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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
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1
- Design for the Dust Jacket of 'Between the Acts' by Virginia Woolf
- ca. 1941
2
- Oberon and Titania
- 1837
3
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
4
- Lear Awakened by Cordelia
- between 1774 and 1775
5
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
6
- "Lear in the Storm," King Lear, Act III, Scene II
- undated
7
- Miranda, Prospero, and Caliban: The Tempest
- undated
8
- Prospero and Miranda
- ca. 1787
9
- Witches' Cavern: MacBeth's Second Visit
- undated
10
- Titania's Attendants Chasing Bats
- undated
11
- Daphnis and Chloe
- undated
12
- Standing Figure, Probably for Lady Macbeth
- undated
13
- Sketchbook Drawing
- ca. 1793
14
- MacBeth at the Witches' Cave: Second Visit, or Canidia and the Youth, or The Opening of the Ark
- undated
15
- MacBeth: Banquet Scene
- undated
16
- Lear Awakened by Cordelia
- ca. 1774
17
- Sketchbook Drawing
- ca. 1793
18
- Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
- undated
19
- Paradise Lost Sketchbook
- ca. 1793
20
- The Witches' Cavern
- between 1792 and 1793
21
- MacBeth: Banquet Scene
- undated
22
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
23
- Sketch for Canidia and the Youth
- undated
24
- John Henderson as Falstaff
- 1780
25
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
26
- Unidentified Subjects
- undated
27
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
28
- The Abandonment and Rescue of Perdita from "The Winter's Tale"
- undated
29
- Tempest, Version A
- undated
30
- Abandonment and Rescue of Perdita from "The Winter's Tale" (Tampered with but Not Fake)
- undated
31
- Three Studies of a Standing Woman, Possibly Lady MacBeth
- undated
32
- Sketchbook Drawing
- ca. 1793
33
- Sketchbook Drawing
- ca. 1793
34
- Sketchbook Drawing
- ca. 1793
35
- Sketchbook Drawing
- ca. 1793
36
- Sketchbook Drawing
- ca. 1793
37
- Sketchbook Drawing
- ca. 1793
38
- Sketchbook Drawing
- ca. 1793
39
- Sketchbook Drawing
- ca. 1793
40
- Sketchbook Drawing
- ca. 1793
41
- Sketchbook Drawing
- ca. 1793
42
- Sketchbook Drawing
- ca. 1793
43
- Sketchbook Drawing
- ca. 1793
44
- Sketchbook Drawing
- ca. 1793
45
- Sketchbook Drawing
- ca. 1793
46
- Sketchbook Drawing
- ca. 1793
47
- Sketchbook Drawing
- ca. 1793
48
- Sketchbook Drawing
- ca. 1793
49
- Sketchbook Drawing
- ca. 1793
50
- Sketchbook Drawing
- ca. 1793
51
- The Banquet Scene
- ca. 1792
52
- Witches' Cavern: MacBeth's Second Visit
- undated
53
- MacBeth: Banquet Scene
- undated
54
- MacBeth at the Witches' Cave: Second Visit
- undated
55
- MacBeth: Banquet Scene
- undated
56
- MacBeth: Banquet Scene
- undated
57
- Birth of Man
- undated
58
- Sketchbook Drawing
- ca. 1793
59
- Sketchbook Drawing
- ca. 1793
60
- Sketchbook Drawing
- ca. 1793
61
- The First Book of Urizen, Plate 3 (Bentley 22)
- 1794
62
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
63
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
64
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
65
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
66
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
67
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
68
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
69
- The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
- 1789
70
- The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
- 1789
71
- Jerusalem, Plate 89, "Tho divided by the Cross...."
- 1804 to 1820
72
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
73
- Jerusalem, Plate 90, "The Feminine separates...."
- 1804 to 1820
74
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
75
- Jerusalem, Plate 93, "Enitharmon heard...."
- 1804 to 1820
76
- Jerusalem, Plate 94, "Albion cold lays on his Rock...."
- 1804 to 1820
77
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
78
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
79
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
80
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
81
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
82
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
83
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 73, "The Fatal Sisters."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
91
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
92
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
97
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
98
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
99
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
100
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789