Materials & Techniques: brown wash and pen / Period: 19th century / Image Available: Available

1. An Ancient Barn at Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash, brown wash, and graphite on moderately textured, moderately thick, cream wove paper
Dimensions:: Sheet: 6 1/8 × 11 inches (15.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Landscape Sketch

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Trees and Deer

Creator:: John Constable, 1776–1837
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown and gray wash on medium, rough, cream laid paper
Dimensions:: Sheet: 11 3/8 x 7 7/8 inches (28.9 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Dawn

Creator:: John Constable, 1776–1837
Date:: between 1831 and 1832
Materials & Techniques:: Pen and brown ink and brown wash on thin, smooth, cream wove paper
Dimensions:: Sheet: 2 1/4 x 4 3/8 inches (5.7 x 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Manor (Knowsley Lane?)

Creator:: Edward Lear, 1812–1888
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 3/8 x 9 5/8 inches (16.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. S. Pietro Degli Agostiniani. Leonessa.

Creator:: Edward Lear, 1812–1888
Date:: 1844
Materials & Techniques:: Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

8. Memphis

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:: Sheet: 3 3/4 x 7 11/16 inches (9.5 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Albania

Creator:: Edward Lear, 1812–1888
Date:: between 1848 and 1849
Materials & Techniques:: Watercolor with pen in brown ink and brown wash over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 5 3/16 x 9 13/16 inches (13.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Pontine Marshes above Terracina

Creator:: Edward Lear, 1812–1888
Date:: ca. 1880
Materials & Techniques:: Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Bavella, Corsica

Creator:: Edward Lear, 1812–1888
Date:: ca. 1868
Materials & Techniques:: Pen and brown ink, pen and black ink, brown wash, and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Turin, Italy

Creator:: Edward Lear, 1812–1888
Date:: after 1872
Materials & Techniques:: Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Castello Malespina Appennines

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Pen and brown ink, brown wash, gum arabic, graphite, gouache, and scratching out on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. After Pinnelli - Group of Peasants Outside a Church

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, with pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "After Pinnelli" (Group of Peasants Outside a House)

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 5/8in. (19.8 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. An Execution, Rome

Creator:: Isaac Weld, 1774–1856
Date:: 1819
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, brown wash, and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 18 3/16 inches (25.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Running Woman

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 13 1/16in. (47.9 x 33.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Designs for Gothic Ornamentation

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, brown wash, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 × 13 5/8 inches (19.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 × 7 7/8 inches (28.3 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Dunloh Castle, Killarney, Ireland

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 19 3/16 inches (30.2 × 48.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Sorrento Gate

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and brown ink, brown wash, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 5/8 × 13 inches (21.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Classical Landscape with Temple

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Caernarvon Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1809
Materials & Techniques:: Pen and brown ink, brown wash and graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/8 × 19 1/2 inches (31.4 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Caernarvon (Castle) Eagle Tower

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1809
Materials & Techniques:: Pen and black ink, brown ink, brown wash, graphite, and gum arabic on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Brown wash, pen and rown ink, over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/16 x 16 5/16in. (25.9 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Harlech Castle

Creator:: Isaac Weld, 1774–1856
Date:: 1810
Materials & Techniques:: Pen and brown ink, brown wash, sponging, gouache, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/16 inches (26 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Ruins (Roman?)

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/2in. (29.2 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Villa Adrianna, Rome

Creator:: James William Giles, 1801–1870
Date:: 1824
Materials & Techniques:: Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:: Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Totnes from the Seymour Hotel

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1838
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Queen Anne's Court, Cheyne Walk, Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1874
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, pen and black ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 inches (50.8 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Cheyne Walk, Old Chelsea

Creator:: Henry Greaves, 1850–1900
Date:: 1861
Materials & Techniques:: Brown wash, gray wash, pen and gray ink, pen and brown ink, and graphite on thick, smooth, cream card
Dimensions:: Sheet: 20 × 25 1/4 inches (50.8 × 64.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Mount Soratte from Civita Castellana

Creator:: William Haygarth, active 1810–1816
Date:: 1816
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 21 1/8 inches (32.7 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Shakespeare House, Aldersgate Street

Creator:: J. Jacobs, active 1816–1864
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash and white gouache on slightly textured, medium, white wove paper
Dimensions:: Sheet: 8 13/16 × 8 3/8 inches (22.4 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fulham Palace, Porter's Lodge

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:: Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Well at Bolonchen, Yucatan

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, slightly textured, cream wove paper
Dimensions:: Mount: 20 3/16 × 15 5/16 inches (51.3 × 38.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

37. Maya Stela at Copan, Honduras

Creator:: Frederick Catherwood, 1799–1854
Date:: 1843
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, moderately textured, cream wove paper, mounted on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 7/16 × 21 5/8 inches (39.2 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg

38. Workmen at Refreshment (Banditti?)

Creator:: Mather Brown, 1761–1831
Date:: 1819
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 11 1/4 inches (19.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Prospero and Ariel

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 4 3/4 inches (15 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Falstaff Instructing Bardolph

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 4 1/2 inches (15.2 x 11.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Anne Page and Slender

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 4 7/16 inches (18.8 x 11.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Falstaff Dragging the Body of Hotspur

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Lysander Awakening to See Helena

Creator:: Robert Smirke, 1752–1845
Date:: 1825
Materials & Techniques:: Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 4 1/4 inches (16.5 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. John Gilpin in the Uxbridge Passage Boat

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, blue wash, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Hogarth Declaring His Love to Miss Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 3/4 × 9 3/4 inches (32.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Preparatory drawing for The Waltz

Creator:: Edward Francis Burney, 1760–1848
Date:: 1820s
Materials & Techniques:: Pen and brown ink, red chalk, pen and black ink, brown wash, and graphite, squared for transfer on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 × 17 1/2 inches (28.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Margate Harbor

Creator:: Samuel Owen, 1768–1857
Date:: ca. 1806
Materials & Techniques:: Brown wash and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 19 1/8 inches (30.8 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Landscape with Trees and Church Spire

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink with brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 8 13/16in. (18.4 x 22.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Standing Woman

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 4 9/16 inches (9.5 × 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Landscape with Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 7/16 inches (19.2 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Harbor

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/4in. (14.6 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Nocturnal View of Mountainous Landscape with River

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, sponging and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 5 5/8 inches (16.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Ram and Two Sheep

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite and scratching out on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 x 8 1/4in. (15.2 x 21cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Thatched Roof and Tree

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 × 10 15/16 inches (38.3 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Hinton St. George, Somerset: Plan of the Dressing Room

Creator:: James Wyatt, 1746–1813
Date:: 1801
Materials & Techniques:: Graphite, pen and black ink, gray and pink wash on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 21 7/8 inches (32.1 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Gray wash, brown wash, and graphite with pen and black and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 7 1/2 inches (31.3 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Building of Waterloo Bridge

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1816
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. On the Cimaronero River

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink, black ink, brown wash, graphite and scratching out on medium, slightly texturer, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

Creator:: Richard Morris, active 1830
Date:: ca. 1831
Materials & Techniques:: Pen in black ink with brown and gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, gray ink, black ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, gray wash, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 13/16 × 9 11/16 inches (32.5 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and black ink, brown ink, brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Smock Exposed

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 5/8 inches (32.9 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Reconcilation

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 9 9/16 inches (33 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Hogarth Sitting to Roubiliac for His Bust

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Margate Hoy

Creator:: Joseph Clarendon Smith, 1778–1810
Date:: 1807
Materials & Techniques:: Graphite, brown wash, and pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Hogarth Drawing Sarah Malcolm

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 3/4 inches (32.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Hogarth Painting His Picture of Captain Coram for the Foundling Hospital

Creator:: John Thomas Smith, 1766–1833
Date:: 1817
Materials & Techniques:: Pen and brown ink, black ink, gray ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 15/16 × 9 11/16 inches (32.9 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Top Portion of a Pillar

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 9 3/4 inches (38.4 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Murazzi at Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 15 inches (24.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Study of a Stone Wall

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, and pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Architectural Sketch of Building with Doric Columns

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Arch of Trajan, Ancona, Italy

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, blue wash, gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 15/16 × 8 15/16 inches (27.8 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Study of a Prison in Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 5 3/4 inches (14 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Palace at Vincenza

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 1/2 inches (11.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Palazzo Thiene Bonin Longare

