David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
ca. 1762
Not on view
2
James Smetham, 1821–1889
Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
ca. 1874
Not on view
3
Benjamin van der Gucht, 1753–1794
Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
between 1773 and 1774
Not on view
4
Edward Alcock, active 1750–ca. 1778
Portia and Shylock, from Shakespeare's "The Merchant of Venice", IV, i
ca. 1778
Not on view
5
Charles Hunt, 1803–1877
Children Acting the 'Play Scene' from "Hamlet," Act II, Scene ii
1863
Not on view
6
Herbert Stoppelaer, active 1730–1775
Shylock and Tubal from "The Merchant of Venice"
1767 to 1769
Not on view
7
John Cawse, 1779–1862
Falstaff and the recruits, from "Henry IV, Part II"
ca. 1818
Not on view
8
John S. Clifton, active 1852–1869
Buck Washing on Datchet Mead from 'The Merry Wives of Windsor,' III, v
1849
Not on view
9
George Cruikshank, 1792–1878
Herne's Oak from 'The Merry Wives of Windsor,' V, v
ca. 1857
Not on view
10
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
11
Benjamin Wilson, 1721–1788
David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii
1753
Not on view
12
Landscape by William Hodges, 1744–1797
Jaques and the Wounded Stag: 'As You Like It,' Act II, Scene I
1790
Not on view
13
Robert Smirke, 1752–1845
The Seven Ages of Man: The Schoolboy, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
14
Robert Smirke, 1752–1845
The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
15
Robert Smirke, 1752–1845
The Seven Ages of Man: The Pantaloon, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
16
Robert Smirke, 1752–1845
The Seven Ages of Man: The Justice, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
17
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
18
unknown artist
Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i
between 1770 and 1780
Not on view
19
Robert Smirke, 1752–1845
The Seven Ages of Man: The Soldier, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
20
Gilbert Stuart Newton, 1794–1835
Shylock and Jessica from the 'Merchant of Venice,' II, ii
1830
Not on view
21
James Northcote, 1746–1831
Master Betty as Hamlet, before a Bust of Shakespeare
between 1804 and 1806
Not on view
22
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
ca. 1755
Not on view
23
unknown artist
Prospero, Miranda and Ariel, from "The Tempest"
ca. 1780
Not on view
24
Robert Smirke, 1752–1845
The Seven Ages of Man: The Infant, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
25
Joseph Noel Paton, 1821–1901
Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
26
Thomas Stothard, 1755–1834
The Return of Othello, 'Othello,' Act II, Scene II
ca. 1799
Not on view
27
Thomas Stothard, 1755–1834
Prospero, Miranda and Ariel, from "The Tempest," Act I, scene ii
ca. 1799
Not on view
28
Johann Heinrich Ramberg, 1763–1840
Olivia, Maria and Malvolio from "Twelfth Night," Act III, Scene iv
1789
Not on view
29
George Cruikshank, 1792–1878
The First Appearance of William Shakespeare on the Stage of the Globe Theatre
1864 to 1865
Not on view
30
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
31
Thomas Stothard, 1755–1834
Oberon and Titania from "A Midsummer Night's Dream," Act IV, Scene i
1806
Not on view
32
James Stephanoff, 1787–1874
Falstaff at Herne's Oak, from "The Merry Wives of Windsor," Act V, Scene v
1832
Not on view
33
Francis Wheatley, 1747–1801
Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
1792
Not on view
34
Adrien Carpentiers, active 1739–1778
Louis-Francois Roubiliac Modelling His Monument to Shakespeare
between 1760 and 1761
Not on view
35
Pieter van Bleeck, 1700–1764
Mrs. Cibber as Cordelia
1755
Not on view
36
Richard Dadd, 1817–1886
Hamlet and his Mother; The Closet Scene
1846
Not on view
37
Marcellus Laroon the Younger, 1679–1772
Scene from Shakespeare's "Henry IV, Part I"
1746
Not on view
38
William Hamilton, 1751–1801
The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
ca. 1790
Not on view
39
Albert-Ernest Carrier-Belleuse, 1824–1887
William Shakespeare
late 19th century
Not on view
40
Francis Danby, 1793–1861
Oberon and Titania
1837
41
Print made by Samuel Palmer, 1805–1881
The Vine
1852
42
Print made by Samuel Palmer, 1805–1881
The Vine
1852
43
Print made by Samuel Palmer, 1805–1881
The Vine
1852
44
Print made by Samuel Palmer, 1805–1881
The Vine
1852
45
