Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
3
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
4
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
5
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
6
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
7
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
8
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
9
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
10
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
11
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
12
Print made by Edward Francis Finden, 1791–1857
Malta
1832
13
Print made by Edward Francis Finden, 1791–1857
Rhodes
1833
14
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
15
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
16
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
17
Print made by Edward Goodall, 1795–1870
Columbus and his Son
1834
18
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
19
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
20
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
21
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
22
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
23
Print made by William Miller, 1796–1882
Berwick on Tweed
1834
24
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
25
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
26
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
27
Print made by Edward Goodall, 1795–1870
Traitor's Gate - Tower of London
1834
28
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
29
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
30
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
31
Print made by William Forrest, 1802–1889
Smailholm Tower
1836
32
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
33
Thomas Grieve, 1799–1882
Design for Love's Labour's Lost
1839
34
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
35
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
36
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
ca. 1844
37
Print made by John Cousen, 1804–1880
St. Agatha's Abbey
1844-1867
38
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
39
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I