Single Frigate, Stern Forward; Albion 20 April 1817
1817
13
Richard Parkes Bonington, 1802–1828
A Faun with Pipes
undated
14
Richard Parkes Bonington, 1802–1828
Palais de Justice, Rouen
undated
15
Richard Parkes Bonington, 1802–1828
A Seascape
undated
16
Richard Parkes Bonington, 1802–1828
Study of a Seated Woman
undated
17
Thomas Shotter Boys, 1803–1874
Queen Anne Boleyn's Room, Windsor Castle
undated
18
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
19
John Thomas Smith, 1766–1833
The Smock Exposed
1817
20
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
21
John Thomas Smith, 1766–1833
The Reconcilation
1817
22
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
23
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
24
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
25
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
26
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
27
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
28
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
29
John Thomas Smith, 1766–1833
The Eleventh Hour
1817
30
John Frederick Tayler, 1802–1889
A Fruit Stall in a Market
undated
31
Richard Parkes Bonington, 1802–1828
A Wooded Stream and a Farmhouse in Normandy
undated
32
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
33
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
34
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
35
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
36
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
37
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
38
Thomas Shotter Boys, 1803–1874
A Christening
undated
39
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
40
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
41
Print made by Henry Morton, ca. 1807–1825
Ore Church and House
1817
42
Henry Morton, ca. 1807–1825
St. Thomas's Church Winchelsea
1817
43
Joseph Constantine Stadler, active 1780–1812
South View of the New Custom House
1817
44
John Frederick Tayler, 1802–1889
Stable Boy with Cart Horses
undated
45
Print made by Henry Morton, ca. 1807–1825
Views Illustrative of Hastings and its Vicinity; Title Page
1817
46
Henry Morton, ca. 1807–1825
Winchelsea Castle
1817
47
Henry Morton, ca. 1807–1825
Old Buildings at Hastings
1817
48
Print made by Henry Morton, ca. 1807–1825
Bodiam Castle
1817
49
Henry Morton, ca. 1807–1825
The Fish-Ponds
1817
50
Thomas Sutherland, ca. 1785–1838
Improvements opposite Carlton House (Showing the view up Regent Street)
1817
51
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
1817
52
Joseph Cartwright, c.1789–1829
Lord Craven's Yacht, July 23, 1817
1817
53
Dean Wolstenholme, 1798–1882
[Racing] Set of Four: The High Mettled Racer
1817
54
Dean Wolstenholme, 1798–1882
[Racing] Set of Four: The High Mettled Racer
1817
55
Print made by Charles Turner, 1774–1857
George Viscount Malden and Lady Elizabeth Capel
1817
56
Print made by William Sharp, 1749–1824
William Sharp
1817
57
Print made by Charles Turner, 1774–1857
Lady Wigram
1817
58
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
59
Isaac Weld, 1774–1856
Commencement of the Passage/ Towards the Gemmi/ from the Bernese Side
1817
60
Isaac Weld, 1774–1856
Grisons/ Looking to Glarnisch (Switzerland) Mountains
1817
61
Isaac Weld, 1774–1856
1) (ll) Lake at Davos, 2) (lr) Entrance of the Pass to Segnes, 3) (ur) Wiesen
1817
62
Isaac Weld, 1774–1856
After Pinnelli - Group of Peasants Outside a Church
1817
63
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
64
John Chessell Buckler, 1793–1894
South East View of the Church and Palace at Croydon, Surrey
1817
65
Sir Edwin Henry Landseer, 1802–1873
Three Sheep at Rest
undated
66
Samuel Howitt, 1756–1822
Polecat
ca. 1817
67
Samuel Howitt, 1756–1822
North American Lynx
ca. 1817
68
John Linnell, 1792–1882
Tythrop
1817
69
William Henry Hunt, 1790–1864
Interior of the Belfry, Bushey Church
ca. 1822
70
Richard Parkes Bonington, 1802–1828
Study of a Woman with her Head on her Hand
undated
71
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
72
Print made by William Bernard Cooke, 1778–1855
Plymouth, from Mount Batten
1817
73
Print made by William Bernard Cooke, 1778–1855
Plymouth, with Mount Batten
1817
74
Print made by William Bernard Cooke, 1778–1855
Plymouth from Mount Batten
1817
75
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
76
Print made by William Bernard Cooke, 1778–1855
Martello Towers at Bexhill
1817
77
Thomas Shotter Boys, 1803–1874
The Footbridge
undated
78
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham, Replication of Right Half
1817
79
Print made by W. R. Smith, active 1819–1851
Rosslyn Castle
ca. 1822
80
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
81
Print made by Samuel Middiman, ca. 1750–1831
Hardraw Fall
1817
82
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
83
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
84
William Heath, 1795–1840
An Episode at the Battle of Waterloo
1817
85
Samuel Howitt, 1756–1822
Honey-Badger
1817
86
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
87
Alexander Monro, 1802–1844
Landscape at Boxhill, Surrey
undated
88
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
89
Alexander Monro, 1802–1844
Buildings Belonging to Magdalen Hall, Oxford
undated
90
Alexander Monro, 1802–1844
Classical Landscape
undated
91
Alexander Monro, 1802–1844
Porchester Castle
undated
92
Thomas Lound, 1802–1861
The Keep and Gate, Ludlow Castle, Shropshire
undated
93
Alexander Monro, 1802–1844
Lewes Bridge, Sussex
undated
94
Alexander Monro, 1802–1844
Knaresborough
undated
95
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
96
Samuel William Reynolds, 1773–1835
Thomas Girtin
1817
97
unknown artist
A Plan of Grove Hill, Camberwell, Surrey, Belonging to J.C. Letteome, M.D
1817
98
Robert Pollard, 1755–1838
A Portrait of the East Indiaman built at Mr. Bayley's Ship Yard, Ipswich, Launched Aug. 1817
1817
99
Joseph Constantine Stadler, active 1780–1812
A South View of Somerset House from Waterloo Bridge