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
46
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
47
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
48
Print made by William Blake, 1757–1827
The Death of Juliet
1799
49
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
50
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
51
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
52
George Romney, 1734–1802
"Lear in the Storm," King Lear, Act III, Scene II
undated
53
George Romney, 1734–1802
Witches' Cavern: MacBeth's Second Visit
undated
54
George Romney, 1734–1802
Exit Pursued by a Bear, or "The Abandonment of Perdita" from "The Winter's Tale"
undated
55
George Romney, 1734–1802
Standing Figure, Probably for Lady Macbeth
undated
56
George Romney, 1734–1802
Miranda, Prospero, and Caliban: The Tempest
undated
57
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
58
George Romney, 1734–1802
The Banquet Scene
ca. 1792
59
George Romney, 1734–1802
The Witches' Cavern
between 1792 and 1793
60
George Romney, 1734–1802
John Henderson as Falstaff
1780
61
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
62
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
63
unknown artist
Alcibiades and Timon
undated
64
Theodor von Holst, 1810–1844
Prospero Watching Ferdinand and Miranda
ca. 1840
65
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
66
Benjamin Robert Haydon, 1786–1846
Sketches for a Scene from 'Macbeth'
ca. 1811
67
Thomas Grieve, 1799–1882
Design for A Winter's Tale
undated
68
Thomas Grieve, 1799–1882
Design for Midsummer Night's Dream
undated
69
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
70
Sir John Gilbert, 1817–1897
Apotheosis of Shakespeare's Characters
1871
71
Sir John Everett Millais, 1829–1896
Study for the Head of Ferdinand in "Ferdinand Lured by Ariel"
1849
72
James Northcote, 1746–1831
Study for Burying the Royal Children
ca. 1790
73
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
74
George Henry Harlow, 1787–1819
Hecate
1815
75
Francis Hayman, 1707/8–1776
Falstaff Inspecting the Recruits
between 1761 and 1765
76
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
77
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
78
John Hall, 1739–1797
Timon of Athens
1803
79
William Wynne Ryland, 1732–1783
King John
80
George Vertue, 1684–1756
William Shakespeare
1719
81
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
82
Isaac Taylor, 1759–1829
The Murder of David Rizzio on the 9th of March 1566
1803
83
George Vertue, 1684–1756
Edward IV King of England and France, Lord of Ireland
1732
84
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 8) Bardolph, from Henry IV, Act II, Scene 9 (Catalogue Mortimer Exhibition 1968 - number 79)
85
John Hamilton Mortimer, 1740–1779
Twelve etchings from Shakespeare: 10) York, from Henry IV, Part 2, Act V, Scene 4 (Catalogue Mortimer Exhibition 1968 - number 79)
86
John Hamilton Mortimer, 1740–1779
Falstaff. Second part Henry IV, Act V, Scene 4th. "There's a merry heart good master Silence / I'll give you a health for that anon."
1776
87
John Hamilton Mortimer, 1740–1779
Twelve etchings of Characters from Shakespeare: 12) Shylock, from The Merchant of Venice, Act IV, Scene 1 (Catalogue Mortimer Exhibition 1968 - number 79)
88
John Hamilton Mortimer, 1740–1779
Nature and Genius introducing Garrick to the Temple of Shakespeare (Catalogue Mortimer Exhibition 1968 - number 83)
89
John Massey Wright, 1777–1866
The Rustics Perform from "A Midsummer Night's Dream"
undated
90
unknown artist
Falstaff reproved by King Henry
1792
91
John Neagle, 1796–1865
Comedy of Errors, Act II, Scene II
92
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
93
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Sayings
1828
94
John Phillips, active 1840–1852
One of a set of four: Much Ado About Nothing or Illustrations of Old Savings
1828
95
Sir Joshua Reynolds, 1723–1792
Woman 'Cleopatra'
undated
96
John Phillips, active 1840–1852
Set of Four: Much Ado About Nothing or Illustrations of Old Sayings
1828
97
Print made by unknown artist
Titania and Bottom
undated
98
unknown artist
Kean, in the Character of Richard III
99
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV
1794
100
unknown artist
Launce Teaching his Dog Crab to behave as a Dog in all things - "The Two Gentlemen of Verona," Act IV, Scene IV