Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
3
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
4
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
5
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
6
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Tower Staircase
ca. 1790
7
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
8
Louis Philippe Boitard, active 1734–1760
Hannah Snell - From the Life (in Male Dress)
undated
9
Thomas Carwitham, active 1723
Neptune and Coronis: Ovid, Metamorphoses, Book 2
1723
10
Thomas Carwitham, active 1723
Anna lamenting the absence of Tobias (Tobit 10:7)
1723
11
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
12
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
13
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
14
Thomas Stothard, 1755–1834
Tree Study
undated
15
Peter Casteels, 1684–1749
Feeding Ducks
undated
16
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
17
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
18
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
19
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
20
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
21
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
22
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
23
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
24
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
25
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
26
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
27
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
28
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
29
unknown artist
A Carriage
1825
30
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
31
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
32
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
33
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
34
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
35
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
36
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
38
Louis Philippe Boitard, active 1734–1760
Man Asleep leaning against a table
undated
39
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
40
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
41
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
42
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
43
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
44
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
45
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
46
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
47
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
48
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
49
Jean B. C. Chatelain, 1710–1771
Classical Landscape with Figures
undated
50
Charles Golding Constable, 1821–1879
Shipping Scene
undated
51
John Collet, ca. 1725–1780
Ecclesiastical Ruins beside the Thames (?)
undated
52
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes
1778
53
John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Red Shoes
ca. 1778
54
Attributed to Thomas Creswick, 1811–1869
A Country Lane with Cottages
undated
55
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
59
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
60
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
61
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
62
John Cleveley the younger, 1747–1786
Shipping in a Calm
undated
63
James Pattison Cockburn, 1779–1847
Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815