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Genre religious and mythological subject
Remove constraint Genre: religious and mythological subjectGenre literary theme
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1
- "The Lady of Shalott"
- ca. 1875
- Not on view
2
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
3
- The Vine
- 1852
4
- Apuleia in Search of Apuleius
- between 1813 and 1823
5
- The Deluge
- between 1813 and 1823
6
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
7
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
8
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
9
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
10
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
11
- Jerusalem, Plate 76
- 1804 to 1820
12
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
13
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
14
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
15
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
17
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
18
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
19
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
20
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
21
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
23
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
24
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
25
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
26
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
27
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
28
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
29
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
32
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
33
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
34
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
36
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
37
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
39
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
40
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
41
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
42
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
43
- The Judgement of Paris
- undated
44
- Mrs. Abington as Thalia
- ca. 1783
45
- Mrs. Abington as Thalia
- 1783
46
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
47
- Dido and Aeneas
- 1787