Vue d'une Colonne dans L'Interieur du Serail a Constantinople
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11
Henry Phillip Hope, active 1799–1818
Fille Greque
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12
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
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13
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
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14
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
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15
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
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16
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
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17
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan and Wall Elevations
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18
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
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19
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
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20
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
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21
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
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22
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
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23
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
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24
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
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25
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
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26
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
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27
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
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28
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
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29
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Elevations and Ceiling Plan
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30
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
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31
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Chamber Floor Bedroom over Anteroom - Plan of Ceiling and Wall Elevations
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32
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
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33
unknown artist
Sketch I - Elevation of Pavilion Wall
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34
Henry Phillip Hope, active 1799–1818
Bedgebury: Alternative design for Pavilion Window
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35
Henry Phillip Hope, active 1799–1818
Bedgebury: View of Interior of Pavilion (3 of 4)
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36
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)
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37
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
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38
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
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39
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
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40
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Projet de la Decoration du petit Salon de Verdure Hotel de Monsieur Rape quai d'Orsay
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41
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
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42
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
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43
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
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44
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
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45
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
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46
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
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47
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
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48
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
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49
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
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50
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Facade du Petit Chateau de Brucourt, du Cote du Nord, avec l'Agrandissement Projete
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51
Thomas Miles Richardson Sr., 1784–1848
The Great Market, Newcastle Upon Tyne, with view of Spire of St. Nicholas
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52
Thomas Miles Richardson Sr., 1784–1848
Dunstanborough Castle
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53
Thomas Miles Richardson Sr., 1784–1848
Monk Bar, York
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54
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
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55
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
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56
Henry Bernard Chalon, 1771–1849
Studies of Horses: '...A Mare Enclosed - a Horse Looking Over'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Hunter at Grass-Property of His Grace the Duke of Beaufort'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Artillery Horses Taking Fright at Lightning'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Various Actions of Flemish Horses'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the first Anatomical Table of Outline of the Skeleton of the Horse'
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61
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Explanation to the Second Anatomical Table of Outline of the Horse - Muscles in Action'
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62
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Second Action in Leaping - Clearing the Bar Cleverley & Shewing His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Third Action - Leaping Down From Over the Bar - Shewing the Horse With His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Leaping ...Starting off Again From the Bar and Shewing the Horse With His Muscles'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'No. 1 Full Trotting - No. 2 Cantering on a Ladys Horse - All with Their Muscles in Action'
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Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Officers Chargers With Their Muscles in Action'
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67
Henry Bernard Chalon, 1771–1849
Studies of Horses: `Outline of Wounded Horses With Their Muscles in Action in the Field of Battle' (Study of Six Horses on a Page)
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68
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Wounded in the Field of Battle - Outline With Their Muscles in Action'
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69
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'Outline of Wounded Horses with Their Muscles in Action in the Field of Battle' (Study of Four Horses on a Page)
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70
John Raphael Smith, 1752–1812
George Morland
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71
Francesco Bartolozzi, 1728–1815
Horsewoman to Woman - with Three Children
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72
unknown artist
Fox Hunting - The Novice in Leicestershire: Going to Cover
ca. 1800
73
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Stanford, the Seat of Sir Edward Winnington, Baronet
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74
Henry Bernard Chalon, 1771–1849
Studies of Horses: 'The First Action of Leapin at the Bar-Shewing the Horse With His Muscles'
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75
James Sharples, ca. 1751–1811
Captain Webber
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76
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
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77
George Perfect Harding, 1780–1853
Lady Mary Dudley
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78
unknown artist
The Parish Church of St. James at Garlick Lith
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79
unknown artist
St. Katherine by the Tower
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80
Attributed to James Ward, 1769–1859
[One of] a series of 45 sketchbook drawings from France including written conversations with John Landseer
81
unknown artist
Hinton St. George, Somerset: Ground Plan
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82
unknown artist
Hinton St. George, Somerset: Attic Floor Plan
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83
unknown artist
Hinton St. George, Somerset: Plan of Staircase
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84
unknown artist
Hinton St. George, Somerset: Plan of the Garden
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85
unknown artist
Hinton St. George, Somerset: Design for a Door Frame
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86
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling
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87
unknown artist
Hinton St. George, Somerset: Design for a Funerary Monument