel, 1789–1850
Savoyard Shepherd's Dog
1820
95
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
96
Print made by Charles J. Hullmandel, 1789–1850
English Setter and Russian Pointer
1820
97
Print made by Charles J. Hullmandel, 1789–1850
Dogs Drawn from Nature
1820
98
Print made by Charles J. Hullmandel, 1789–1850
Newfoundland
1820
99
James Ward, 1769–1859
The Beggar's Oak, Bagot's Park, Aug. 12th, 1820 (A Celebrated Ancient Tree on Lord Bagot's Blithfield Hall Estate in Staffordshire)
1820
100
Samuel Rawle, 1771–1860
The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)