<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Credit Line Yale Center for British Art, Paul Mellon Fund

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Fund

Image Available Available

Remove constraint Image Available: Available

Search Results

George Romney Study of Two Seated Figures
George Romney, 1734–1802
Study of Two Seated Figures
undated
George Romney Figure Composition Study 44
George Romney, 1734–1802
Figure Composition Study 44
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802
Figure Composition Study 46
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802
Figure Composition Study 47
undated
George Romney Figure Study 10
George Romney, 1734–1802
Figure Study 10
undated
George Romney Composition of Two Figures
George Romney, 1734–1802
Composition of Two Figures
undated
George Romney Figure Study Twelve
George Romney, 1734–1802
Figure Study Twelve
undated
George Romney Figure Study 4
George Romney, 1734–1802
Figure Study 4
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802
Figure Composition Study 43
undated
George Romney Figure Composition Study 45
George Romney, 1734–1802
Figure Composition Study 45
undated
George Romney Figure Composition Study 48
George Romney, 1734–1802
Figure Composition Study 48
1793
George Romney Figure Composition Study 49
George Romney, 1734–1802
Figure Composition Study 49
undated
George Romney Figure Composition Study 50
George Romney, 1734–1802
Figure Composition Study 50
undated
George Romney Study of Two Figures and a Face
George Romney, 1734–1802
Study of Two Figures and a Face
undated
George Romney Study of a Seated Woman
George Romney, 1734–1802
Study of a Seated Woman
undated
George Romney Figure Composition Study 1
George Romney, 1734–1802
Figure Composition Study 1
1794
George Romney Figure Study of a Woman
George Romney, 1734–1802
Figure Study of a Woman
undated
George Romney Figure Study Eleven
George Romney, 1734–1802
Figure Study Eleven
undated
George Romney Figure Study 6
George Romney, 1734–1802
Figure Study 6
undated
George Romney Figure Composition Study 16
George Romney, 1734–1802
Figure Composition Study 16
undated
George Romney Figure Composition Study 17
George Romney, 1734–1802
Figure Composition Study 17
undated
George Romney Figure Composition Study 18
George Romney, 1734–1802
Figure Composition Study 18
undated
George Romney Figure Study 9
George Romney, 1734–1802
Figure Study 9
undated
George Romney Male Head 2
George Romney, 1734–1802
Male Head 2
undated
George Romney Figure Composition Study 12
George Romney, 1734–1802
Figure Composition Study 12
undated
George Romney Study of a Horse's Hooves
George Romney, 1734–1802
Study of a Horse's Hooves
undated
George Romney Figure Study 7
George Romney, 1734–1802
Figure Study 7
undated
George Romney Figure Composition Study 6
George Romney, 1734–1802
Figure Composition Study 6
undated
George Romney Figure Study 1
George Romney, 1734–1802
Figure Study 1
undated
George Romney Figure Composition Study 5
George Romney, 1734–1802
Figure Composition Study 5
undated
George Romney Figure Composition Study 8
George Romney, 1734–1802
Figure Composition Study 8
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802
Figure Composition Study 3
undated
George Romney Figure Composition Study 4
George Romney, 1734–1802
Figure Composition Study 4
1793
George Romney Figure Composition Study 7
George Romney, 1734–1802
Figure Composition Study 7
undated
George Romney Figure Composition Study 9
George Romney, 1734–1802
Figure Composition Study 9
undated
George Romney Male Head 1
George Romney, 1734–1802
Male Head 1
undated
George Romney Figure Composition Study 11
George Romney, 1734–1802
Figure Composition Study 11
undated
George Romney Figure Composition Study 13
George Romney, 1734–1802
Figure Composition Study 13
undated
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
George Romney Manuscript Notes
George Romney, 1734–1802
Manuscript Notes
1773
William Blake Rev. John Caspar Lavater
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
William Blake Spring, from Songs of Innocence
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
William Blake Copy of the Laocoön, for Rees's Cyclopædia
William Blake, 1757–1827
Copy of the Laocoön, for Rees's Cyclopædia
1815
unknown artist The Death of Cordelia
unknown artist
The Death of Cordelia
undated
unknown artist Lear in the Storm
unknown artist
Lear in the Storm
undated
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855
The Sleepwalking Scene in Macbeth
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Thomas Sandby Receipt for a Set of Six London Views
Thomas Sandby, 1721–1798
Receipt for a Set of Six London Views
ca. 1758
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Henry William Bunbury Launce Teaching His Dog Crab
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Alfred Edward Chalon Cleopatra on the Cydnus to Meet Antony
Alfred Edward Chalon, 1780–1860
Cleopatra on the Cydnus to Meet Antony
ca. 1821
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811
Falstaff Carrying Dead Hotspur
undated
John Massey Wright Falstaff Disguised as Herne
John Massey Wright, 1777–1866
Falstaff Disguised as Herne
undated
Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
Edward Francis Burney, 1760–1848
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801
Hero and Leander
1801
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Spencer Frederick Gore Interior of the New Bedford
Spencer Frederick Gore, 1878–1914
Interior of the New Bedford
between 1908 and 1909
Benjamin Robert Haydon Sketches for a Scene from 'Macbeth'
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
Aubrey Vincent Beardsley The Lady at the Dressing Table
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
Sir George Hayter Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
George Jones Chantrey's Studio
George Jones, 1786–1869
Chantrey's Studio
undated
George Jones Portentous Things
George Jones, 1786–1869
Portentous Things
undated
William Marlow The Coast Near Naples
William Marlow, 1740–1813
The Coast Near Naples
undated
George Henry Harlow Hecate
George Henry Harlow, 1787–1819
Hecate
1815
Benjamin Robert Haydon Portrait of a Gentleman (W. Winston?)
Benjamin Robert Haydon, 1786–1846
Portrait of a Gentleman (W. Winston?)
ca. 1835
John Greenhill Portrait of Phillip Woolrich (b.1628)
John Greenhill, 1644–1676
Portrait of Phillip Woolrich (b.1628)
undated
James Holland The Tower of the Clergy, Oporto
James Holland, 1799–1870
The Tower of the Clergy, Oporto
undated
Augustus Edwin John Self Portrait
Augustus Edwin John, 1878–1961
Self Portrait
ca. 1897
John Frederick Lewis Study for the Proclamation of Don Carlos
John Frederick Lewis, 1804–1876
Study for the Proclamation of Don Carlos
between 1834 and 1838
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Gavin Hamilton Classical Composition
Gavin Hamilton, 1723–1798
Classical Composition
undated
Sir Stanley Spencer Deposition
Sir Stanley Spencer, 1891–1959
Deposition
1910
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840