Collection: Prints and Drawings / Genre: cityscape / Image Available: Available

1. A Classical City

Creator:: Francis Danby, 1793–1861
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 5 × 7 3/8 inches (12.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Swiss Cottage, Hampstead

Creator:: Robert Polhill Bevan, 1865–1925
Date:: between 1912 and 1913
Materials & Techniques:: Colored chalk, graphite, and black chalk, squared for transfer on medium, slightly textured, beige wove paper mounted to board
Dimensions:: Sheet: 18 1/2 × 14 11/16 inches (47 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. A Village in the Sussex Downs

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 3/8 x 17 1/4 inches (31.4 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

4. A London Church

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1924
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

5. Study of Old Buildings

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Rome from San Spirito

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. View near Arundel

Creator:: John Constable, 1776–1837
Date:: between 1834 and 1835
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Beer Street

Creator:: William Hogarth, 1697–1764
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale Univesrity Art Gallery

9. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A View of Boppart, with Figures on the River Bank

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Tours - Looking Backward

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

12. Morpeth, Northumberland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1809
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Basle

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1807
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: c.1819
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Approach to Venice

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Modern Italy - The Pifferari

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Heidelberg With A Rainbow

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Heidelberg - Sunset

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1918
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Lake Constane

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Campo Santo, Venice, 1842

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Scarborough

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Schaaffhausen: The Town

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Vesuvius in Repose

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Chromolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Newark - upon - Trent

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2 inches (30.5 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Rhodes

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1823 and 1824
Materials & Techniques:: Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Andernach

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Weymouth

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1811
Materials & Techniques:: Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Luxembourg

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825 or 1834
Materials & Techniques:: Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. St. Mawes, Cornwall

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1823
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Carlisle

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1832
Materials & Techniques:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Venice, The Mouth of the Grand Canal

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1840
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Leeds

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Rheinfels Looking to Katz and Gourhausen

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1817
Materials & Techniques:: Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Tours: Sunset: Looking Backwards

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1826 and 1830
Materials & Techniques:: Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Paestum

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: between 1820 and 1826
Materials & Techniques:: Mezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Balgrate. 14. October. 1837

Creator:: Edward Lear, 1812–1888
Date:: 1837
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

47. Salonica, from my Room Window, 11 Sept. 1848, after Sunset

Creator:: Edward Lear, 1812–1888
Date:: 1848
Materials & Techniques:: Watercolor, pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 1/8 inches (17.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

48. Nice from the Genoa Road

Creator:: Edward Lear, 1812–1888
Date:: 1865
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 3/4 inches (14.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

49. Albenga

Creator:: Edward Lear, 1812–1888
Date:: 1864
Materials & Techniques:: Watercolor with pen in brown ink and gouache, over graphite on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 7 5/16 x 21 1/4 inches (18.6 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

50. Corfu

Creator:: Edward Lear, 1812–1888
Date:: ca. 1856
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and pastel on medium, moderately textured, beige wove paper mounted on very thick cardboard
Dimensions:: Sheet: 12 3/8 x 18 5/8 inches (31.4 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

51. Genezzano, 17 May 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite with stumping and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 9 15/16 x 14 inches (25.2 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

52. Isola di Sora, 31 Mar. 1842

Creator:: Edward Lear, 1812–1888
Date:: 1842
Materials & Techniques:: Graphite with stumping on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 6 5/8 x 10 1/8 inches (16.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

53. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

54. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

Creator:: Edward Lear, 1812–1888
Date:: 1841
Materials & Techniques:: Lithograph on wove paper
Dimensions:: Plate: 9 3/8 x 16 15/16in. (23.8 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

55. Venice, the Doge's Palace

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

56. Benares

Creator:: Edward Lear, 1812–1888
Date:: 1873
Materials & Techniques:: Watercolor with pen in brown ink over graphite and gouache on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 1/2 x 20 inches (34.3 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968

57. English Country Town

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 6 7/8 inches (12.7 × 17.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

58. A View of the Harbour at Cannes

Creator:: Edward Lear, 1812–1888
Date:: 1869
Materials & Techniques:: Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Possibly Saint Paul's, London

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 7 5/8 inches (18.4 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

60. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Design for London Bridge Approach

Creator:: Print made by Sir Robert Smirke the younger, 1781–1867
Date:: between 1827 and 1835
Materials & Techniques:: Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:: Sheet: 8 7/8 x 14 7/8 inches (22.5 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Church of St. John's, Smith Square

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite
Dimensions:: Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

63. The Penitentiary and Distant View of Westminster Bridge

Creator:: Charles Heath, 1785–1848
Date:: 1825
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 1/4 × 6 1/2 inches (10.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 5/8 inches (41.3 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. View of Pont St. Michael taken from Pont Neuf

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A General View of Paris taken from Chaillot

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View of Pont Neuf, the Mint and etc.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. View of Pont Neuf, part of the Louvre and the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Yarmouth, Norfolk

Creator:: Edward Francis Finden, 1791–1857
Date:: 1837
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the Gate of the St. Denis taken from the Suburbs

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Near Putney

Creator:: James Miller, active 1773–1814
Date:: 1770s
Materials & Techniques:: Watercolor and gray wash over graphite. verso: graphite
Dimensions:: Sheet: 7 11/16 × 12 1/2 inches (19.5 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

