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Collection Prints and Drawings
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1
- The Ferry
- ca. 1840
2
- Crocks
- ca. 1924
3
- Timber Hauling
- ca. 1917
4
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
5
- The Horse Mart (with further sketches in the margin)
- ca. 1918
6
- Figures at Mass, Poland
- ca. 1904
7
- Over the Bank, Exmoor
- ca. 1895
8
- Under the Hammer
- between 1912 and 1913
9
- The Bayhorse, Tattersall’s
- 1921
10
- Sale at Ward's Repository, No. 2
- ca. 1918
11
- Ploughing the Hillside
- ca. 1905
12
- Human Figure, Lateral View
- 1795 to 1806
13
- The First Stage of Cruelty
- ca. 1750
14
- Grotesque Male Head
- undated
15
- Grotesque Male Head
- undated
16
- Grotesque Male Head
- undated
17
- Grotesque Male Head
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Male Head
- undated
20
- Grotesque Male Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Gabriel Hunt
- undated
24
- Folkestone Harbour and Coast to Dover
- ca. 1829
25
- Teignmouth, Devonshire
- ca. 1813
26
- Rome from Monte Mario
- ca. 1818
27
- Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
- ca. 1797
28
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
29
- Young's Night Thoughts, Page 13, "The present moment terminates our sight"
- ca. 1797
30
- Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
- ca. 1797
31
- Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
- ca. 1797
32
- Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
- ca. 1797
33
- Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
- ca. 1797
34
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
35
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
36
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
37
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
38
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
39
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
40
- Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
- ca. 1797
41
- Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
- ca. 1797
42
- Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
- ca. 1797
43
- Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
- ca. 1797
44
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
45
- Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
- ca. 1797
46
- Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
- ca. 1797
47
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
48
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
49
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
50
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
51
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
52
- Jerusalem, Plate 19, "His children exil'd from his breast...."
- 1804 to 1820
53
- Jerusalem, Plate 36, "Reuben returnd to his place...."
- 1804 to 1820
54
- Jerusalem, Plate 100
- 1804 to 1820
55
- Jerusalem, Plate 20, "But when they saw Albion...."
- 1804 to 1820
56
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
57
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
58
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
59
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
60
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
61
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
62
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
63
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
64
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
65
- Jerusalem, Plate 41, "Bath who is Legions...."
- 1804 to 1820
66
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
67
- Jerusalem, Plate 42, "Thus Albion sat...."
- 1804 to 1820
68
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
69
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
70
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
71
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
72
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
73
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
74
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
75
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
76
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
77
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
78
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
79
- Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
- 1789
80
- Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
- 1789
81
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
82
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
83
- Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
- 1794
84
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
97
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
98
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
99
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
100
- Jerusalem, Plate 54, "In Great Eternity...."
- 1804 to 1820