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 11/16 × 4 5/8 inches (19.5 × 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Porch to a Private House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/4 × 4 1/16 inches (13.3 × 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Cathedral at Arezzo, Tuscany

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Gentleman's House in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 8 3/4 inches (19.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Palace in Padua

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/16 inches (14 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Portrait Studies

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 7 11/16 inches (30.8 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Study for, Agony in the Garden

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 9 3/4 inches (38.7 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Study of a Stone Mausoleum

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 6 3/8 inches (11.7 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Sketch of an Entry Gate

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 7 5/8 inches (11.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Study of Christ Raising Lazarus

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: Pen and brown ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 5/8 × 5 11/16 inches (9.2 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Study of Two Figures and Two Legs

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: undated
Materials & Techniques:: pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/4 × 4 3/8 inches (9.5 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study For, Christ's Entry into Jerusalem

Creator:: Benjamin Robert Haydon, 1786–1846
Date:: 1814 to 1820
Materials & Techniques:: Pen and brown ink, brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 9/16 × 3 1/2 inches (9 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Falls of Tivoli, From the Lowest Cavern

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/2 × 13 3/4 inches (26.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Fitting Up of the Medal Room in the Arsenal, Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Staircase Railing, Palace of Doge, Venice

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 3/16 × 7 1/16 inches (15.7 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plan and Section of a Subterraneous Building Discovered at Mycenea and Supposed to be the Tomb of Agamemnon.

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Brown wash, gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Arch of Hadrian

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1804
Materials & Techniques:: Gray wash, brown wash, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/16 × 8 5/8 inches (29.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques brown wash

Materials & Techniques pen

Period 19th century

Image Available Available

Search Results

1. An Ancient Barn at Shoreham

2. Landscape Sketch

3. Trees and Deer

4. Dawn

5. Manor (Knowsley Lane?)

6. S. Pietro Degli Agostiniani. Leonessa.

7. Reggio, 26 July 1847

8. Memphis

9. Albania

10. The Pontine Marshes above Terracina

11. Bavella, Corsica

12. Turin, Italy

13. Castello Malespina Appennines

14. After Pinnelli - Group of Peasants Outside a Church

15. "After Pinnelli" (Group of Peasants Outside a House)

16. An Execution, Rome

17. Running Woman

18. Designs for Gothic Ornamentation

19. Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches

20. Government House from St. Andrew's Library - Calcutta

21. Dunloh Castle, Killarney, Ireland

22. Sorrento Gate

23. Classical Landscape with Temple

24. Caernarvon Castle

25. Caernarvon (Castle) Eagle Tower

26. Harlech Castle

27. Harlech Castle

28. Ruins (Roman?)

29. The Villa Adrianna, Rome

30. Totnes from the Seymour Hotel

31. Queen Anne's Court, Cheyne Walk, Chelsea

32. Cheyne Walk, Old Chelsea

33. Mount Soratte from Civita Castellana

34. Shakespeare House, Aldersgate Street

35. Fulham Palace, Porter's Lodge

36. Well at Bolonchen, Yucatan

37. Maya Stela at Copan, Honduras

38. Workmen at Refreshment (Banditti?)

39. Prospero and Ariel

40. Falstaff Instructing Bardolph

41. Anne Page and Slender

42. Falstaff Dragging the Body of Hotspur

43. Lysander Awakening to See Helena

44. John Gilpin in the Uxbridge Passage Boat

45. Hogarth Declaring His Love to Miss Thornhill

46. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

47. Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances

48. Preparatory drawing for The Waltz

49. Margate Harbor

50. Landscape with Trees and Church Spire

51. Standing Woman

52. Landscape with Bridge

53. Harbor

54. Nocturnal View of Mountainous Landscape with River

55. Ram and Two Sheep

56. Thatched Roof and Tree

57. Hinton St. George, Somerset: Plan of the Dressing Room

58. Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior

59. The Building of Waterloo Bridge

60. On the Cimaronero River

61. Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches

62. Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

63. Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

64. Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e

65. Hogarth Engraving His Master's Shop-bill the Sign of the Angel

66. The Smock Exposed

67. Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill

68. The Reconcilation

69. Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him

70. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

71. Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont

72. Hogarth Sitting to Roubiliac for His Bust