On the Cam . . . back of St. John's College, Cambridge
undated
13
Amelia Long, 1762–1837
Landscape with Thatched Buildings
1809
14
Anne Mee, ca. 1760–1851
Captain The Honorable William Carew
between 1775 and 1851
15
Anne Peacock
Thatched Barn
1786
16
Mary Mitford, active 1770
On the Seine
1770
17
Hannah Linnell Palmer, 1818–1893
Bridge at Corpo di Cava
1838
18
Amelia Long, 1762–1837
Old Church and House
undated
19
Janet Dick, active 1794–1806
An Indian Shrub with White Blossoms and Pointed Leaves
between 1792 and 1807
20
Louisa Anne Beresford, 1818–1891
Haymakers
undated
21
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
22
Robert Smirke, 1752–1845
Studies from a French MSS Bible Register
undated
23
Robert Smirke, 1752–1845
Studies From a French MSS Bible Registry
undated
24
Robert Smirke, 1752–1845
Study of a Roman Banquet Scene
undated
25
Robert Smirke, 1752–1845
Pan, Spying, From Behind a Tree, at Putti, Shooting Arrows
undated
26
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
27
Robert Smirke, 1752–1845
Two Women Enjoying Their Time by a Stream
undated
28
Robert Smirke, 1752–1845
Diana, Goddess of the Hunt, with Satyrs, sleeping Cupid and a Pegasus in a Wooded Landscape
undated
29
Robert Smirke, 1752–1845
Wooded Scene with a Couple Laying under a Tree, by a Stream
undated
30
Robert Smirke, 1752–1845
Study of a Soldier Attacking a Woman
undated
31
Robert Smirke, 1752–1845
Scene from Don Quixote
undated
32
Robert Smirke, 1752–1845
Battle Scene
undated
33
Robert Smirke, 1752–1845
Five Vignettes of Scenes from Antiquity
undated
34
Robert Smirke, 1752–1845
Allegorical Designs for Medals
undated
35
Robert Smirke, 1752–1845
Study for a Piece of Furniture
undated
36
Robert Smirke, 1752–1845
Banquet Scene, with a Roman Soldeir Kneeling to a Famale Figure Sitting on a Throne
undated
37
Robert Smirke, 1752–1845
Man Seated while Speaking to a Soldier Who is Standing
undated
38
Robert Smirke, 1752–1845
Bachanalia Scene
undated
39
Adelaide Claxton, 1858–1905
Lady in Green Dress
undated
40
Amelia Long, 1762–1837
Kirkstall Abbey, Yorkshire
undated
41
Anne Rushout, ca. 1768–1849
Collection of Drawings Volume 1
1824 to 1832
42
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..
ca. 1781
43
Mary Hoare, 1744–1820
Prospero and Miranda
1781
44
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
45
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
46
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
47
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
48
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
49
Mary Hoare, 1744–1820
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
1781
50
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
51
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
52
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
53
Mary Hoare, 1744–1820
Lady Macbeth, Sleepwalking
1781
54
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Double, Double, Toil and Trouble
1781
55
unknown artist
A Barge on the Thames near Fulton
undated
56
Lady Mary Leighton, active 1832–1864
Isola Bella and Lago Maggiore
1827
57
Charles Beale, 1660–1714?
Portrait Study of a Man's Face
undated
58
Print made by Elizabeth Blackwell, died 1774
Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737
1737
59
Attributed to Felicita Hoffmann, active from 1728, died 1760
Portrait of a Gentleman
ca. 1730
60
Elizabeth Christiana Fanshawe, 1778–1856
Mr. Nash's Castle Near Cowes
ca. 1830
61
Print made by Elizabeth Blackwell, died 1774
Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737
1737
62
Anne Mee, ca. 1760–1851
Young Woman with Coral Necklace and Crucifix
ca. 1825
63
Queen Charlotte, 1744–1818
A Kneeling Knight with a Female Figure and Child
undated
64
Mary Smirke, 1779–1853
The Temple near Brighton
undated
65
Mary Smirke, 1779–1853
Upnor Lodge
1820
66
Mary Smirke, 1779–1853
Distant View of Upnor Lodge
undated
67
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
68
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
69
James Gillray, 1756–1815
Political Candour - i.e. - Coalition "Resolutions" of June 14th 1805 - Pro Bono Publico
1805
70
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
71
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
72
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
73
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
74
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
75
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
76
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
77
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
78
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
79
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
80
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
81
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
82
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
83
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
84
James Gillray, 1756–1815
Half Natural
1799
85
James Gillray, 1756–1815
Pen-etration
1799
86
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -