Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
9
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
10
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
11
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
12
Edward Lear, 1812–1888
Albania
between 1848 and 1849
13
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
14
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
15
Edward Lear, 1812–1888
Memphis
1867
16
Edward Lear, 1812–1888
Turin, Italy
after 1872
17
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
18
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
19
George Romney, 1734–1802
Samson Overpowered
undated
20
George Romney, 1734–1802
[Small Sketchbook]
1784
21
George Romney, 1734–1802
[Small Sketchbook]
1784
22
George Romney, 1734–1802
[Small Sketchbook]
1784
23
George Romney, 1734–1802
[Small Sketchbook]
1784
24
George Romney, 1734–1802
[Small Sketchbook]
1784
25
George Romney, 1734–1802
[Small Sketchbook]
1784
26
George Romney, 1734–1802
[Small Sketchbook]
1784
27
George Romney, 1734–1802
[Small Sketchbook]
1784
28
George Romney, 1734–1802
[Small Sketchbook]
1784
29
George Romney, 1734–1802
[Small Sketchbook]
1784
30
George Romney, 1734–1802
[Small Sketchbook]
1784
31
George Romney, 1734–1802
[Small Sketchbook]
1784
32
George Romney, 1734–1802
[Small Sketchbook]
1784
33
George Romney, 1734–1802
[Small Sketchbook]
1784
34
George Romney, 1734–1802
[Small Sketchbook]
1784
35
George Romney, 1734–1802
[Small Sketchbook]
1784
36
George Romney, 1734–1802
Seated Woman
undated
37
George Romney, 1734–1802
David before Saul
undated
38
George Romney, 1734–1802
Possibly a Fight Scene
undated
39
George Romney, 1734–1802
[Small Sketchbook]
1784
40
George Romney, 1734–1802
[Small Sketchbook]
1784
41
George Romney, 1734–1802
Studies of a Seated Woman
undated
42
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
43
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
44
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
45
George Romney, 1734–1802
Mythological Group of Women and Children
undated
46
George Romney, 1734–1802
David Playing the Harp
undated
47
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
48
George Romney, 1734–1802
Prison Scene
undated
49
George Romney, 1734–1802
Standing Male Figure
undated
50
Michel Jean Cazabon, 1813–1888
Port of Spain, from the Harbour
1851
51
Michel Jean Cazabon, 1813–1888
Trinity Church, Port of Spain
1851
52
Michel Jean Cazabon, 1813–1888
Bamboo Arches, St. Anns
1851
53
Michel Jean Cazabon, 1813–1888
Queen's Park, Port of Spain
1851
54
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
55
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
56
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
57
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
58
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
59
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
60
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
61
John Thomas Smith, 1766–1833
The Reconcilation
1817
62
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
63
Michel Jean Cazabon, 1813–1888
Cedar Point, Mount Tamana
1851
64
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
65
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
66
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
67
John Thomas Smith, 1766–1833
The Smock Exposed
1817
68
unknown artist
Lullingstone Castle
ca. 1670
69
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
70
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
71
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
72
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
73
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
74
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
75
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
76
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
77
Sir James Thornhill, 1675–1734
A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud
ca. 1715
78
Sir James Thornhill, 1675–1734
Design for a portrait of an architect or a painter
undated
79
John Renton, 1774–c.1841
Luggila, County of Wicklow
undated
80
Lt. Paul Sandby, ca. 1820
Carlisle Bay, Barbados
ca. 1820
81
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
82
unknown artist
Design for an Altarpiece with a drawing of St. Luke mounted at the center
undated
83
James Ward, 1769–1859
The Quarry
undated
84
Benjamin West, 1738–1820
St. Michael and Lucifer
undated
85
unknown artist
The Arrival of Prince Frederick from Hanover in 1728?
ca. 1728
86
Robert Smirke, 1752–1845
Prospero and Ariel
1821
87
Robert Smirke, 1752–1845
Anne Page and Slender
1821
88
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
89
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
90
Attributed to Sir James Thornhill, 1675–1734
Portrait of a Man Wearing a Full-Bottomed Wig
undated
91
Mather Brown, 1761–1831
Workmen at Refreshment (Banditti?)
1819
92
James Barry, 1741–1806
Male with Arms Spread Wide Seen from Behind
undated
93
James Bruce, 1730–1794
Plan and Section of the Mikeas or Kiosc with the Pillar Where on Is Measured the Daily Increase of the Nile During Inundation
undated
94
John Thomas Serres, 1759–1825
Neapolitan Fishermen
1791
95
Sir James Thornhill, 1675–1734
Design for a Ceiling at Addiscombe: Bacchus and Ariadne