On-site Access: Accessible by appointment in the Study Room / Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) / Creator: Blake, William, 1757–1827

101. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Visions of the Daughters of Albion, Plate 1, Frontispiece

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Visions of the Daughters of Albion, Plate 2, Title Page

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

Creator:: William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Jerusalem, Plate 70, "And this the form of mighty Hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. The Poems of Thomas Gray, Design 31, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Jerusalem, Plate 100

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Jerusalem, Plate 11, "To labours mighty...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Jerusalem, Plate 26, "Such Visions Have...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Jerusalem, Plate 35, "Then the Divine hand...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. The First Book of Urizen, Plate 11 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

Creator:: Text by William Blake, 1757–1827
Date:: 1809
Materials & Techniques:: Bound volume, 12mo, full red crushed levant morocco, Jansen style, with gilt edges
Dimensions:: Spine: 7 1/2 inches (19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Abraham and Isaac

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera and pen and black ink on canvas
Dimensions:: Sheet: 10 1/2 x 15 1/2 inches (26.7 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Christ Giving Sight to Bartimaeus

Creator:: William Blake, 1757–1827
Date:: 1799 to 1800
Materials & Techniques:: Tempera with pen and black ink on canvas
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Rev. John Caspar Lavater

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

138. Jerusalem, Plate 76

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Jerusalem, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Jerusalem, Plate 27, "To the Jews...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Jerusalem, Plate 32, "Leaning against the pillars...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Poems of Thomas Gray, Design 29, "A Long Story."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Jerusalem, Plate 6, "His Spectre driv'n...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. The First Book of Urizen, Plate 23 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Europe. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Jerusalem, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Jerusalem, Plate 25, "And there was heard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. America. A Prophecy, Plate 6, "Appear to the Americans...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Albion Compelling the Four Zoas to Their Proper Tasks

Creator:: William Blake, 1757–1827
Date:: 1804 to 1810
Materials & Techniques:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

178. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827
Date:: ca. 1805
Materials & Techniques:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. The Widow Embracing Her Husband's Grave

Creator:: William Blake, 1757–1827
Date:: 1805 to 1808
Materials & Techniques:: Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827
Date:: ca. 1822
Materials & Techniques:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Chaucer's Canterbury Pilgrims

Creator:: William Blake, 1757–1827
Date:: 1810 to 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 37 5/8in. (34.9 x 95.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827
Date:: 1795 to 1805
Materials & Techniques:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

184. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The Peasants' Nest: Cowper's tame Hares

Creator:: Print made by William Blake, 1757–1827
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. A Father's Memoirs of His Child

Creator:: William Blake, 1757–1827
Date:: 1806
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. A Father's Memoirs of His Child

Creator:: William Blake, 1757–1827
Date:: 1806
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. Ballads

Creator:: William Blake, 1757–1827
Date:: 1805
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. A Father's Memoirs of His Child

Creator:: William Blake, 1757–1827
Date:: 1806
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. A Select Collection of English Songs

Creator:: William Blake, 1757–1827
Date:: 1783
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Exhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)

Creator Blake, William, 1757–1827

Search Results

101. Plate 7 (page 12): 'Its favours here are trials, not rewards'

102. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

103. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

104. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

105. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

106. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

107. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

108. Plate 37 (page 86): 'His hand the good man fastens on the skies'

109. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

110. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

111. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

112. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

113. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

114. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

115. Visions of the Daughters of Albion, Plate 1, Frontispiece

116. Visions of the Daughters of Albion, Plate 2, Title Page

117. Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

118. Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "

119. Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

120. Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "

121. Jerusalem, Plate 70, "And this the form of mighty Hand...."

122. Jerusalem, Plate 99, "All Human Forms identified...."

123. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

124. The Poems of Thomas Gray, Design 31, "A Long Story."

125. Jerusalem, Plate 100

126. Jerusalem, Plate 11, "To labours mighty...."

127. Jerusalem, Plate 26, "Such Visions Have...."

128. Jerusalem, Plate 35, "Then the Divine hand...."

129. The First Book of Urizen, Plate 11 (Bentley 17)

130. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

131. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

132. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

133. A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London

134. Abraham and Isaac

135. Christ Giving Sight to Bartimaeus

136. Tiriel Supporting the Dying Myratana and Cursing His Sons

137. Rev. John Caspar Lavater

138. Jerusalem, Plate 76

139. Jerusalem, Plate 1, Frontispiece

140. Jerusalem, Plate 27, "To the Jews...."

141. Jerusalem, Plate 32, "Leaning against the pillars...."

142. The Poems of Thomas Gray, Design 29, "A Long Story."

143. The Poems of Thomas Gray, Design 3, "Ode on the Spring."

144. Jerusalem, Plate 6, "His Spectre driv'n...."

145. There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

146. There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

147. There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

148. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

149. America. A Prophecy, Plate 10, "The Terror Answered...."

150. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

151. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

152. There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

153. America. A Prophecy, Plate 1, Frontispiece

154. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

155. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

156. There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

157. The Book of Thel, Plate 2, Title Page

158. The First Book of Urizen, Plate 23 (Bentley 9)

159. Europe. A Prophecy, Plate 1, Frontispiece

160. Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)

161. Jerusalem, Plate 2, Title Page

162. Jerusalem, Plate 25, "And there was heard...."

163. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

164. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

165. Jerusalem, Plate 51

166. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

167. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

168. America. A Prophecy, Plate 6, "Appear to the Americans...."

169. America. A Prophecy, Plate 2, Title Page

170. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

171. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

172. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

173. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."