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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Image Use Free to Use
Remove constraint Image Use: Free to UseSearch Results
101
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
102
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
103
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
104
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
105
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
106
- The First Book of Urizen, Plate 11 (Bentley 17)
- 1794
107
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
108
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
109
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
110
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
111
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
112
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
113
- What is Man!, Frontispiece; Plate 1
- 1793
114
- Fear & Hope Are -- Vision; Plate 15
- 1793
115
- The Traveller Hasteth in the Evening; Plate 16
- 1793
116
- Death's Door; Plate 17
- 1793
117
- Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
- 1789
118
- Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
- 1789
119
- Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
- 1789
120
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
121
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
122
- Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
- 1794
123
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
124
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
125
- Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
- 1794
126
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
127
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
128
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
129
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
130
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
131
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
132
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
133
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
134
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
135
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
136
- The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
- 1794
137
- The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
- 1794
138
- The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
- 1794
139
- The First Book of Urizen, Plate 12 (Bentley 22)
- 1794
140
- The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
- 1794
141
- The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
- 1794
142
- The First Book of Urizen, Plate 16 (Bentley 17)
- 1794
143
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
144
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
145
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
146
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
147
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
148
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
149
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
150
- Jerusalem, Plate 100
- 1804 to 1820
151
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
152
- Jerusalem, Plate 25, "And there was heard...."
- 1804 to 1820
153
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
154
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
155
- Jerusalem, Plate 76
- 1804 to 1820
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
156
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
157
- Jerusalem, Plate 1, Frontispiece
- 1804 to 1820
158
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
159
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
160
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
161
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
162
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
163
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
164
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
165
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
166
- America. A Prophecy, Plate 1, Frontispiece
- 1793
167
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
168
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
169
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
170
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
171
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
172
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
173
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
174
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
175
- Christ Giving Sight to Bartimaeus
- 1799 to 1800
176
- Abraham and Isaac
- 1799 to 1800
177
- Albion Compelling the Four Zoas to Their Proper Tasks
- 1804 to 1810
178
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
179
- Tiriel Supporting the Dying Myratana and Cursing His Sons
- 1786 to 1789
180
- Mary Magdalen at the Sepulchre
- ca. 1805
181
- The Parable of the Wise and Foolish Virgins
- ca. 1825
182
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
183
- Christ Appearing to the Apostles after the Resurrection
- 1795 to 1805
184
- Rev. John Caspar Lavater
- 1800
185
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
186
- The Phoenix or the Resurrection of Freedom
- 1776
187
- Presages of the Millenium
- 1795
188
- William Blake in Youth and Age
- ca. 1830
189
- Job Reproved by his Friends
- 1777
190
- Death on a Pale Horse
- 1784
191
- Queen Katherine's Dream
- 1788
192
- The Shepherd
- 1827
193
- The Witch of En-Dor
- 1788
194
- Pylades and Orestes
- 1771
195
- The Deposition
- undated
196
- Get Thee Behind Me, Satan
- between 1783 and 1787
197
- Ballads
- 1805
198
- A Father's Memoirs of His Child
- 1806
199
- A Father's Memoirs of His Child
- 1806
200
- A Father's Memoirs of His Child
- 1806