77. Cologne

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 16 1/2 × 11 inches (41.9 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Atalanta and Hippomanes

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1763
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 11/16 x 11 5/16 inches (42.4 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Distant View of Church

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 7 3/4 inches (16.2 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

80. The Fulham End of Putney Bridge

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/16 × 7 13/16 inches (16.4 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

81. Fairburn's Plan of the Proposed Wet-Docks and Cut, from New Gravel Lane to Blackwall

Creator:: Print made by John Fairburn, active 19th century
Date:: 1796
Materials & Techniques:: Etching and line engraving, hand-colored on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 10 3/8 × 16 inches (26.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Forty-second Street, New York

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

83. Ludgate Hill

Creator:: Print made by William Walcot, 1874–1943
Date:: 1921
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

84. Park Avenue, New York

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 12 5/8 inches (25.7 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Ingraham, Yale BA 1910, in memory of Carl A. Lohmann, Yale BA 1910, transfer from the Yale University Art Gallery

85. A North East View of the Tuesday Market Place of Lynn Regis

Creator:: Robert Pollard, 1755–1838
Date:: 1797
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/16 × 26 9/16 inches (43.3 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Bedford from the North

Creator:: Print made by Henry Burn, active 1845
Date:: ca. 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

A Perspective View of the Parade, in St. James's Park, Shewing the New Buildings for the Horse Guards, The Treasury, and the Admiralty Office; 1. St. Martin's Church, 2. Admiralty office, 3. Horse Guard, 4. Whitehall, 5. King's Gate, 6. Treasury

Creator:: John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A North West View of the Tower of London

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Blois

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1833
Materials & Techniques:: Line engrving, Engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 8 3/4 × 11 inches (22.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Prospect of the Town of St. Andrews

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

A View of the Printing House (a), the Theatre (b), the Museum (c), part of the Schools (d), part of All Souls College (e), & St. Mary's Church (f), & c. in the University of Oxford

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/2 × 17 1/8 inches (26.7 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

A View of (1) Ringsend (2) Irish Town, The Harbour of Dublin, The Hill of Howth and The Strand on the North Side of the Harbour (3) is the South Wall (4) The North Wall (5) Clontarf Island (6) Pool Beg (7) Sheds of Clontarf (8) Clontarf (9) Howth...

Creator:: Giles King, active 1732–1746
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. A View of Rotterdam, and the River Maese with Variety of Shipping

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 1/4 inches (29.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The City of Ratisbon

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Perspective View of Venice

Creator:: John Bowles, 1701–1779
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A General View of the City of Madrid, the Capital of Kingdom of Spain

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Collection Prints and Drawings

Genre cityscape

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Search Results

1. A Classical City

2. Swiss Cottage, Hampstead

3. A Village in the Sussex Downs

4. A London Church

5. Study of Old Buildings

6. Rome from San Spirito

7. View near Arundel

8. Beer Street

9. Basle

10. A View of Boppart, with Figures on the River Bank

11. Tours - Looking Backward

12. Morpeth, Northumberland

13. Basle

14. Tenth Plague of Egypt

15. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

16. The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome

17. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

18. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

19. St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome

20. Approach to Venice

21. Modern Italy - The Pifferari

22. Heidelberg With A Rainbow

23. Heidelberg - Sunset

24. Lake Constane

25. Campo Santo, Venice, 1842

26. Scarborough

27. Schaaffhausen: The Town

28. Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841

29. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

30. Vesuvius in Repose

31. Newark - upon - Trent

32. Rhodes

33. Andernach

34. Weymouth

35. Luxembourg

36. St. Mawes, Cornwall

37. Margate

38. Carlisle

39. Rome from Monte Mario

40. Venice, The Mouth of the Grand Canal

41. High Street, Edinburgh

42. Leeds

43. Rheinfels Looking to Katz and Gourhausen

44. Tours: Sunset: Looking Backwards

45. Paestum

46. Balgrate. 14. October. 1837

47. Salonica, from my Room Window, 11 Sept. 1848, after Sunset

48. Nice from the Genoa Road

49. Albenga

50. Corfu

51. Genezzano, 17 May 1838

52. Isola di Sora, 31 Mar. 1842

53. Reggio, 26 July 1847

54. Rome from Via della Porta San Paolo, from Views in Rome and its Environs, 1841

55. Venice, the Doge's Palace

56. Benares

57. English Country Town

58. A View of the Harbour at Cannes

59. Possibly Saint Paul's, London

60. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

61. Design for London Bridge Approach

62. The Church of St. John's, Smith Square

63. The Penitentiary and Distant View of Westminster Bridge

64. View of the Louvre and Bridge of the Tuilleries taken from Pont Neuf

65. View of Pont St. Michael taken from Pont Neuf

66. A General View of Paris taken from Chaillot

67. A View of Pont Neuf, the Mint and etc.

68. View of Pont Neuf, part of the Louvre and the College of Four Nations

69. Yarmouth, Norfolk

70. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

71. View of the Gate of the St. Denis taken from the Suburbs

72. View of the Pantheon taken from the Arsenal

73. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud