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Materials & Techniques black ink
Remove constraint Materials & Techniques: black inkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSearch Results
1
- Arab Horsemen, Two Grey Horses
- 1965
2
- Moving Up to Challenge
- 1963
3
- Arab Horsemen, One Brown and One Gray Horse
- 1965
4
- Over the Bank, Exmoor
- ca. 1895
5
- Huntsman and Hounds
- ca. 1896
6
- A Harrow in the Orchard
- ca. 1896
7
- Cornfield and Church by Moonlight
- early 1830s
8
- Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
- ca. 1840
9
- A Cottage among Trees, Shoreham
- undated
10
- The Valley of Vision
- undated
11
- A Cow Lodge with a Mossy Roof
- ca. 1829
12
- An Ancient Barn at Shoreham
- undated
13
- Opening the Fold: Early Morning
- ca. 1880
14
- The Timber Wain
- between 1833 and 1834
15
- Brighton Beach Looking West
- undated
16
- A View on the Orwell
- undated
17
- Horses Fighting
- undated
18
- Grotesque Male Head
- undated
19
- Grotesque Female Head
- undated
20
- Grotesque Female Head
- undated
21
- Grotesque Male Head
- undated
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Female Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Female Head
- undated
32
- Grotesque Female Head
- undated
33
- Ship Aground, Brighton
- 1830
34
- Leeds
- 1816
35
- Villa d'Este
- ca. 1796
36
- Rome from Monte Mario
- ca. 1818
37
- View of Hampton Court, Herefordshire, from the Northwest
- ca. 1806
38
- Barnard Castle
- ca. 1825
39
- Andernach
- 1817
40
- Lake Geneva and Mount Blanc
- 1802 to 1805
41
- The Capo Sant' Angelo, Amalfi
- ca. 1885
42
- Bavella, Corsica
- ca. 1868
43
- Abu Simbel, 11-11:30 am, 8 February 1867 (374)
- 1867
44
- Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
- undated
45
- Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
- undated
46
- Catania
- 1847
47
- The Dead Sea, 16 and 17 April 1858
- April 16 and 17, 1858
48
- The Wave
- undated
49
- Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
- 1794
50
- Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
- 1793
51
- The Little Black Boy (Plate 6)
- 1789
52
- The Divine Image (Plate 24)
- 1789
53
- Night (Plate 30)
- 1789
54
- Frontispiece (Plate 1)
- 1793
55
- Title Page, Visions of the Daughters of Albion (Plate 2)
- 1793
56
- "In happy copulation; if in evening mild, wearied with work..." (Plate 10)
- 1793
57
- The Ecchoing Green (Plate 8)
- 1789
58
- The Shepherd (Plate 4)
- 1789
59
- Laughing Song (Plate 14)
- 1789
60
- The Lamb (Plate 18)
- 1789
61
- Introduction (Plate 34)
- 1794
62
- The Little Girl Lost (Plate 20)
- 1789
63
- "And none but Bromian can hear my lamentations..." (Plate 6)
- 1793
64
- "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)
- 1804 to 1820
65
- Jerusalem, Tailpiece (Plate 100)
- 1804 to 1820
66
- "Why wilt thou give to her a Body..." (Plate 12)
- 1804 to 1820
67
- "And that toward Eden, four..." (Plate 13)
- 1804 to 1820
68
- "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
- 1804 to 1820
69
- Jerusalem, Frontispiece (Plate 1)
- 1804 to 1820
70
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
71
- Frontispiece, Europe. A Prophecy
- ca. 1820
72
- "To labours mighty, with vast strength..." (Plate 11)
- 1804 to 1820
73
- "One hair nor particle of dust..." (Plate 14)
- 1804 to 1820
74
- "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)
- 1804 to 1820
75
- "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
- 1804 to 1820
76
- "From every-one of the Four Regions..." (Plate 18)
- 1804 to 1820
77
- "His Children exil'd from his breast..." (Plate 19)
- 1804 to 1820
78
- "Jehovah stood among the Druids..." (Plate 63)
- 1804 to 1820
79
- "To decide Two Worlds with a great decision..." (Plate 65)
- 1804 to 1820
80
- "O Skofield why art thou cruel?..." (Plate 68)
- 1804 to 1820
81
- "Then all the Males conjoined into One Male..." (Plate 69)
- 1804 to 1820
82
- "Was living: panting like a frighted wolf..." (Plate 7)
- 1804 to 1820
83
- "And this the form of mighty Hand..." (Plate 70)
- 1804 to 1820
84
- "And above Albions Land was seen the Heavenly Canaan..." (Plate 71)
- 1804 to 1820
85
- "Such are Cathedrons golden Halls..." (Plate 73)
- 1804 to 1820
86
- "And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)
- 1804 to 1820
87
- "The Four Zoa's clouded rage..." (Plate 74)
- 1804 to 1820
88
- "And Rahab Babylon the Great..." (Plate 75)
- 1804 to 1820
89
- Chapter 4 Frontispiece (Plate 76)
- 1804 to 1820
90
- "To the Christians..." (Plate 77)
- 1804 to 1820
91
- Jerusalem, Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)
- 1804 to 1820
92
- "My tents are fall'n! my pillars are in ruins!..." (Plate 79)
- 1804 to 1820
93
- "Rose up against me thundering..." (Plate 8)
- 1804 to 1820
94
- "I have mock'd those who refused cruelty..." (Plate 81)
- 1804 to 1820
95
- "Became a Space & an Allegory..." (Plate 85)
- 1804 to 1820
96
- "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
- 1804 to 1820
97
- "Condens'd his Emanations..." (Plate 9)
- 1804 to 1820
98
- "The Feminine separates from the Masculine..." (Plate 90)
- 1804 to 1820
99
- "It is easier to forgive an enemy..." (Plate 91)
- 1804 to 1820
100
- "What do I see! The Briton Saxon Roman Norman..." (Plate 92)
- 1804 to 1820