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Period 18th century

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1. Columbus Breaking the Egg

Columbus Breaking the Egg
Creator:
Print made by William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Etching
Dimensions:
Sheet: 8 1/8 × 7 5/8 inches (20.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

2. Copyright - Act of Parliament

Copyright - Act of Parliament
Creator:
Print made by William Hogarth, 1697–1764
Date:
1767
Materials & Techniques:
Letterpress with engraving
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker

3. George Taylor's Epitaph: George Taylor Breaking the Ribs of Death

George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
Creator:
William Hogarth, 1697–1764
Date:
ca. 1750
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. For Children. The Gates of Paradise, Title Page; Plate 2

For Children. The Gates of Paradise, Title Page; Plate 2
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. I Found Him Beneath a Tree; Plate 3

I Found Him Beneath a Tree; Plate 3
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Water; Plate 4

Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Air; Plate 6

Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Fire; Plate 7

Fire; Plate 7
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. I Want! I Want!; Plate 11

I Want! I Want!; Plate 11
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Does Thy God O Priest Take such Vengeance as This?; Plate 14

Does Thy God O Priest Take such Vengeance as This?; Plate 14
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Traveller Hasteth in the Evening; Plate 16

The Traveller Hasteth in the Evening; Plate 16
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Aged Ignorance; Plate 13

Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)

Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)

Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Earth; Plate 5

Earth; Plate 5
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. At Length for Hatching Ripe He Breaks the Shell; Plate 8

At Length for Hatching Ripe He Breaks the Shell; Plate 8
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Alas!; Plate 9

Alas!; Plate 9
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Help! Help!; Plate 12

Help! Help!; Plate 12
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Fear & Hope Are -- Vision; Plate 15

Fear & Hope Are -- Vision; Plate 15
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Death's Door; Plate 17

Death's Door; Plate 17
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)

Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

56. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 x 19 5/8 inches (30.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

57. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

58. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

59. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:
Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

60. Aerial Group: The Tempest

Aerial Group: The Tempest
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 x 6 3/8 inches (9.2 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

61. Bolingbroke and Head of a Fiend

Bolingbroke and Head of a Fiend
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 15 inches (51.4 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

62. Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope

Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
Creator:
George Romney, 1734–1802
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 3/4 inches (14 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

63. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

64. A Dramatic Scene with Three Women in an Interior

A Dramatic Scene with Three Women in an Interior
Creator:
William Hamilton, 1751–1801
Date:
1794
Materials & Techniques:
Watercolor, gray wash, pen and black ink, pen and blue ink, black chalk, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 13 5/8 inches (24.4 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Classical Composition

Classical Composition
Creator:
Gavin Hamilton, 1723–1798
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 × 17 5/8 inches (33.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

66. Messengers Before an Emperor

Messengers Before an Emperor
Creator:
Francis Hayman, 1707/8–1776
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 × 3 1/8 inches (12.7 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Seven Bishops Going To Trial

The Seven Bishops Going To Trial
Creator:
Richard Westall, 1765–1836
Date:
1790
Materials & Techniques:
Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:
Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

68. Falstaff Inspecting the Recruits

Falstaff Inspecting the Recruits
Creator:
Francis Hayman, 1707/8–1776
Date:
between 1761 and 1765
Materials & Techniques:
Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. The Sermon on the Mount

The Sermon on the Mount
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on thick, rough, beige laid paper
Dimensions:
Sheet: 16 1/8 x 12 inches (41 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Preparatory Study for the decoration "Equestrian Portrait of George I"

Preparatory Study for the decoration "Equestrian Portrait of George I"
Creator:
John Vanderbank, 1694–1739
Date:
undated
Materials & Techniques:
Graphite with brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 12 3/8 inches (28.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Engraving and etching
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798

Volunteers Receiving the Island Banner...at Carisbrooke 24 June 1798
Creator:
Richard Livesay, 1753–1826
Date:
1799
Materials & Techniques:
Aquatint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 23 9/16 inches (48.6 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. The Death of Sir Philip Sydney

The Death of Sir Philip Sydney
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

The Interview Between Edgar and Elfreda After Her Marriage with Athelwood
Creator:
William Wynne Ryland, 1732–1783
Date:
1786
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 24 3/16 inches (48.6 × 61.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. The Monument of King Henry III, in Westminster Abbey

The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

76. The Riot in Broad Street on the Seventh of June 1780

The Riot in Broad Street on the Seventh of June 1780
Creator:
Print made by James Heath, 1757–1834
Date:
1790
Materials & Techniques:
Etching and drypoint
Dimensions:
Plate: 19 x 24 7/8in. (48.3 x 63.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. The Monument of King Edward III in Westminster Abbey

The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. The Monument in Westminster Abbey of King Henry V

The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Colonel Mordaunt's Cock Match at Lucknow

Colonel Mordaunt's Cock Match at Lucknow
Creator:
Richard Earlom, 1743–1822
Date:
1792
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Embassy of Hyderbeck to Calcutta

Embassy of Hyderbeck to Calcutta
Creator:
Richard Earlom, 1743–1822
Date:
1800
Materials & Techniques:
Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Celebration on the Thames near Whitehall

Celebration on the Thames near Whitehall
Creator:
Willem van de Velde the Elder, ca. 1611–1693
Date:
1685
Materials & Techniques:
Pen and brown ink, graphite, and gray wash on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 17 3/8 inches (28.3 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Battle of the Boyne, July 1st 1690

Battle of the Boyne, July 1st 1690
Creator:
Thomas Kitchin, 1719–1784
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 27 5/8 inches (45.1 × 70.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots

The Battle Array of Carberry Hill Near Edinburgh with the Surrender of Mary Queen of Scots
Creator:
after George Vertue, 1684–1756
Date:
1738
Materials & Techniques:
Stipple engraving, line engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 3/16 inches (47.6 × 58.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Count Ugolino della Gherardesca and His Sons in Prison

Count Ugolino della Gherardesca and His Sons in Prison
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. The Death of Dido

The Death of Dido
Creator:
Joseph Grozer, ca. 1755–1798
Date:
1796
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/8 × 23 9/16 inches (49.8 × 59.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Body of Lucretia Exposed to the Romans

The Body of Lucretia Exposed to the Romans
Creator:
James Jefferys, 1751–1784
Date:
between 1777 and 1778
Materials & Techniques:
Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

88. The Death of Captain Cook

The Death of Captain Cook
Creator:
Figures engraved by Francesco Bartolozzi, 1728–1815
Date:
1783
Materials & Techniques:
Etching and line engraving; engraver's proof
Dimensions:
Sheet: 18 1/2 x 23 1/2in. (47 x 59.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. The Death of Chatham

The Death of Chatham
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1788
Materials & Techniques:
Line engraving, and stipple engraving, published state
Dimensions:
Plate: 25 3/8 x 31 3/4in. (64.5 x 80.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Key To The Figures In "The Death Of Chatham"

Key To The Figures In "The Death Of Chatham"
Creator:
Abraham Raimbach, 1784–1868
Date:
1794
Materials & Techniques:
Etching and engraving, published state
Dimensions:
Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC

Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1780
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids

King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1779
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. The Birth of Pyrrhus

The Birth of Pyrrhus
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1797
Materials & Techniques:
Stipple engraving and etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. A Scene from Roman History

A Scene from Roman History
Creator:
circle of Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Gray wash, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 13 1/16 x 8 15/16 inches (33.2 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

95. Views in the Levant: The Sacred Cave of Archidamus

Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Revolt of the Fleet, 1642

The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. A View of the Fire in Covent Garden

A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

98. View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought

View of the Plains on Both Sides of the Ofanto River, Where the Battle of Cannae was Fought
Creator:
Henry Swinburne, 1743–1803
Date:
1777 to 1778
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 16 1/4 × 11 1/8 inches (41.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Captain James Cook, F.R.S.

Captain James Cook, F.R.S.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Stipple engraving
Dimensions:
Sheet: 9 3/4 x 7 3/4in. (24.8 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Hendrik Karel Nicolaas Van Der Noot

Hendrik Karel Nicolaas Van Der Noot
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1787
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection